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GAYA BAHASA DALAM NOVEL AYAH KARYA ANDREA HIRATA Lande, Ester Rindu; Salem, Lauresius; Wastiningsih, Agus
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 8 (2018): AGUSTUS 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (512.589 KB)

Abstract

AbstractThis study aims to describe the style of danger contained in the novel Father and how the implementation in learning in school. The method used is descriptive method and the research form is qualitative, while the approach used is stylistic approach. Based on the results of data analysis, the following conclusions are derived: 1) the comparative language style contained in the 186 novel Ayah, which includes 47 personifications, 47 hyperbola f pieces, 24 similes, 53 pieces metaphors, 2 pieces sinekdoke, 2 pieces pleonasme, euphemism 5 pieces, 2 pieces synesthesia and metonimia 4 pieces. 2) the style of contradiction in the novel Ayah numbered 12 pieces, namely the paradox amounted to 6 pieces, antithesis 5 pieces, and koreksio 1 pieces. 3) the style of affirmation in the novel Ayah amounted to 39 pieces, including tautology 2 pieces, asidenton 8 pieces, climax 6  pieces and reps 23 pieces. 4) language style satire in the novel by Andrea Hirata's father amounted to 2 pieces namely, cynicism 1 pieces and sarcasm 1 pieces. The language style contained in Andrea Hirata's father's novel is 239 in total and the most dominant language style is the comparative language style, which is a metaphor of 53 pieces. For learners, the results of this study can provide science in literary works, especially the style of language in the novel. This study is also useful for the reader to distinguish the author's language style in writing novels. Keywords: style of language, novel
Ekranisasi Novel Jalan Tak Ada Ujung Karya Mochtar Lubis ke Film Perang Kota Karya Mouly Surya Hafizah, Hafizah; Martono, Martono; Wastiningsih, Agus
Journal of Literature Review Vol. 2 No. 1 (2026): JANUARI-JUNI
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/bdg9fb94

Abstract

Penelitian ini bertujuan mendeskripsikan bentuk-bentuk ekranisasi dari novel Jalan Tak Ada Ujung karya Mochtar Lubis ke film Perang Kota karya Mouly Surya serta pemanfaatannya dalam penyusunan modul ajar Bahasa Indonesia kelas XII. Penelitian menggunakan pendekatan kualitatif dengan metode deskriptif. Subjek penelitian berupa teks novel dan adegan-adegan film, sedangkan data penelitian berupa kutipan, dialog, dan potongan adegan yang menunjukkan penciutan, penambahan, dan perubahan bervariasi. Data dikumpulkan melalui teknik dokumentasi terhadap novel dan film, kemudian dianalisis dengan langkah reduksi data, penyajian data, dan penarikan simpulan. Hasil penelitian menunjukkan terdapat 31 data perubahan ekranisasi, meliputi 5 data penciutan, 17 data penambahan, dan 8 data perubahan bervariasi. Perubahan tersebut mencerminkan proses adaptasi yang menyesuaikan kebutuhan dramatik, estetika visual, dan karakteristik film sebagai medium audiovisual. Temuan penelitian selanjutnya diintegrasikan ke dalam modul ajar untuk membantu peserta didik menganalisis transformasi teks sastra ke film dan mengembangkan kemampuan berpikir kritis. Penelitian ini memberikan kontribusi pada kajian ekranisasi serta menawarkan alternatif pembelajaran sastra yang kontekstual.