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Shaesa, Gilda Nurul
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KETERLIBATAN PENARI USIA MUDA DI BATAM TERHADAP EKSISTENSI TARI JOGI Shaesa, Gilda Nurul
Jurnal Seni Tari Vol 9 No 1 (2020): Vol 9 No 1 (2020)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (162.679 KB) | DOI: 10.15294/jst.v9i1.35992

Abstract

Jogi dance is a dance originating from the Riau Islands, Batam. The existence of Jogi dance first appeared in Batam and was danced with Malay forms, motifs, and movements. The Jogi dance was originally danced by a young Malay female dancer from Long Island. Young female dancers aged 15-18 years. Young age is the age when someone is said to have passed puberty and has become a teenager. The purpose of this research is to find out the reason for the existence of Jogi dance in young dancers in Batam today. The research method used is qualitative by conducting observations, interviews, literature studies, and documentation studies from Koroegrafer and Dancers who dance Jogi in Batam. The results of this study can be concluded that the involvement of young dancers in Batam towards the existence of Jogi dance still exists today, with informants and successors and heirs who preserve Jogi. Keywords: Existence, Jogi, Young age
Tari Angglang Ayu Di Kepulauan Riau Dikaji Dalam Perspektif Analisis Koreografi Shaesa, Gilda Nurul
Jurnal Seni Tari Vol 10 No 1 (2021): Vol 10 No 1 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jst.v10i1.43399

Abstract

Tari Angglang Ayu adalah sebuah pertunjukan tari yang murni ciptaan sang koreografer yang dikajidalam Analisis Koreografi secara deskriptif. Tari ini adalah tari kelompok yang ditarikan oleh 6 orangpenari perempuan. Dilihat dari gerak, pola lantai, dan lirik yang dilantunkan semuanya dikemas gunamemberikan gambaran mengenai watak seorang dewi Uma dan dewi Durga yang memiliki 1 jiwa namun2 kepribadian. Dengan pendekatan Koreografi yang meliputi aspek bentuk, teknik, dan isi, sertamenganalisis gerak tari dari aspek tenaga, ruang, dan waktu. Koreografi dalam tari ini memiliki motifgerak yang banyak menyimbolkan watak sang dewi. Dari gerakan yang menyimbolkan menyimpanberbagai makna di setiap hal yang terkait dengan tari.
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