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All Journal PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Kari Mulyana
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities Education Environmental Science Social Sciences Other

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Garap Suling dalam Tembang Sunda Cianjuran Mustika Iman Zakaria S; Kari Mulyana; Irda Rustiyaman Zakaria
Paraguna Vol 13 No 1 (2026): music as performing art II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/paraguna.v13i1.5161

Abstract

This study aims to understand the garap of the suling in tembang Sunda Cianjuran tradition by analyzing its performance in ensemble settings both with and without vocal accompaniment. Employing a qualitative methodology, this research utilizes Supanggah’s (2017) theory of garap, specifically the concepts of sarana garap and piranti garap as an analytical framework to identify the techniques and concepts underlying suling performance. The study reveals that the garap of the suling in tembang Sunda Cianjuran is fundamentally rooted in its role as the pamurba lagu (melody carrier), which, in practice, entails the automatic duplication of the melodic line typically sung by the vocalist. However, the approach to this function varies depending on whether the ensemble performance includes vocals. In performances involving vocals, the suling employs the méréan, marengan, and nungtungan (2M1N) concepts, whereas in purely instrumental ensemble settings, the suling constructs its melody by drawing upon the melodic patterns of the kacapi indung and the landangan. Consequently, this study contributes to a deeper understanding of the aesthetics of tembang Sunda Cianjuran, particularly regarding the aesthetic dimensions of suling performance.  
Co-Authors Irda Rustiyaman Zakaria S, Mustika Iman Zakaria