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All Journal SUHUF: Jurnal Pengkajian Al-Qur'an dan Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies
Marwoto, Irmawati
Departemen Arkeologi FIB Universitas Indonesia
Religion Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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From rubbish to cultural identity; Making archaeology relevant for the contemporary community Marwoto, Irmawati
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 2
Publisher : UI Scholars Hub

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Abstract

Archaeological relevance for the present has become an important issue in the world of archaeology. This paper aims to examine how the biography of artefacts of pottery fragments from the old Banten site, the site of Banten Sultanate of the sixteenth century AD, became a marker of the cultural identity of Banten people today. These pottery fragments were studied using Michael Thompson’s rubbish theory (1979), which observes how the value of objects shifts from transient to rubbish to durable. Using the rubbish theory, archaeological practices that have only been aimed at scientific purposes can be useful for the people of Banten today. This paper will also discuss how people who have been ignored become an important part of archaeological practice and how archaeology can have an economic impact on today’s society.
A STUDY OF THE CONCEPT OF HETEROTOPIAN SPACE IN THE DUTCH CEMETERY AT THE BOGOR BOTANICAL GARDEN Kurniawan, Nur Muhammad Arief; Marwoto, Irmawati
International Review of Humanities Studies Vol. 8, No. 1
Publisher : UI Scholars Hub

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A cemetery is a land that is used as a place for burial of bodies. However, despite its obvious function, in European Christian culture which lasted for centuries, the view of the true cemetery was always changing, so that the function of the cemetery was often mixed with other completely unrelated functions of space. This phenomenon is highlighted by Foucault in his theory of heterotopia space (1967). In this regard, this study intends to look at other spaces based on the phenomena found in the Dutch Cemetery at the Bogor Botanical Garden. This cemetery is interesting to study using Foucault's heterotopia theory because of its relatively different location from the Dutch cemeteries in the Dutch East Indies at that time, which were generally located in a church environment or in an open field. Based on the results of the study, it is concluded that in the Bogor Botanical Garden cemetery, there are other spaces which are manifested in three heterotopological principles, namely: the concept of heterotopia space of crisis and deviation, changes in the function of the cemetery, and the incorporation of other unrelated spaces.
Museum Istiqlal dan Identitas Keislaman di Indonesia Irmawati Marwoto Johan
SUHUF Vol 4 No 1 (2011)
Publisher : Lajnah Pentashihan Mushaf Al-Qur'an

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22548/shf.v4i1.67

Abstract

Based on the concept of the new museology, a museum is seen to function as an educational institution that aims to  increase and strengthen society’s awareness of  its  own  identity so that it will realise the  potenial for better development. Museum Istiqlal is a museum that represents Islamic identity in Indonesia and its goal is for the Museum  to  become a location where  the community  can learn more  about  this subject.    The museum seeks to promote wider  understanding about the variety of social and daily life in Islamic cultures in Indonesia, as well as about  religious harmony,  which is inclusive  Islam, and  also  many other subjects.
MANIFESTATION OF THE STATUES OF DEITIES IN THE LI TIE GUAI TEMPLE IN WEST JAKARTA: A LIFE COURSE PERSPECTIVE Zaqi, Muhammad; Marwoto, Irmawati
International Review of Humanities Studies Vol. 8, No. 2
Publisher : UI Scholars Hub

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This article discusses the embodiment of the statues of the gods and goddesses at the Li Tie Guai Temple in West Jakarta. The embodiment of the statues in this temple is discussed using a life course perspective. The data used are all the statues of the gods in the temple, totaling thirty statues. The method used is study of literature and field data, followed by data processing which is done by classifying the statues into age, adult, teenager, and children as well as the shape of men, women, and others. The next stage is data interpretation. The results showed that there were more statues depicted in the forms of adults and old people compared to the forms of teenagers and children. This shows that from a life course perspective, a person during his or her lifetime becomes a god more when he or she is mature and old because the process of becoming a god requires special abilities and a purified soul that can be acquired over a long time. Then the embodiment of male statues is more numerous than the embodiment of female statues and others. This shows that in the past, especially in China, men had greater domination than women and others.
GENDERED SPACE IN THE JAVANESE NOBLE HOUSE OF PANGERAN MERTADIREJA III Amalia, Yesi Syafira; Marwoto, Irmawati
International Review of Humanities Studies Vol. 6, No. 1
Publisher : UI Scholars Hub

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Abstract

Javanese traditional house are built to reflect the microcosm and microcosm of the Javanese philosophy of living. For the Javanese, duality and balance are two important concepts, which is reflected spatially through the how their houses are organized: inside and outside, left and right, rest area and activity area, as well as masculine and feminine spaces. This research discusses the meaning of gendered space in the house nDalem Pangeranam Mertadireja III. Gendered space is the main focus of discussion because gendered activities both shape and are shaped by gendered spaces. Ndalem Pangeranan Mertadireja III is a traditional Javanese house built in 1901 by the 17th Banyumas Regent, Pangeran Adipati Aria Mertadireja III. The house is located in Banyumas, Central Java. The purpose of this study is to analyze how gender is reflected in space, and how gendered resistance can then be observed spatially. This research concludes that within the Mertadireja house, masculine spaces are open, clean, and located in the front and right side of the house. In contrary, feminine spaces are closed, dirty, and located in the back and left side of the house. However, resistance is reflected spatially when women make use of masculine spaces.
BIRD SYMBOLISM IN PERSIAN MYSTICISM POETRY Marwoto, Irmawati
International Review of Humanities Studies Vol. 4, No. 2
Publisher : UI Scholars Hub

