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THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS Scheyer, Lauri; Abdul, Zanyar Kareem
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 6, No 2: December 2022
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v6i2.5226

Abstract

Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition.  We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally important 20th century African American woman poet, Audre Lorde. These American poets differ in historical periods, sex, race, and other factors, yet both uphold the conventional functions of lyric poetry and prove its continuing relevance to a global readership. The results show that as the reflection of human life, poetry could represent honesty, realism, democracy and even power. 
UNVEILING HANNA SCHMITZ: A SOCIOCULTURAL ANALYSIS OF MORALITY, GUILT, AND MEMORY IN BERNHARD SCHLINK'S THE READER Bakr, Mahir Ahmed; Abdul, Zanyar Kareem; Alipour, Ahdiyeah
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 1: June 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i1.9059

Abstract

This paper, titled "Unveiling Hanna Schmitz: A Sociocultural Analysis of Morality, Guilt, and Memory in Bernhard Schlink's The Reader," explores the enigmatic character of Hanna Schmitz by examining her moral decisions, guilt, and the influence of societal norms. Through an in-depth analysis, it delves into the complexities of identity formation, memory, and the aftermath of historical trauma, offering insights into the human condition. The study reveals the external factors and internal motives behind Hanna Schmitz's involvement in the Holocaust, following a sociocultural analysis of various aspects that entangle the main character in the consequences of her choices, ultimately leading to her suicide. The analysis highlights how literacy and education can become destructive tools when wielded by ignorant and arrogant elites to segregate and manipulate. Hanna suffers from a societal disease that shapes her actions and fate. The paper argues that society and the tyrannical regime play pivotal roles in shaping Hanna's unfortunate destiny. Her struggle with illiteracy and her efforts to conceal it further underscore the societal pressures and personal conflicts she faces.
UNHEARD VOICES: THE LOCATION OF WOMEN AS OTHERNESS IN JEAN RHYS’S WIDE SARGASSO SEA Mohammed, Saz Hersh; Abdul, Zanyar Kareem
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 7, No 1: June 2023
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v7i1.6947

Abstract

Jean Rhys’s Wide Sargasso Sea (1966) is a postcolonial story in which Antoinette, the Creole lady, is portrayed as the crazy woman in the attic. Thus, it is possible to see why Antoinette as a protagonist misses her identity and how madness works in a colonial and patriarchal culture by examining the connections between race and gender in Rhys' novel in light of Ania Loomba's ideas about colonialism and postcolonialism and linking it to psychoanalytic feminism with Julia Kristeva's notion of the abject. Race and gender are employed as metaphors for one another and to dehumanize the other among us, driving it insane. Postcolonial critics have debated Antoinette's otherness as a result of colonial rule; whereas, feminist theorists have frequently emphasized the patriarchal aspect of society and the connection between madness and the mother-daughter relationships of the novel. This study focuses on otherness and lunacy, which contains not only colonizer-colonized, male-female, and mother-daughter connections but also self-repression in a patriarchal and colonial culture, leading to Antoinette’s alienation and loss of identity. Overall, black women as being enslaved are picturized as ugly, something without an owner.