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Inovasi alat musik konvensional berbahan dasar bambu oleh Indonesian Bamboo Community Mirna Nurmala
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 1 (2018)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1166.872 KB) | DOI: 10.33153/dewaruci.v13i1.2501

Abstract

Adanya asumsi bahwa bambu merupakan material dasar yang murah dan tidak memiliki harga jual,memicu kegelisahan beberapa kalangan untuk berinovasi menggunakan bambu sebagai bahan dasar. Salah satunya adalah Indonesian Bamboo Community yang dipimpin oleh Adang Muhidin yang mencoba berinovasi dengan membuat alat musik konvensional berbahan dasar bambu. Tulisan ini akan membahas proseskreatif yang dilakukan oleh sebuah komunitas bambu dengan metode penelitian kualitatif, yaitu penelitian yang menekankan pada kualitas atau hal terpenting dari sifat suatu benda, yang didalamnya tidak hanyameliputi pertunjukan musik saja tapi bagaimana membuat alat musik yang berbahan dasar bambu. ABSTRACTThe assumption that bamboo is a material cost basis and does not have a selling price, triggers anxiety in some quarters to innovate using bamboo as raw material. One of them is the Indonesian Bamboo Community led by Adang Muhidin who tried to innovate by creating a conventional musical instrument made from bamboo. This paper will discuss the creative process undertaken by a community of bamboo with qualitative research methods, the research emphasizes on the quality or the most important thing of the nature of an object, in which not only includes music performances alone but how to make a musical instrument made from bamboo.
Proses Kreatif Ubiet dalam Mengembangkan Puisi Senja di Pelabuhan Kecil Mirna Nurmala; Yanti Heriyawati; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1423

Abstract

Senja di Pelabuhan Kecil is a poem by Chairil Anwar which was later made into a song by Nya Ina Raseuki who is familiarly called Ubiet. Ubiet is known as a music composer who is unique in terms of musical ideas and vocal ornamentation, one of which is on the song of Senja di Pelabuhan Kecil. This can be seen from the character of the song which has a different style from other musicians adopting Chairil Anwar's poem. This research study focuses on how the creative process carried out by Ubiet in making the song Senja di Pelabuhan Kecil. The process is starting from the stage of developing ideas, transforming works of art, to becoming complete expressions and works of music. The research was conducted using qualitative methods with data collection techniques such as; observation, interview, documentation, and literature study. The writer uses Mel Rhodes' theory of creativity as a tool to examine the object of the problem taken in writing this study. The Rhodes creativity concept discusses four points, namely; press, person, process, and product or what is known as the 4p concept. This research focuses the discussion on the process point. The analysis method is supported by the approach of the principles of musical poetry according to Hamdy Salad. The results of this study are targeted to find a variety of new musical expressions from the concept of musical poetry and as a musical product with the concept of contemporary keroncong.Keywords: Creative Process, Ubiet, Poetry, Senja di Pelabuhan Kecil