Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Capture : Jurnal Seni Media Rekam
Rohma, Naafi Nur
Unknown Affiliation
Arts Humanities

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
MONTASE MEWUJUDKAN FANTASI DALAM FILM POHON PENGHUJAN Rohma, Naafi Nur; Ali, Matius
Capture : Jurnal Seni Media Rekam Vol. 8 No. 1 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (614.799 KB) | DOI: 10.33153/capture.v8i1.1903

Abstract

The research titled Montage Realizing Fantasy in the Rain Tree Film (MontaseMewujudkan Fantasi dalam Film Pohon Penghujan)uses qualitative research methods with a formalist esthetic approach and Eisenstein's montage theory. The problem in this research is how the montage manifests the fantasy in the RainTree film?The study in this study focuses on the montage, thus giving meaning in the fantasy film of the Rainbows. The analysis used to dissect the problems used Eisenstein montage theory, namely metric,rhythmic,tonal,overtonal,and intellectual.The results obtained in the research shows a way of fantasy creation,that is,there are some Lacan fantasy scenes,the way the subject is eagerly read through the Eisenstein montage. Through the montage of Eisenstein can be seen the essence of each shot is displayed and the formation of how the characters in the film RainTree knows his passion and shapes his desire through a series of montage.Keywords: Fantasy,Montage,RainTree.
BUDAYA INDONESIA DALAM MOCKUMENTARY “MALAM MINGGU MIKO 2” KOMPAS TV Rohma, Naafi Nur; Sjafi’i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.111 KB) | DOI: 10.33153/capture.v9i1.2056

Abstract

The serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ which is broadcasted by Kompas TV is a program which shows in mockumentary format. It is a format of television broadcasting program which contains of fictive story filmed similarly to documentary format that its roles have realistic characters and reflect current real life. This study considers television device as a text. Employing semiotic approach of Charles Sanders Peirce, relating three main components: representamen, object, and interpretant. This study investigates the significances of Indonesian cultural marks emerged on the text. Limitation of the Indonesian cultural marks emerged includes politeness, regards, greetings, smiles, respects, hospitalities, gotong royong (mutual helps), and slametan (traditional feast). The result of this study shows that some marks considered as Indonesian culture are found in some frames of pictures from the serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ broadcasted by Kompas TV. Keywords: Culture, Indonesia, mockumentary, and semiotics
CONCEPT OF FORM IN THE FILM DILAN 1990 Rohma, Naafi Nur
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.2446

Abstract

The Dilan 1990 is an adaption film that chronicles the romance of high school teenagers in the 1990s. This film ranked first in terms of viewership in 2018. The allure of this film that warrants further analysis is its shape notion. This study aims to analyze the Dilan 1990 film's notion of form. This qualitative descriptive study analyzes data using the form concept methodology created by David Bordwell and Kristin Thompson. The findings indicate that the film's forms and processes are extremely complicated. The constructed elements are connected in such a way that they can excite the audience's emotions, most notably their expectations.
MONTASE MEWUJUDKAN FANTASI DALAM FILM POHON PENGHUJAN Rohma, Naafi Nur; Ali, Matius
Capture : Jurnal Seni Media Rekam Vol. 8 No. 1 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i1.1903

Abstract

The research titled Montage Realizing Fantasy in the Rain Tree Film (MontaseMewujudkan Fantasi dalam Film Pohon Penghujan)uses qualitative research methods with a formalist esthetic approach and Eisenstein's montage theory. The problem in this research is how the montage manifests the fantasy in the RainTree film?The study in this study focuses on the montage, thus giving meaning in the fantasy film of the Rainbows. The analysis used to dissect the problems used Eisenstein montage theory, namely metric,rhythmic,tonal,overtonal,and intellectual.The results obtained in the research shows a way of fantasy creation,that is,there are some Lacan fantasy scenes,the way the subject is eagerly read through the Eisenstein montage. Through the montage of Eisenstein can be seen the essence of each shot is displayed and the formation of how the characters in the film RainTree knows his passion and shapes his desire through a series of montage.Keywords: Fantasy,Montage,RainTree.
BUDAYA INDONESIA DALAM MOCKUMENTARY “MALAM MINGGU MIKO 2” KOMPAS TV Rohma, Naafi Nur; Sjafi’i, Achmad
Capture : Jurnal Seni Media Rekam Vol. 9 No. 1 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i1.2056

Abstract

The serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ which is broadcasted by Kompas TV is a program which shows in mockumentary format. It is a format of television broadcasting program which contains of fictive story filmed similarly to documentary format that its roles have realistic characters and reflect current real life. This study considers television device as a text. Employing semiotic approach of Charles Sanders Peirce, relating three main components: representamen, object, and interpretant. This study investigates the significances of Indonesian cultural marks emerged on the text. Limitation of the Indonesian cultural marks emerged includes politeness, regards, greetings, smiles, respects, hospitalities, gotong royong (mutual helps), and slametan (traditional feast). The result of this study shows that some marks considered as Indonesian culture are found in some frames of pictures from the serial program of comedy “Malam Minggu Miko 2” the story of ‘Malam Baru Miko’ broadcasted by Kompas TV. Keywords: Culture, Indonesia, mockumentary, and semiotics
CONCEPT OF FORM IN THE FILM DILAN 1990 Rohma, Naafi Nur
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.2446

Abstract

The Dilan 1990 is an adaption film that chronicles the romance of high school teenagers in the 1990s. This film ranked first in terms of viewership in 2018. The allure of this film that warrants further analysis is its shape notion. This study aims to analyze the Dilan 1990 film's notion of form. This qualitative descriptive study analyzes data using the form concept methodology created by David Bordwell and Kristin Thompson. The findings indicate that the film's forms and processes are extremely complicated. The constructed elements are connected in such a way that they can excite the audience's emotions, most notably their expectations.
Co-Authors Ali, Matius Sjafi’i, Achmad