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AJISANTA, ROBET
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Religion Arts Humanities Economics, Econometrics & Finance Social Sciences Other

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PERANCANGAN BUKU ETNOGRAFI KEBUDAYAAN KABUPATEN PACITAN AJISANTA, ROBET
Jurnal Seni Rupa Vol 4, No 02 (2016): Volume 4 Nomor 02 Edisi Yudisium 2016
Publisher : Jurnal Seni Rupa

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Abstract

Pola pikir masyarakat Kabupaten Pacitan yang berbeda di setiap daerah menimbulkan kebiasaan yang berkembang secara turun menurun. Kebiasaan inilah yang disebut dengan kebudayaan lokal Kabupaten Pacitan berbeda dengan Kabupaten lainnya. Untuk mengenalkan kebudayaan lokal Kabupaten Pacitan ini, perlu adanya sebuah media yang digunakan sebagai alat promosi kepada masyarakat umum. Media yang dikembangkan menggunakan desain kebudayaan setempat yang dikemas dalam bentuk buku. Hasil pengumpulan data dianalisis dengan metode USP (Unique Selling Propotion) yakni dengan menonjolkan keunikan dari setiap sisi kebudayaan. Proses perancanagan melalui 5 tahap, pertama, menentukan konsep dari hasil analisis data, kemudian memvisualisasikan desain, me-layout dalam bentuk buku, kemudian merevisi desain kemudian memproduksi, Hasil perancangan adalah berupa buku kebudayaan dengan memuat lima kebudayaan lokal Kabupaten Pacitan, yakni upacara adat Tetaken, Rontek, Tari Kethek Ogleng, Ceprotan, dan Wayang Beber. Kata Kunci: desain grafis, buku kebudayaan, Kabupaten Pacitan
Overview of the Absurdity of Sekartaji Characteristics in the Phenomenon of Pacitan City Traditional Art Ajisanta, Robet; Djatiprambudi, Djuli; Trisakti, Trisakti
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.3206

Abstract

The Sekartaji character is one of the characters in the Panji puppet story. It seems that the Panji and Sekartaji stories themselves have many oral and written versions. In addition, the characterization of Sekartaji has undergone many cycles in each version of the story. Meanwhile, in each cycle of its era, the character of Sekartaji has undergone many developments in the transformation of the story which has been adapted in the form of phenomena of traditional arts. This research observes every phenomenon of traditional arts in the city of Pacitan, where each characterization of Sekartaji is very popular as a symbolization in several traditional art events. This phenomenon creates an absurdist perspective and makes Sekartaji's characterization on the side of liminality. From this analysis, this study will explore the absurdity of Sekartaji's characterization of the traditional Islamic phenomenon in the city of Pacitan using the ethnographic method.
Co-Authors Djuli Djatiprambudi Trisakti Trisakti