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Abstract

This article discusses about bird symbolism in Persian Mysticism Poetry, because images of birds in Islamic mysticism are important symbols and are included in the prominent symbols among other symbols such as wine, roses and gardens. The bird symbol does not only have one single meaning, namely a symbol of the soul, but it also has another meaning. The bird symbol not only as a symbol of the soul but also as a symbol of certain people, experiences and creation. The Sufis who isolate themselves are symbolized as birds in the cage of exile, while Sufis who are killed are symbolized as holy birds that have returned to their nest. Those Sufis who meditate and concentrate are symbolized by birds of silence and the prophets, angels and saints are symbolized by birds flying in the heavenly garden. In, Indonesia, the study is important data which can give meaning to Islamic archeology, considering that Sufism, which was very influential in Indonesia, was spread by both the Persians and the Arabs. This research uses library data, which is collecting data about it, identifying, classifying and then analyzing it. From the results of the analysis it was found that the ideology of birds as a symbols of divinity, symbol s of a holy persons, free souls which materializes in the archaeological remains in the form of ornaments or decorations on ancient Islamic tombs such as the tombs of the Wali Sanga in Java and Madura. This is related to the depiction of birds as symbols of free spirits reaching heaven, the guardians and spreaders of Islam in Java and Madura.
WORKERS IN NUTMEG PLANTATIONS AND THE TOWN OF NEIRA IN THE BANDA ISLANDS DURING THE 17-19TH CENTURY (A DISCIPLINARY PANOPTICON MODEL) Sarjiyanto, Sarjiyanto; Marwoto, Irmawati
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

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Abstract

Nutmeg plantations in the Banda Islands, Central Maluku, had an important value in the early history of industrial development in Indonesia. The operational management of planting, maintaining, picking, processing, distribution and exercising power are some lessons learned. Plantations at that time also required various forms of human resource management, ranging from recruitment, division of labor, supervision and discipline of its workers. In this case the material culture reflects the mindset of the builders and managers of the time. Through descriptive qualitative methods, disciplinary problems related to the management of the nutmeg plantations are discussed by linking the concepts of technofact, sociofacts, ideofacts in archeology with the concept of panopticon as a disciplinary model proposed by Foucault. The goal is to explore the values that can be applied to the present from the remnants associated with the nutmeg plantations of the Banda Islands. The results obtained are related to the discipline model with archeological remains related to the management of nutmeg plantations. The concept of panopticon is still relevant today, with necessary modifications in the form of cultural products, and adjustments in the development of technology and information.
A STUDY ON BIOGRAPHY OF THINGS: POSBLOC PUBLIC CREATIVE SPACES Varidy, Vherendio Novtha; Marwoto, Irmawati
International Review of Humanities Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

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This paper discusses the journey of Pasar Baru Post Office using The Biography of Things study in which observes the building from time to time. Pasar Baru Post Office is used as the main source in this paper. Amidst the changes since The Netherland-Colonial era, the building remains still and that became the reason this study was conducted through The Biography of Things study. The research method used in this article is the research framework of Sharer and Ashmore which consists of data collection, processing, and interpretation. The results of the study show that there are some changes in the physical form of the building or its commodification, which can be included as a way to put off the past colonial memory. This can be seen throughout the values and functions shifting that were once used as a place for postal and philatelic services, now the building has become a public creative space.
APPROACH OF BIOGRAPHY OF OBJECTS: A PASSAGE FROM PROFANE TO SACRED Jahra, Fierda Al; Marwoto, Irmawati
International Review of Humanities Studies Vol. 9, No. 2
Publisher : UI Scholars Hub

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This paper discusses the life journey of buildings through the Biography of Things approach taken through a case study of the Bouwploeg building which is currently the Cut Meutia Mosque. The change from an office building as a profane building to a mosque as a sacred building is the reason for the biography of things approach. This research uses the main data in the form of the Cut Meutia Mosque building, which is still standing in Menteng, Central Jakarta. The research method used in this research is based on the K. R. Dark framework which consists of data sources, data, evidence, and interpretation. The results of this research show that there are physical changes, functions, and meanings in the building's life journey to become the Cut Meutia Mosque as a sacred building. This can be seen from the changes in materials and landscape. As well as the role of agency and structure behind it so that there can be a change in the building from profane to sacred.
PUBLIC BATHS & GENDER RECONSTRUCTION IN THE MANGKUNEGARAN REGION OF SOLO Saffana, Fiera; Marwoto, Irmawati
International Review of Humanities Studies Vol. 10, No. 1
Publisher : UI Scholars Hub

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The division of gender roles in space is already evident from the layout of traditional Javanese buildings, which reflects a patriarchal culture where men are at a higher level than women. These gender boundaries and norms are also reflected in the spatial form of public bath in Solo. This research uses the archaeological method by Deetz which consists of data collection, data processing, and data interpretation. Explaining by presenting facts based on data obtained in the field, then data processing is carried out by involving analysis of the field data that has been collected. The last stage is the interpretation of data on Mangkunegaran’s Solo public bath. The spatial layout is interpreted by considering the spatial and gender context. This research aims to understand how the understanding of the reconstruction of gender aspects is reflected in the form of a spatial system in Solo public bath built by Mangkunegaran. The results of this study show that gender, although an abstract social construction, has a real manifestation in the spatial layout of the building that can be observed through various aspects. The space designated for men contains primary and masculine values and has an open character, while the space for women contains secondary, feminine, and closed values. This research also found that the spatial arrangement reflects not only social status but also gender hierarchy.
Co-Authors Amalia, Yesi Syafira Denendra, Attari Putri Jahra, Fierda Al Kurniawan, Nur Muhammad Arief Saffana, Fiera Sarjiyanto Sarjiyanto Sarjiyanto, Sarjiyanto Varidy, Vherendio Novtha Yesi Syafira Amalia Zaqi, Muhammad