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All Journal Jurnal Gramatika Alayasastra: Jurnal Ilmiah Kesusastraan
Turmudzi, Muhammad Imam
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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IDEOLOGICAL FORMATION IN RONDA DRAMA TEXT BY ATUT ADI BASKORO: ANTONIO GRAMSCI PERSPECTIVE (FORMASI IDEOLOGI DALAM TEKS DRAMA RONDA KARYA ATUT ADI BASKORO: PERSPEKTIF ANTONIO GRAMSCI) Turmudzi, Muhammad Imam
Jurnal Gramatika Vol 5, No 2 (2019)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (284.699 KB) | DOI: 10.22202/jg.2019.v5i2.3271

Abstract

This study aims to describe ideological formation and ideological negotiations in the drama text "Ronda" by Atut Adi Baskoro. With the focus of the problem raised in this study is the study of drama text by describing ideological formation and ideological negotiations in order to find the use of dominant group ideology and its impact on subaltern groups so that dominant ideologies and negotiated ideologies can be known. The ideological concept in this study uses a literary sociology approach initiated by Antonio Gramsci. The method used is descriptive quality. Data analysis techniques use content analysis techniques. The results of the study indicate the existence of ideological formation in the text, namely from the dominant group adhering to the ideology of fascism and anarchism which dominates the subaltern group of adherents of ideological mysticism. In the text also found the new common sense of the dominant and subaltern groups after ideological negotiations between the dominant and subaltern groups. The new common sense is in the form of a humanist ideology that prioritizes human values and position and makes it a criterion in all things.
SEGMENTASI SISTEM TANDA TEKS DRAMA SURREAL “LAKI-LAKI LAUT” KARYA IWAN EFFENDI: PERSPEKTIF TADEUSZ KOWZAN Turmudzi, Muhammad Imam
ALAYASASTRA Vol 16, No 1 (2020): Alayasastra
Publisher : Balai Bahasa Jawa Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (0.093 KB) | DOI: 10.36567/aly.v16i1.356

Abstract

ABSTRAKPenelitian ini mendeskripsikan tanda dalam teks drama surreal ?Laki-Laki Laut? karya Iwan Effendi dengan cara mengklasifikasikannya menjadi beberapa segmen sistem tanda. Pendekatan yang digunakan adalah semiotika teater Tadeusz Kowzan yang berfokus pada tiga belas sistem tanda dalam teks drama. Sumber data penelitian adalah teks drama surreal ?Laki-Laki Laut? karya Iwan Effendi yang penulis dapatkan langsung dari pengarang. Data diperoleh dengan teknik baca dan catat. Penelitian ini merupakan penelitian deskriptif kualitatif. Hasil penelitian menunjukkan segmentasi tiga belas sistem tanda, meliputi kata (bahasa), nada (paralingustik), mimik, gesture, gerak, tata rias (make-up), gaya rambut, tata busana (kostum), properti (prop), ruang panggung (setting), tata cahaya (lighting), musik, dan bunyi (sound effects). Kata kunci: segmentasi tanda, semiotika teater, Tadeusz Kowzan, teks dramaABSTRACTThe study described the sign in the surreal drama text of the "Laki-Laki Laut" by Iwan Effendi by classifying it into several sign system segments. The approach used is the Tadeusz Kowzan theater semiotics which focuses on thirteen sign systems in the drama text. The source of the research data is the surreal drama text of the "Laki-Laki Laut" by Iwan Effendi. Data is obtained by reading and recording techniques. This research is a qualitative descriptive study. The results of the research are thirteen segmentation sign systems, including: word (language), tone (paralingustik), expression, gesture, motion, make-up, hairstyle, fashion (costume), property (prop), setting (stage space), lighting, music, and sound effects.Keywords: sign segmentation, theater semiotics, Tadeusz Kowzan, drama text
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