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RUANG PUBLIK DAN SENI PUBLIK Jabaril, Rahmat
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1970

Abstract

Public Space and Public art, are two different senses. Public Space is a space that can be spread out because of the existence of a community that has the imagination that engages in it. Society is created and creates public space as a real democratic space. This is because, every actor in it interferes with imagination, and ideas that make that space continue to be spread out as public space. Public art is unconstitutional, so its beauty is a dynamic process. In that, then the public space and the art of public are compounds which have no meaning. Often it is not revealed that what we see on the streets, for example, provides reflective space and gives inspiration to the street performers. Public art, public space and public actors will make public dynamics an aesthetic form.
SENI RUPA SEBAGAI MEDIA PENYADARAN Jabaril, Rahmat
Jurnal Budaya Nusantara Vol 3 No 2 (2020): Nusantara & Media
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no2.a2530

Abstract

Fine Art as a form of expression of artists, certainly not like economists who need advantages in currency values. Art is not likely to be intervened by fields of pragmatic size. Then it will be so difficult to place art as part of the aesthetic element. So, in this case, we can see the strengths that are in the art itself. Art as a matter of which considered unconstitutional is certainly very paradoxical when it is part of standard rules. So when art works, it becomes part of aesthetic polarization and not being as a reading room in the future. The method used in this study is study of literature with an emphasis on the philosophy of art that gives bargaining power to change in thinking, freedom of interpretation Then The aim of study of literature is to gain an understanding that art gives its weight in thinking about renewal art with a constructive approach through aesthetic understanding. For this reason, fine arts should see forms of visualization as a form of social reality. With it, the artist must be able to create novelty as well as from ethics, aesthetics, and the philosophy of art itself. Without it, the existence of artists cannot be expected to advance the world of art, if the artists themselves lack understanding of the principles in creating fine arts. Therefore, in this paper, the author is obliged to offer solutions, as an effort to improve the quality of the concept of works and at the same time associated with the cultural movement in the public.
Estetika Grafiti dan Mural di Ruang Publik Jabaril, Rahmat
Dekonstruksi Vol. 10 No. 03 (2024): Jurnal Dekonstruksi Volume 10.3
Publisher : Gerakan Indonesia Kita

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54154/dekonstruksi.v10i03.260

Abstract

Setiap kita datang ke Jogja, Jakarta, Bandung, Solo, dan Surabaya, selalu disuguhkan mural dan grafiti di dinding-dinding kotanya. Tidak mengherankan tentunya, karena pertumbuhan seni rupa dewasa ini sudah menjadi daya tarik dalam perubahan estetika kota. Kesungguhan manifestasi seni di dalam perkembangan kota, tidak bisa dinafikan perannya dalam gestur sosial kota yang dinamik. Realitas tersebut melaju pada pembentukan estetika jalanan yang geliatnya begitu kuat. Karena kehadiran seni grafiti dan mural sangat dinamik, maka diskursus mengenai seni jalanan bermunculan. Peran mural dan grafiti adalah merepresentasikan nilai-nilai dari warga kotanya yang berelasi pada tanda-tanda kebudayaan global, cerminan wajah sebuah kota dan keterbukaan pemikiran warganya itu sendiri.