Maryanah, Imas
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KALATIDHA KARYA SENO GUMIRA AJIDARMA: SEBUAH POTRET BURAM KEMANUSIAAN Maryanah, Imas
Humanus Vol 12, No 2 (2013)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (300.939 KB) | DOI: 10.24036/jh.v12i2.4034

Abstract

AbstractThe changing dynamic of human lives makes most of them ignorant to the values of right and wrong. Truth, freedom, and justice have become scarce and beyond real.Cruelty has caused fear, restlessness, and misery. In order to be free from excruciatingpressure, Kalatidha describes a picture of how someone has lived in his dream happily.The dreams and goals he is been longing for are only enjoyed in that surreal world, theworld freed from norms, ideas, and public opinion. “Running away” is the word used todescribe how people lock themselves away from the real world.  For him, the real world he understands is the world that can give him joy,happiness, and cheerfulness. Things that are immoral in the eyes of the public are noshame to him. One thing he is sure of, that life is a journey, and how he live it. Emptinessis no longer misery, but a process that has to be passed through the journey. Kalatidhahas become a picture of how inner unrest becomes a focus of deceitful real life pantings.Deceit and dishonesty are stupid, and craziness is an act of hopelessness.  Key words : Dream, Journey, Deceit AbstrakDinamika gambaran kehidupan manusia yang terus-menerus berubah menyebabkan sebagian manusia tidak mengindahkan lagi, mana yang harus dilakukanmana yang dilarang. Kebenaran, kebebasan, keadilan menjadi barang langka yanghanya menjadi impian belaka. Kekejaman telah memunculkan ketakutan, kegelisahan,kesengsaraan. Agar terbebas dari tekanan yang menyiksa, Kalatidha menyajikan sebuahpotret bagaimana seseorang telah hidup di alam khayalnya dengan bahagia. Impian dancita-cita yang selama ini didambakan, hanya dapat dinikmati di alam “sana”. Alamyang  terbebas dari norma, ide, pendapat masyarakat. “Lari” itulah kata yang tepatuntuk menggambarkan bagaimana seseorang telah memenjarakan dirinya darikehidupan nyata.  Kehidupan nyata yang ia pahami hanyalah dunia yang dapat memberinyakesenangan, kegembiraan dan keceriaan. Hal-hal aneh yang dianggap menyimpang olehmasyarakat pada umumnya bukan merupakan celaan baginya. Satu hal yang ia yakinibahwa hidup ini adalah sebuah perjalanan, dan bagaimana ia menjalankannya. Kekosongan dan kehampaan bukan lagi siksaan, tapi sebuah proses yang harus dilewatidalam menempuh perjalanan. Kalatidha telah menjadi sebuah potret bagaimanapergolakan batin menjadi fokus sebuah lukisan kenyataan semu. Kepalsuan dan kepurapuraanadalahhalbodoh,dankegilaanadalahtindakandarisuatukeputusasaan.Key words : Impian, Perjalanan, Semu
“REPRESENTASI PEREMPUAN SEBAGAI IDEOLOGI DALAM CERITA DARI BLORA KARYA PRAMUDYA ANANTA TOER” (Sebuah Kajian Feminisme) Maryanah, Imas
Humanus Vol 13, No 1 (2014)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jh.v13i1.4092

Abstract

The world’s increasing feminist activism has grown gender studies, both in real life and literature. Gender studies in several universities in Indonesia provide a lot of essential information about women’s position that are constructed to be marginal and unfortunate in social life. Critical feminist literature has improved better along with the women’s awareness of their rights that are robbed by patriarchy, which is created to marginalize them. Apparently their have important role and contribution in improving life quality.‘Cerita dari Blora’ (A story from Blora), written by Pramudya Ananta Toer, tells stories about women in Blora, Central Java. Economic, social, political, and cultural disorder in the country has increased the abuse of women as reflected in the dry and infertile land of Blora. There is no hope for the people who are humbled by the harsh and complicated life. Several female protagonists in the story are described to suffer in the patriarchal system that dominates the ideology of Blora community. There is only one strong woman in the story, called ‘Ibu’ (mother) who changes and lifts women’s status. The women’s fight will be continued by mothers for the blossoming of the next generation.Key words: feminism, gender, patriarchy, women