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NYANYIAN ANAK BALAM: TERAPI MISTIK PERDUKUNAN KE SENI PERTUNJUKAN RABAB PASISIE DI PESISIR SELATAN SUMATERA BARAT Kamal, Zahara
Humanus Vol 14, No 2 (2015)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.188 KB) | DOI: 10.24036/jh.v14i2.5683

Abstract

This article is part of reserch,which reveals the problem of singing of anak balam in the context of shamanism entered the real of the performing art tradition of rabab pasisie in south pesisir.in the context of shamanism,the singing of anak balam serves as a means of communication between shamans and spirit of ancestor to identify a patient’s disease and type of medicine.while the singing of anak balam in context of performing arts rabab, serves as ameans of intertainment to enliven various local community activities.this reserch use a quanlitative method sosiology approach,antropology approach,easthetic approach.data colected through observasion, interview and documentation.this research found that in term of aesthetics singing of anak balam in context of shamanic different with the singing of anak balam in the context of art performing rabab pasisie, because in shamanism context eathetic value is not considered by shamans, because preferred here is to communicate with the spirit of ancestors,while in the context of performing arts rabab,aesthitic value higly considered by rabab artists both from the cultivation of musical and singing text.
TINJAUAN MUSIKOLOGIS DIKIE RABANO DALAM RITUAL BAOK ANAK KA AIE DI NAGARI BAWAN KECAMATAN AMPEK NAGARI KABUPATEN AGAM Yeni, Yudi Asrul; Asril, Asril; Kamal, Zahara
Grenek: Jurnal Seni Musik Vol. 9 No. 2 (2020): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19681

Abstract

The study aims to discuss dikie rabano™s function in the context of the baok anak ka aie (shower down) ritual and to discuss the form of the presentasion of dikie rabano in the care-bathing ritual at Nagari Bawan. The research methods use are qualitative methods with data collection techniques: observastion, interviews, and documentation. As a result of the study, dikie rabano™s function was that of both customary and religious education and of promoting a grammatical relationship between the family and surrounding communities. In terms of the presentation, there is an art in dikie rabano that begins with vowels or song solo and instructed by the vocal group together while playing rabano™s instrument rhythm pattern, whereas in terms of its musical shape, it can be seen as a continuous rhythm pattern.