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All Journal AT-TABSYIR: Jurnal Komunikasi Penyiaran Islam Capture : Jurnal Seni Media Rekam Jurnal Pakarena Sanggitarupa
Hudoyo, Sapto
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Arts Humanities Languange, Linguistic, Communication & Media Other

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Journal : Capture : Jurnal Seni Media Rekam

 1 
Visualisasi Perempuan Dalam Film Wanita Tetap Wanita Hudoyo, Sapto; Rachmawati, Irsa Richa
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5720.781 KB) | DOI: 10.33153/capture.v5i2.695

Abstract

The main issues in the study that how the visualization of women in the movie  Wanita Tetap Wanita. This research used approach of qualitative descriptive especially the analysis study. The result that can be drawn in this study that the leadership spirit visualised by Medium Close-Up shots, meaning of the personal relationships showed by Medium Shot, the social relationships visualised in Full Shot, and the eye level camera indicates the level of fairness, equality or equal. Visualization of women who demonstrate leadership at a time when women are grappling with maintaining a job with patience and able to lead a family or can be called the backbone of the family. Visualization courage by taking close up pictures that have meaning or intimacy with the expression of someone’s reaction when they face the problem of women still smile and strong, brave women at the time of visualization to show her feelings to a man who already has a wife and children with movement of the Pan Right and Leftcamera show meaning of curiosity in atmosphere around. The results of the study showed that the movie  Wanita Tetap Wanita seeks to visualize the slick condition of women in fighting for their rights at each story according man’s perspective. Keywords :  women,  Wanita Tetap Wanita, and visualization
REPRESENTASI DESA DALAM FILM-TARI “DONGENG DARI DIRAH” Analisis Semiotika Barthesian Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (559.01 KB) | DOI: 10.33153/capture.v3i1.659

Abstract

Film is a collaborative work that combines multiple art forms. Every form of art donatesrespective roles and supports each other. Film is created as a means of communicationvia meaningful visual language and affirmed-narrative. A film raises aesthetic values andmeaning by offering interpretation from its audience. The story telling throughchoreography on the step of post-production (editing) will bring new meaning, it makesa dance film more superior than the performances of casual dance. Dance has becomea means of creating a depth of meaning on purpose to be conveyed. By using a semiotictheory, a “Socerres From Dirah” dance film which has rural setting can be perceivedthrough culture and religion of rural communities. Of the signs systems (signifier/expression and signified/contents), it has obtained connotative meaning of the effort,praying and expression of excitement for all the work done by rural communities inmaking a living for his family.
Representasi Keluarga Jawa Dalam Film Jokowi Hudoyo, Sapto; Mulia, Prajanata Bagiananda
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (329.813 KB) | DOI: 10.33153/capture.v6i1.729

Abstract

Javanese family is smallest scope of Javanese society. Social conditions of thefamily can be represented in various ways through various media, such as through themedium of movie. Movie entitled Jokowi is a biopic film with Javanese background.The film tells the struggle of life in chronological order. The film depicts a life conditionsof character with the Javanese family, set in the period of 1960 through 2012. TheJavanese family concept from literature books that according with time frames or yearsof the story, is used as references for a family reading of social interaction that appearsfrom the primary data, they are pieces of movie scenes. This study aims to determinehow the Javanese family represented through the Jokowi film. The method used in thisresearch is descriptive qualitative method, with approach a representation theory ofStuart Hall as the reading method. Representation approach is used to posit the film asa medium that can construct the meaning through language (constructionist). So, it canappears 6 selected sequences, contains scenes which may represent a social life ofJavanese family inside the film. The results of this study showed a nearly balanced,which appears three equations, two shifts, and one difference. Equations that appearare: (1) social relations childhood in a family through the closeness between father andson was a toddler; (2) the status of teenage boys who attend school; and (3) a patternof domestic cooperation through the division of labor. Then, a shift that appears are: (1)the social status of the family through a way of having a baby; (2) the role of parentsthrough of punishing the child after a fight. In addition, one significant difference thatappear is the closeness of father and son through the way of greeting each other.Keywords: family, Jawa, representation, and Jokowi
EKRANISASI UNSUR NARATIF DALAM FILM LIFE OF PI Andini, Bertha Galuh; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (593.548 KB) | DOI: 10.33153/capture.v7i2.1693

