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PERANCANGAN TEKSTIL DENGAN TEKNIK MARBLING DAN BATIK TULIS UNTUK BUSANA CASUAL Amelia, Neneng Dela; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken; Kudiya, Komarudin
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3515

Abstract

This research presents an innovation in textile design for casual wear by combining marbling and batik techniques. The state of the art of the problem involves the need for unique and different casual wear, along with the increasing public interest in environmentally friendly and sustainable products. This research aims to produce interesting and unique textile designs and introduce traditional techniques such as batik tulis into casual wear. The method used is IDEO Method Cards, with the stages of Learn to learn marbling and batik tulis techniques, Look to see design inspiration, Ask to ask experts, and Try to try the techniques. The result is a casual fashion collection that is unique, artistic, and environmentally friendly. The recommendation of this research is to encourage further development in the use of traditional techniques in the modern fashion industry.
DAUR NAIK LIMBAH TEKSTIL UNTUK PRODUK FESYEN READY TO WEAR DELUXE DENGAN TEKNIK QUILTING Fajar, Elina Almara; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3517

Abstract

This research aims to explore the potential of textile waste recycling in the manufacture of deluxe ready-to-wear fashion products by applying quilting techniques. Against the background of the textile industry that generates huge waste and significant environmental impact, this research tries to provide a sustainable solution by utilizing textile waste as the main material. The Design Thinking method is used in five stages, namely Empathize to understand user needs and problems faced, Define to determine the problems to be solved, Ideate to generate creative ideas, Prototype to create initial products, and Test to test products with potential users. It is hoped that the results of this research can contribute to the development of environmentally friendly and innovative fashion products.
Kekuatan Desain Motif Batik Cirebon sebagai Ruang Identitas Indikasi Geografis Indonesia Kudiya, Komarudin; Atik, Saftiyaningsih Ken
Waca Cipta Ruang Vol. 6 No. 1 (2020): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v6i1.4192

Abstract

Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan budaya masyarakat Jawa. Selain itu penggunaan kain batik pada awalnya terbatas hanya pada golongan ningrat keraton dengan berbagai aturan yang melingkupinya. Namun pada perkembangannya, batik bukan lagi dimiliki oleh masyarakat Jawa, kini produk batik tradisional telah menjadi busana Indonesia yang dipakai oleh bangsa Indonesia di seluruh Nusantara dalam berbagai kesempatan. Di Jawa Barat batik telah tumbuh dan berkembang di 27 kabupaten/kota yang tersebar dari belahan timur kabupaten Cirebon hingga di ujung sebelah barat Jawa Barat yaitu kotamadya Depok. Pada tiap-tiap daerah di Jawa Barat yang menghasilkan batik terdapat potensi karakteristik dan keunggulan teknik produksi, corak dan motif yang tidak terdapat di daerah lainnya. Keunikan dan karakteristik batik Cirebon merupakan bagian dari ruang identitas bagi masyarakat Cirebon serta layak mendapatkan Indikasi Geografis guna memberikan nilai-nilai ekonomi yang berdampak pada pelestarian tradisi batik Indonesia pada umumnya. Perlindungan Indikasi Geografis (IG) merupakan hal yang sangat penting mengingat aneka desain motif batik di Jawa Barat memiliki potensi yang sangat besar yang dapat dilindungi sebagai bagian dari Indikasi Geografis (IG) yang dapat digunakan sebagai alat pemasaran dalam dunia transaksi perdagangan, dalam kancah regional, nasional bahkan internasional.
Corak Dan Warna Batik Penunjang Elemen Estetik Ruang Terbuka Hijau Di Kafe Pecah Kopi Bandung Kudiya, Komarudin; Atik, Saftiyaningsih Ken
Waca Cipta Ruang Vol. 9 No. 1 (2023): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v9i1.9546

Abstract

Since 2010, the city of Bandung has undergone a strong growth spurt due to the expansion of cafes from the city center to the city's outskirts. The café is an alternate location for social contact among family members, friends, or professionals. To attract visitors, the cafe management must consider the ambient interior, which strives to provide visitor comfort by paying attention to lighting, interior design, music sound, and temperature as a preference for the purpose of selecting the cafe. The limitation of this research is that it is limited to green open spaces, whereas the goal is to find a correlation between batik patterns, which are used as supporting aesthetic elements, and the need for interior ambience that is unique, aesthetic, and provides a sense of comfort, which will have an impact on increasing visitor traffic or making them return the next time. The analytical descriptive and ethnographic methods were applied in this study. The findings of this study demonstrate that partnership between the batik showroom and the Pecah Kopi Bandung cafe can give benefits and value to both. This study's objective is to present real-world ideas and examples in the management of cafés that use green open spaces and can interact with managers in the arts and crafts industry to provide a sense of comfort and aesthetic value to their environment.
Integrasi Pengetahuan Tacit Knowledge Perajin Dalam Pengembangan Desain Batik Berbasis AI Kudiya, Komarudin; Atik, Saftiyaningsih Ken; Djatmiko, M. Djalu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i2.7226

Abstract

In the era of digital transformation, the integration of technology and cultural heritage has become a strategic issue, particularly in the preservation and development of batik design. This study aims to integrate artisans’ tacit knowledge—intuitive, experiential, and skill-based understanding—into AI-based design systems without compromising cultural and aesthetic values. Using a qualitative approach through ethnographic design thinking, the research involves participatory observation, in-depth interviews, and visual analysis of traditional batik motifs. The process of converting tacit knowledge into explicit form is carried out through narrative labeling and semantic mapping of batik’s visual elements, which are then incorporated into generative AI models. The findings indicate that this integration can produce batik designs that retain local authenticity while remaining visually relevant to contemporary contexts. Moreover, the active participation of artisans in the AI design process enhances both the aesthetic validity and social acceptance of the outcomes. This study asserts that AI should not be seen as a replacement for artisans, but rather as a collaborative tool that strengthens their role as creative subjects within the digital batik industry ecosystem.
Digitizing Geometric Ornaments of the Bandung Grand Mosque for Cultural Preservation Putri, Ghaida Nasya; Atik, Saftiyaningsih Ken
Journal of Architectural Research and Design Studies Vol. 10 No. 1 (2026): In Progress Issue
Publisher : Departement of Architecture, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jars.vol10.iss1.art8

Abstract

This research explores the preservation of decorative motifs in the Bandung Grand Mosque through digitization as an effort to safeguard Islamic and Sundanese cultural heritage. Although the mosque has been widely discussed in architectural studies, systematic documentation of its ornaments is still limited. This study addresses that gap by digitizing geometric motifs and analyzing their structural complexity. A qualitative approach with a comparative strategy was applied, involving literature review, field observation, and digitization using CorelDRAW software. The findings show that geometric ornamentation dominates the mosque with varying levels of complexity depending on its line intersections and the number of geometric repetitions or tessellations. The study produces a publicly accessible digital catalog that preserves the accuracy of ornamental forms and supports their reuse in education, design, and cultural conservation. The results demonstrate that digitization is an effective method for documenting traditional ornaments while opening new possibilities for contemporary motif development.