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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik
Astono, Sigit
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Arts Humanities

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PROSES PEMBUATAN DJEMBE OLEH PURWANTO Setiawan, Muhammad Afandi; Astono, Sigit
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 2 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3596

Abstract

The research entitled "The Process of Making Djembe by Purwanto" is qualitative. The research subject is focused on making a musical instrument which is carried out in Purwanto, one of the craftsmen in the city of Surakarta. Djembe becomes the object of research because the phenomenon that occurs in this musical instrument is experiencing extraordinary development in Surakarta. This development cannot be separated from the services and talents of Purwanto, which are recognized by various music artists, especially djembe users. Besides, the djembe made by Purwanto is of high quality in terms of ingredients and products.This study uses an ethnographic approach. Researchers go directly to follow the process carried out by the resource person to obtain data and information about the process of making a djembe instrument. To answer this research problem, the concept of Mantle Hood organology is used, which discusses the science of musical instruments in a broad sense that is limited to history and physical description and the development of processes and the role of musical instruments in one ensemble.The results of data analysis and facts collected through interviews, observations, and literature studies are the process of making developmental djembe on equipment. This development is found in:Choosing a good wood material, namely mahogany.Choosing a good leather material, namely cow and goatskin.The manufacturing process using machine technology.Good quality is djembe which can produce bass, tone, and slap sound well.
FUNGSI SHOFAR DALAM PERIBADATAN DI GJKI MILLENIUM DAMAI MINISTRI SURAKARTA Prihandhini, Yona Ari; Astono, Sigit
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 2 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.3982

Abstract

This paper describes the function of shofar at GJKI Millennium Damai. This qualitative research generally based on Malinowski's theory, and contextually based on Merriam’s theory. Qualitative research data were collected through interviews, literature studies, and observations of the previous worship documentation videos. The results of the study show that, spiritual needs of GJKI Millennium Damai’s concegeration which embrace the tabernacle of Mose is an impulse, then the act is using shofar, the result is spiritual satisfaction. Contextually function of shofar first, that the function of the Shofar in worship is as as a vertical communication medium between the servant and the God. Second, the function of the Shofar plays, believed that the sound of the Shofar makes God's presence more pronounced, so the concegration responded such as crying, clapping, dancing and so on. Third, shofar as a validation of religious rituals, in accordance with the recommendations of the Exodus Bible, which contains the concept of Mose’s tabernacle and is believed to be true by the GJKI Millennium Damai.
Co-Authors Prihandhini, Yona Ari Setiawan, Muhammad Afandi