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All Journal Jurnal Celtic UC Journal: ELT, Linguistics and Literature Journal
Alex, Patrick Charles
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Arts Humanities Education Languange, Linguistic, Communication & Media

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ANALYSIS OF RELIGIOUS SATIRE IN PBITEKS SONG OF LAWINO Adetuyi, Chris Ajibade; Alex, Patrick Charles
Celtic: A Journal of Culture, English Language Teaching, Literature and Linguistics Vol 6, No 2 (2019): December 2019
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (356.931 KB) | DOI: 10.22219/celtic.v6i2.9929

Abstract

This paper focuses on the analysis of religious satire in Song of Lawino. The study occasionally refers to Okots life history and ideological inclinations and the review of related literature giveng background information that clarifies Okot pBiteks writing as a product of a rich Acholi oral tradition. While a lot has been written on Okots creative works, little attention has been given to the use of satire. The study therefore, identifies and evaluates Okots use of satire in Song of Lawino determines the use of language to achieve satire in the text, and discusses how the author uses satire as a tool to share ideas and opinions on religious perspectives in the society. This study treats satire as the humorous criticism of human weaknesses and foibles and uses this parameter to identify it in the Song of Lawino. This is to throw light on the creative works of Okots and highlight circumstances that may have shaped him into a satirist. The upshot of all these is that the songs are appropriately contextualized with the ultimate finding that satire is an indigenous African phenomenon amply and ably deployed in Okots art.
LINGUISTIC REVITALISATION AND THE DRAMA IN AFRICAN INDIGENOUS LANGUAGES Alex, Patrick Charles
UC Journal: ELT, Linguistics and Literature Journal Vol 3, No 2 (2022): November 2022
Publisher : Sanata Dharma University, Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/uc.v3i2.5469

Abstract

This paper explores the drama written in indigenous African languages across many countries in Africa. It highlights the intellectual snobbery suffered by drama written in indigenous languages, probing the reasons behind the critical marginalization. It equally probes the elemental compositions of drama written in indigenous languages, investigating how oral elements revitalize and fertilize the dramatic works. The theoretical framework for this study was anchored on Ethnodramatics, a theory of indigenous drama projected by Affiah and Osuagwu while the inspirations which substantiate indigenous African languages as viable and effective linguistic mediums for dramatic creativity are derived from Ngugi wa Thiongo’s theoretical postulation on the language of African theatre in Decolonising the Mind: The Politics of Language in African Literature (1986). The paper reveals that traditional African drama in indigenous languages creatively utilizes oral resources and elements such as proverbs, riddles, mime, music, songs, dance, and other folk arts in ways that embellish and relive their drama. The paper concludes that by writing in indigenous languages, playwrights expand the resources and frontiers of African indigenous languages, a situation that nurtures and preserves them.
Co-Authors Adetuyi, Chris Ajibade