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TINJAUAN PERILAKU PENGUNJUNG TERHADAP POLA SIRKULASI MASJID AGUNG JAWA TENGAH Nabilah, Ainun; pribadi, septana bagus; alfia riza, masyiana arifah
MODUL Vol 18, No 2 (2018): MODUL vol 18 no 2 tahun 2018 (8 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (176.392 KB) | DOI: 10.14710/mdl.18.2.2018.54-59

Abstract

The development of Islam in Indonesia is very rapidly growing, as the largest religion in Indonesia, the need for spiritual good in terms of worship and social is needed in variousregions in Indonesia. Semarang as the capital of Central Java Province became the city which must be the center of development of all aspects of human needs, including religious facilities for the city of Semarang and surrounding areas. One of the areas that became religious facilities, especially Islam in Semarang is the Great Mosque of Central Java. In addition to being the biggest iconic mosque in Semarang and used as a tourist spot, the area provides various facilities to create a circulation to connect these facilities. Circulation becomes an important part of an area because the circulation is always in the access by the perpetrators of the area, the perpetrators in question one of them is the visitor. Ease and comfort of the circulation become things to note so that visitors will feel at home to come to the area.  Circulation in the Great Mosque of Central Java is a concern to be discussed in this paper, because in addition to the needs of the surrounding community will be provided facilities that are always in access by the community, the Great Mosque of Central Java is also used as one of the tourist attractions in Central Java by tourists both local and local outdoors. Signage is also discussed because ease and comfort in the circulation is also determined by good signage.
Narrating Religiosity Through Indonesian Horror Movie: A Semiotic Reading of Qur’anic Verses in Kitab Sijjin & Illiyyin (2025) Nabilah, Ainun; Iwanebel, Fejrian Yazdajird
JURNAL AT-TURAS Vol 13, No 1 (2026)
Publisher : Universitas Nurul Jadid

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33650/at-turas.v13i1.14036

Abstract

Recent Indonesian horror movies have shown a tendency to feature Islamic elements, ranging from Islamic-themed diction in titles to the appearance of Qur’anic verses in their narratives, which serve as both a representation and a reception of the sacred text. This study aims to analyze how Qur’anic verses can be functionally received and how they represent certain concepts through Roland Barthes’ semiotic reading, Stuart Hall’s Representation, and Ahmad Rafiq’s Reception frameworks. The results of the study show that, first, the representation of people who seek protection from God in Surah Al-Nās is depicted as always receiving His help when facing Satan’s disturbance. Second, the representation of moral opposition between two characters refers to the concepts of al-fujjār and al-abrār in surah Al-Mut}affifīn. Third, the functional reception of the verses of the Qur’an in the form of performative practices through the ritual of ruqyah, namely Surah Āli ‘Imrān verses 26-27, Al-Naml verse 30, Al-Jinn verses 1-6, Al-Ikhlās} verses 1-4, Al-Falaq verses 1-5, and Al-Nās verses 1-6. These findings indicate that films can be a popular medium that enlivens and constructs religious moral messages based on verses from the Qur’an through cinematic narratives, thus opening up further research on the interaction between sacred texts, media, and religious practices in society.