Luthfia, Karina Hanum
Universitas Negeri Semarang

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

GREEK AND ROMAN MYTHOLOGIES’ CHARACTERIZATIONS AS SIGN ASSOCIATED WITH ROWLING’S HARRY POTTER AND THE SORCERER’S STONE Luthfia, Karina Hanum
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol 3 No 1 (2014): Rainbow: Journal of Literature, Linguistics and Cultural Studies
Publisher : English Department, Faculty of Languages and Arts, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (274.317 KB) | DOI: 10.15294/rainbow.v3i1.4034

Abstract

The objective of the study are to outline the characterization of Harry Potter and the Sorcerer’s Stone reflecting on Greek and Roman mythologies’ characterizations, to find out Greek and Roman mythologies’ characterizations associated with Harry Potter and the Sorcerer’s Stone, and to explain the author’s idea expressions in revealing the revival of Greek and Roman mythologies associated with the novel. The research methodology used the descriptive research. Descriptive research can be used to identify and classify the elements or characteristics of a subject. Quantitative technique are most used to collect, analyze, and summarize data. For instance: the analysis of symbolism. The results of the research are that Harry Potter and the Sorcerer’s Stone characterization was considered as the sign to the Greek and Roman mythologies’ characterizations, the characterization on Harry Potter and the Sorcerer’s Stone was associated with the characterization on Greek and Roman mythologies, and Rowling conveyed her ideas that were expressed in delivering the mythologies. The Rowling’s ideas expressed in the characterization naming, the characterization development on Greek and Roman mythologies, and in her personal life.
MENELUSUR TRADISI: RENAISSANCE DALAM NATIVE AMERIKA DAN PERSPEKTIFNYA TERHADAP KEMATIAN DALAM KARYA LESLIE MARMON SILKO Karina Hanum Luthfia
POETIKA Vol 7, No 2 (2019): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v7i2.51505

Abstract

Pemaknaan terhadap kematian dalam kehidupan manusia biasanya ditangkap hanya dalam tataran kematian fisik sebagai sebuah fenomena alam. Sementara itu, tradisi dan budaya hadir dengan potensi signifikan untuk memengaruhi dan membentuk adat serta protokol upacara kematian. Dalam konteks ini, Native Amerika memandang konsep kematian sebagai bagian dari tradisi dan warisan adat. Namun demikian, proses kolonisasi dan asimilasi dalam tatanan sosial Native Amerika telah mencapai sengketa yang rumit. Terkait dengan pergerakan renaissance dalam kehidupan Native Amerika, bias yang terjadi terhadap perspektif dalam memandang kematian diurai melalui penelusuran ujung konsep dari kematian itu sendiri yang sangat erat berkaitan dengan tradisi Native Amerika. Mekanisme dekolonisasi terhadap konsep kematian sebagai sebuah self-determination terhadap identitas kelompok sosial Native Amerika  diambil dari refleksi karya sastra karangan Leslie Marmon Silko. Kajian ini menggunakan konsep analisis wacana dalam paradigma poskolonialisme. Manifestasi atas hasil penelitian merupakan: 1) Perspektif terhadap kematian menurut lensa Native Amerika dipandang sebagai tame death. 2) Kematian dipandang sebagai sebuah mekanisme penyeimbang kehidupan sosial jika ditarik dari nilai-nilai kehidupan kelompok Native Amerika. 3) Protokol upacara kematian dilaksanakan dalam sistem tribal ditemukan sebagai sebuah resistensi Native Amerika dalam menolak asimilasi dan dominasi kulit Putih. Hal tersebut didukung adanya sebuah gerakan determinasi dan artikulasi identitas kelompok Native Amerika. Kata kunci: Kematian, Tradisi, Renaissance dalam Native Amerika The subtle meaning of death on people’s life tends to generally depict the idea of natural phenomenon. Meanwhile, tradition and culture exist within their significant potency to influence the nurture of death customs and protocols. In this context, Native American deal with the concept of death as a particular tradition of their tribal legacy. However, colonization and assimilation process on their social order had transformed the Native American perspective on death into an advancement dispute.Concomitant to Native American renaissance movement, bias on the perspective of death is elucidated by tracing the root of death’s concept which is emanated from Native American tradition. The mechanism of decolonizing death’s perspective against White’s concept is represented in Native American literary works by Leslie Marmon Silko. As a consequence, the research employs critical discourse analysis on post-colonialism paradigm.The results of the work manifest: (1) Perspective on death through Native American lens considered as a tame death. (2) Death additionally scrutinized as social balance mechanism according to Native American value. At last, (3) Funeral protocols performed in tribal system essentially expounds the resistance of Native American people against the assimilation and White domination. Keywords: Death, Tradition, Renaissance, Native American Movement 
The trauma of the main character in the Tattooist of Auschwitz by Heather Morris Pramudya, Damar Asa; Luthfia, Karina Hanum
EduLite: Journal of English Education, Literature and Culture Vol 10, No 1 (2025): February 2025
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.10.1.177-190

Abstract

This research attempts to see the forms of trauma experienced by the main character of the novel The Tattooist of Auschwitz and how he responds to it. Methodologically, this research was under a descriptively qualitative method supported by the psychological approach of post-memory. The primary data was from The Tattooist of Auschwitz novel. The technique to collect the data used a heuristic reasoning technique. The findings of the study found that there are two forms of trauma, namely physical and psychological trauma. Physical trauma is in the form of injuries, vomiting, and trembling, while psychological trauma is in the form of fear, nervousness, anger, and sadness. There are four main characters’ responses in this novel: emotional, cognitive, behavioral, and physical. The emotional response in this novel is in the form of panic, refusal, and avoidance, and the cognitive response in this novel is in the form of difficulties in concentrating. The behavioral response in this novel is in the form of avoiding people and talking about the experiences. The physical response is related to the physical act committed by someone who suffers from the trauma. The physical response in this novel is in the form of losing the body’s strength. By examining these layers of trauma and response, the study underscores the complex interplay between body and mind in the aftermath of profound suffering. This analysis offers a deeper understanding of how trauma shapes human behavior and emotions, providing insight into the broader psychological impacts of extreme adversity.
The Challenge of Women's Domestication Portrayed in Ayobami Adebayo's Stay with Me Munawar, Khodijah; Luthfia, Karina Hanum
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7336

Abstract

This article explores the challenge of women’s domestication portrayed in Ayobami Adebayo’s Stay with Me, with a focus on how womanhood is narrowly defined through marriage and motherhood. Through the lens of Betty Friedan’s liberal feminism, this research analyses how societal and familial expectations and pressures domesticate women and reduce their identity and worth to their reproductive roles. The main character in this book, Yejide, represents a woman whose education, achievements, and personal identities are constantly overshadowed by pressures to bear children. This domestication and reduction of her womanhood not only limit her worth in the eyes of society but also gradually strip away her identity. This research reveals that by portraying her struggles and challenges, the novel critiques societal and familial norms that domesticate women and equate womanhood with motherhood. Ultimately, Stay With Me intervenes in the domestication of women and the reduction of womanhood to motherhood and demands a redefinition, one that recognises women as complete in themselves, regardless of whether or not they become mothers.