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Living Sunnah in Gayo Poetry Art: A Study of Abdurrahim Daudy’s Poems Wazna, Ruhama; Arif, Muhammad
KARSA Journal of Social and Islamic Culture Vol. 30 No. 1 (2022)
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v30i1.4667

Abstract

Religion and cultural customs coexist in the daily lives of Gayo people, including in the art of poetry. It is essential to know how Islamic values, as the religion of the majority of the population, play a role in shaping social behavior. This article aims to reveal the living sunnah side of Gayo poetry and how the traditions of the Prophet have been mentioned in a poem. The poetic works of Abdurrahim Daudy are the main focus of this paper. Since Daudy is a clerical and traditional figure in Gayo who has an artistic spirit in this modern era, it has become the main consideration why his poetic works are the focus of study in this paper. The data collection is done by library research and field research; namely, analyzing related literature, especially Daudy’s works, and conducting observations and interviews with several Gayo people. Using an anthropological approach and functionalism theory, all elements of culture are valuable parts of the society in which these elements are located. This study found that Syair, part of Gayo culture, has an essential role in shaping the behavior of the Gayo people themselves. However, in its development, the art of Gayo poetry has shifted in terms of lyrics and performance ethics which are increasingly superficial. However, the value of living the Prophet’s sunnah still seems to color Gayo’s poems, regardless of the motive of the person behind it, both as a poet and a listener.
MISOGINISTIK DALAM NASKAH JAWA KUNO wazna, Ruhama; Nurul Khansa Fauziyah
AL QUDS : Jurnal Studi Alquran dan Hadis Vol. 9 No. 3 (2025)
Publisher : Institut Agama Islam Negeri (IAIN) Curup

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29240/alquds.v9i3.14996

Abstract

Negative stigmas against women are found in ancient Javanese culture, including in the manuscript of Serat Sandi Wanita. This paper aims to uncover the histories of misogynistic hadith in the manuscript, assess their quality, and examine how the manuscript’s initiators and writers constructed the hadith or history. This paper is a qualitative study with historical and gender analyses, as well as a hadith-critical approach. Furthermore, it was found that there are two narrations in the manuscript that use the figures of the Prophet (peace be upon him) and his family, namely Fatimah r.a. and Ali bin Abi Talib r.a as role models but contain misogynistic values of Hinduism. Theological syncretism between Islam and Hinduism, as a characteristic of Javanese Islam in the 19th century, has influenced the use of hadith histories in Serat Sandi Wanita. These narrations cannot be accepted as arguments because they do not meet the requirements for the validity of the hadith in both sanad and matan. This study emphasizes the importance of reviewing and criticizing hadith in local texts or studies that contain narrations attributed to the Prophet PBUH. This research also contributes to enriching the new direction of hadith and gender studies in Indonesia through an interdisciplinary approach to the authority of Islamic texts within local culture, thereby enabling a deeper identification of the root causes of the construction of hadith-based gender injustice.