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All Journal Bali Tourism Journal
Suhendra, Eka Ari
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Religion Arts Humanities Social Sciences Other

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Cultural Communication through Gambuh Dance : A Historical Performing Art from Bali Suhendra, Eka Ari
Bali Tourism Journal Vol. 7 No. 3 (2023): Available online : 1 December 2023
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v7i3.95

Abstract

One of the most important factors driving artists to engage in the performing arts is the environment: artistic traditions within the family and the local community. In connection to the environment, there are three reasons why artists get involved in the arts: being appointed or requested, sometimes even 'forced' by the community, encouragement or a family calling, and personal willingness. Regarding the life and development of Gambuh and its instruments, it significantly influences other gamelan devices in terms of instrument usage, beat arrangement, song structure, motifs, and the names of some songs for various gamelan devices and specific types of compositions such as Semar Pegulingan, Pelegongan, Bebarongan, Joged Pingitan, Gong Gede, and Kebyar. In this study, a semiotic approach is used to analyze the elements of Gambuh Bali dance and reveal the messages contained within. First and foremost, in the semiotic study of Gambuh Bali, body movements become the primary focus. These movements can be seen as visual signs that carry implied meanings. Through the analysis of movements, messages related to character, emotions, and narratives in the dance can be uncovered. In the semiotic study of Gambuh Bali dance, the singing or chanting performed by the dancers can also be an object of analysis. Chants in Gambuh Bali dance play a crucial role in conveying cultural messages and expressing emotional nuances in the dance. By employing a semiotic approach, theoretical studies of Gambuh Bali dance can provide richer insights into the symbolism, cultural meanings, and messages embedded in this dance.
The Performance of the Baris Goak Dance in the Pujawali Ceremony at Pura Puseh, Selulung indigenous village, Kintamani, Bangli Regency Suhendra, Eka Ari
Bali Tourism Journal Vol. 8 No. 2 (2024): (Available online: 1 August 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i2.107

Abstract

This study explores the significance of religious ceremonies in Hindu communities, with a focus on the Pura Puseh temple and the Baris Goak dance in Selulung, Kintamani, Bali. Pura Puseh, an ancient temple of the Kahyangan Tiga, serves as a key site for rituals connected to prosperity and blessings. The Baris Goak dance, unique to Selulung, is a sacred performance that symbolically represents the battle between crows (seen as harbingers of death) and a spiritual hero, Mangku Pucangan. Rooted in cultural and historical narratives, this dance integrates traditional music, costumes, and rituals, reflecting the deep relationship between art, religion, and community identity in Balinese society. The historical development of Selulung village, driven by unity and leadership, further illustrates how these cultural practices have been preserved and continue to play a central role in maintaining spiritual and social harmony. The preservation of the Baris Goak dance, supported by village customs and regulations, highlights the enduring transmission of spiritual and cultural values across generations, ensuring the continuation of a rich heritage in the modern era.
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