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All Journal Jurnal Kajian Bali Segara Widya: Jurnal Penelitian Seni Open Access DRIVERset
Gunadi Putra, I Gede
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Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Tari Kreasi Genitri: Sebuah Tarian Bernuansa Pendidikan Gunadi Putra, I Gede; Haryati, Ni Made
Segara Widya : Jurnal Hasil Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Denpasar Vol 7 No 1 (2019): Maret
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1012.21 KB) | DOI: 10.31091/sw.v7i1.677

Abstract

Tari kreasi Genitri merupakan sebuah tari kreasi baru yang mempresentasikan makna filosofi dari genitri (salah satu atribut yang dibawa oleh Dewi Saraswati), sebagai lambang konsentrasi, fokus dan juga sifat ilmu pengetahuan yang tetap berkesinambungan (tidak terputus) serta dinamis (berkembang). Tema dari tarian ini adalah kependidikan. Tarian ini disajikan dengan diiringi instrumen gamelan Gong Kebyar dan dibawakan oleh 5 orang penari wanita sebagai representasi dari panca indera manusia yang harus dikendalikan agar dapat mencapai fokus itu sendiri. Keberadaan tarian ini masih tergolong baru dan diciptakan melalui proses eksplorasi, improvisasi hingga pembentukan baru dimulai pada bulan Juni sampai Agustus 2018. Berdasarkan hal tersebut, penelitian ini menggunakan metode penelitian deskriptif kualitatif dengan bertujuan untuk mengetahui elemen estetis dan makna tari kreasi Genitri
Negotiating the Third Space: Islamic Performing Arts and Cultural Diplomacy Between Muslim Minorities and Royal Patronage in Bali Sariada, I Ketut; Gunadi Putra, I Gede; Rahiminejat, Rahim
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p06

Abstract

In Bali, Islamic performing arts have long bridged relations between Muslim minority communities and the puri royal courts, shaped by trade, intermarriage, and mutual coexistence. This study examines Rodat as a medium of social interaction and identity negotiation in Kepaon, Denpasar, and Puri Agung Pemecutan, with comparisons from other regions in Bali. Using a qualitative ethnographic approach that combines observation, interviews, and document analysis, the research traces the historical, symbolic, and political dimensions of these practices. The findings show that Rodat and other Islamic performances serve dual functions: preserving Muslim identity while legitimizing palace authority, creating a third space that enables coexistence without forced assimilation. This space functions as a mechanism of interfaith diplomacy, reinforced through rituals, mutual recognition, and cultural patronage. In doing so, this study advances theoretical understanding by demonstrating how Bhabha’s ‘third space’ can be institutionalized through traditional patronage, enabling coexistence without assimilation.
Negotiating the Third Space: Islamic Performing Arts and Cultural Diplomacy Between Muslim Minorities and Royal Patronage in Bali Sariada, I Ketut; Gunadi Putra, I Gede; Rahiminejat, Rahim
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p06

Abstract

In Bali, Islamic performing arts have long bridged relations between Muslim minority communities and the puri royal courts, shaped by trade, intermarriage, and mutual coexistence. This study examines Rodat as a medium of social interaction and identity negotiation in Kepaon, Denpasar, and Puri Agung Pemecutan, with comparisons from other regions in Bali. Using a qualitative ethnographic approach that combines observation, interviews, and document analysis, the research traces the historical, symbolic, and political dimensions of these practices. The findings show that Rodat and other Islamic performances serve dual functions: preserving Muslim identity while legitimizing palace authority, creating a third space that enables coexistence without forced assimilation. This space functions as a mechanism of interfaith diplomacy, reinforced through rituals, mutual recognition, and cultural patronage. In doing so, this study advances theoretical understanding by demonstrating how Bhabha’s ‘third space’ can be institutionalized through traditional patronage, enabling coexistence without assimilation.
Co-Authors Haryati, Ni Made I Ketut Sariada, I Ketut Rahiminejat, Rahim