Abstract

Every year, films adapted from novels have developed significantly. However,there are many differences from their novels when the films screened, such as thereduction and addition of the storyline and characters, and also some variations.Thecreativity of the films toward their novels is because of the audio-visual medium,whilenovel caused by linguistic medium.Thus,there are certain plots that can be raised well inthe novel, but cannot appear in the film, or vice versa. This research examines theelement of narrative changes that covers the story, plot, characters, andcharacterizations in the movie entitled Life of Pi using ecranisation approach.Ecranisationtheory is an adapting novel to film that causes three changes; shrinking, adding, andvaried changes. This research adopts qualitative research method. The data wascollected by observation and literature study.The results showed that there were a lotof changes in this film include shrinking, that is the reduction and elimination of someplots,as well as the removal of the several characters.Also,there were some additionsand some changes.The function of the varied changes in this film is to create the processof causality consistently and also as a teaser.Keywords : Novel,film,ecranisation,and Life of Pi
MINANGKABAU MATRILINEAL RELATIONSHIP IN THE LOVE FOR SALE 2 FILM Maharani, Anita Devi; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3833

Abstract

Love for Sale 2 chronicles the life of a Minangkabau family living overseas. This tribe is highly distinctive due to the embraced and lived matrilineal culture. Accordingly, this study seeks to denote and connote the Minangkabau matrilineal relationship in the Sikumbang family as depicted in the film Love for Sale 2 by combining the descriptive method with Roland Barthes' semiotics in the analysis. The purposive sampling method selects scene samples. The findings of this study indicate that the Sikumbang family maintains the Minangkabau matrilineal relationship, which includes marriage as a communal affair, the importance of obtaining an ideal son-in-law, the'mamak-kemenakan' relationship, the 'bako anak pisang' relationship, and the mother's role in a matrilineal family.
REPRESENTASI DESA DALAM FILM-TARI “DONGENG DARI DIRAH” Analisis Semiotika Barthesian Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v3i1.659

Abstract

Film is a collaborative work that combines multiple art forms. Every form of art donatesrespective roles and supports each other. Film is created as a means of communicationvia meaningful visual language and affirmed-narrative. A film raises aesthetic values andmeaning by offering interpretation from its audience. The story telling throughchoreography on the step of post-production (editing) will bring new meaning, it makesa dance film more superior than the performances of casual dance. Dance has becomea means of creating a depth of meaning on purpose to be conveyed. By using a semiotictheory, a “Socerres From Dirah” dance film which has rural setting can be perceivedthrough culture and religion of rural communities. Of the signs systems (signifier/expression and signified/contents), it has obtained connotative meaning of the effort,praying and expression of excitement for all the work done by rural communities inmaking a living for his family.
Visualisasi Perempuan Dalam Film Wanita Tetap Wanita Hudoyo, Sapto; Rachmawati, Irsa Richa
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i2.695

Abstract

The main issues in the study that how the visualization of women in the movie  Wanita Tetap Wanita. This research used approach of qualitative descriptive especially the analysis study. The result that can be drawn in this study that the leadership spirit visualised by Medium Close-Up shots, meaning of the personal relationships showed by Medium Shot, the social relationships visualised in Full Shot, and the eye level camera indicates the level of fairness, equality or equal. Visualization of women who demonstrate leadership at a time when women are grappling with maintaining a job with patience and able to lead a family or can be called the backbone of the family. Visualization courage by taking close up pictures that have meaning or intimacy with the expression of someone’s reaction when they face the problem of women still smile and strong, brave women at the time of visualization to show her feelings to a man who already has a wife and children with movement of the Pan Right and Leftcamera show meaning of curiosity in atmosphere around. The results of the study showed that the movie  Wanita Tetap Wanita seeks to visualize the slick condition of women in fighting for their rights at each story according man’s perspective. Keywords :  women,  Wanita Tetap Wanita, and visualization
Representasi Keluarga Jawa Dalam Film Jokowi Hudoyo, Sapto; Mulia, Prajanata Bagiananda
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i1.729

