Hidayatullah, Fadhilah
Universitas PGRI Palembang

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Pelestarian Sardundun Sebagai Budaya Masyarakat Di Desa Tanjung Bulan Hidayatullah, Fadhilah
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i1.1462

Abstract

This article discusses the results of research on Sardundun's spoken literature in Tanjung Bulan village, Pulau Beringin district (OKU Selatan). The background is the need for local cultural inheritance that has a life value, but has begun to be abandoned by the community. The approach used in this research is qualitative with descriptive methods. The results of this study are to present poetry that contains elements of language and art culture that have local cultural richness in the local area. The purpose of this research is to make the public know that the province of South Sumatra has a culture in Sardundun's speech. The value contained is the principle of life that exists in a creature is to convey gratitude to the creator, which is based on conscience through the medium of the spoken language. Through inheritance, it can be done using the medium of the language spoken. However, it is not limited to oral, but written orally. Initially in the form of spoken speech, now it can only be done by means of written speech. Through local cultural inheritance, it is very appropriate to do it with written media and then tell it. Inheritance is more effectively carried out in educational institutions, because it serves as a forum for learning and teaching. Recommendations for further research, so that it can be used as material for the world of education, so that the transformation of the local Sardundun culture is carried out and its inheritance can be realized. Thus the local culture still exists and exists in the community where the speech was born, and is familiar with the community in general.
SENI REJUNG SEBAGAI SASTRA TUTUR ETNIK SEMENDE BERMUATAN NILAI BUDAYA LOKAL Hidayatullah, Fadhilah
Besaung : Jurnal Seni Desain dan Budaya Vol 6, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v6i1.1340

Abstract

This article discusses the results of research on Rejung art in Tanjung Bulan village, Pulau Beringin district (OKU Selatan). The background, the need to be studied and transformed towards regeneration. Because it is rich in local cultural values. The approach used in this research is qualitative with descriptive methods. The results of this study are that there are poems that contain the value of life containing messages; advice, moral, social, religious, and aesthetic. The purpose of this research was to determine the content of the art of rejung, both express and implied. The values contained are the values of local wisdom as a guide in character education. It is recommended that further research be carried out, so that it can be used as material for the world of education, especially at the elementary school level, as material for children’s character education, because it contains the values of life with a local culture of Semende ethnicity. The art of rejung has local wisdom values contained in it. Its cultural values are more on the values of life. The value of life contained in the art of rejung which includes; values of trust and advice, moral values, religious values, and aesthetic values. The value of the mandate and advice that develops in rejung art poetry is conveyed through rejung art poetry with various titles and types of rhymes created by the artists. The mandate values contained in the lyrics are presented in the form of a vocal presentation with a variety of different kenjun. Then on the aesthetic value. The aesthetic value of the art of rejung is seen in the kenjun in each presentation. Kenjun is the rise and fall of the rejung art song melody. Kenjun can be interpreted as the value of beauty, because Semende's custom is a custom that is beautiful and peaceful, and full of affection. This is still related to the customary law rules adopted, because Semende's customary law is oriented towards Islam. His art also contains the values of life in accordance with Islamic law and law.