Abstract

Javanese family is smallest scope of Javanese society. Social conditions of thefamily can be represented in various ways through various media, such as through themedium of movie. Movie entitled Jokowi is a biopic film with Javanese background.The film tells the struggle of life in chronological order. The film depicts a life conditionsof character with the Javanese family, set in the period of 1960 through 2012. TheJavanese family concept from literature books that according with time frames or yearsof the story, is used as references for a family reading of social interaction that appearsfrom the primary data, they are pieces of movie scenes. This study aims to determinehow the Javanese family represented through the Jokowi film. The method used in thisresearch is descriptive qualitative method, with approach a representation theory ofStuart Hall as the reading method. Representation approach is used to posit the film asa medium that can construct the meaning through language (constructionist). So, it canappears 6 selected sequences, contains scenes which may represent a social life ofJavanese family inside the film. The results of this study showed a nearly balanced,which appears three equations, two shifts, and one difference. Equations that appearare: (1) social relations childhood in a family through the closeness between father andson was a toddler; (2) the status of teenage boys who attend school; and (3) a patternof domestic cooperation through the division of labor. Then, a shift that appears are: (1)the social status of the family through a way of having a baby; (2) the role of parentsthrough of punishing the child after a fight. In addition, one significant difference thatappear is the closeness of father and son through the way of greeting each other.Keywords: family, Jawa, representation, and Jokowi
EKRANISASI UNSUR NARATIF DALAM FILM LIFE OF PI Andini, Bertha Galuh; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v7i2.1693

Abstract

Every year, films adapted from novels have developed significantly. However,there are many differences from their novels when the films screened, such as thereduction and addition of the storyline and characters, and also some variations.Thecreativity of the films toward their novels is because of the audio-visual medium,whilenovel caused by linguistic medium.Thus,there are certain plots that can be raised well inthe novel, but cannot appear in the film, or vice versa. This research examines theelement of narrative changes that covers the story, plot, characters, andcharacterizations in the movie entitled Life of Pi using ecranisation approach.Ecranisationtheory is an adapting novel to film that causes three changes; shrinking, adding, andvaried changes. This research adopts qualitative research method. The data wascollected by observation and literature study.The results showed that there were a lotof changes in this film include shrinking, that is the reduction and elimination of someplots,as well as the removal of the several characters.Also,there were some additionsand some changes.The function of the varied changes in this film is to create the processof causality consistently and also as a teaser.Keywords : Novel,film,ecranisation,and Life of Pi
MINANGKABAU MATRILINEAL RELATIONSHIP IN THE LOVE FOR SALE 2 FILM Maharani, Anita Devi; Hudoyo, Sapto
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3833

Abstract

Love for Sale 2 chronicles the life of a Minangkabau family living overseas. This tribe is highly distinctive due to the embraced and lived matrilineal culture. Accordingly, this study seeks to denote and connote the Minangkabau matrilineal relationship in the Sikumbang family as depicted in the film Love for Sale 2 by combining the descriptive method with Roland Barthes' semiotics in the analysis. The purposive sampling method selects scene samples. The findings of this study indicate that the Sikumbang family maintains the Minangkabau matrilineal relationship, which includes marriage as a communal affair, the importance of obtaining an ideal son-in-law, the'mamak-kemenakan' relationship, the 'bako anak pisang' relationship, and the mother's role in a matrilineal family.
Co-Authors Andini, Bertha Galuh Astuti - Fauzi, Abas Hendrawan, Bagus Maharani, Anita Devi Mulia, Prajanata Bagiananda Novariano, Alvian Rachmawati, Irsa Richa