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WAGE KERAMAT SEBAGAI TRADISI KOMUNAL SPIRITUAL JAWA Hanifah, Muna Roidatul
J-PIPS (Jurnal Pendidikan Ilmu Pengetahuan Sosial) Vol 6, No 2 (2020): JPIPS
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jpips.v6i2.8025

Abstract

The purpose of this study is to review the relevance of the Wage Keramat to Emile Durkheim's theory of community unity and Totemism. This specific research is important to do, because there are many different types of earth alms rituals in Indonesia with their respective characteristics. Therefore, the act of generalizing the whole tradition with Totemism theory is not appropriate. This research used qualitative methods and literature studies. Observations were made right at the celebration of the Wage Keramat in Sugihwaras Village, Ngancar District in order to obtain accurate data related to the description of the Wage Keramat. The literature study is sought in order to explore the theoretical framework used. The results of this study explain that, technically, the Wage Keramat is almost the same implementation as Earth Alms in general. The difference lies in the purpose of the Wage Keramat, which is as a communal anticipatory measure for the realization of a bad oath from the legendary figure of the local community. But it cannot be denied, a form of gratitude for all of the sustenance that the earth has provided is also a destination. The conclusion is Emile Durkheim's Sociology theory indeed found many matches in the phenomenon of the Wage Keramat, both in the sacred and profane categories, totemism, and taboo.  Keywords: wage keramat; tradition; theory emile durkheim
PERJUANGAN MENCARI RUANG: Jedoran, Media Islamisasi, Dan Peminggiran Kesenian Islam Tulungagung 1970-1982 Hanifah, Muna Roidatul
Al-Isnad: Journal of Islamic Civilization History and Humanities Vol. 2 No. 1 (2021): Al-Isnad: Journal of Islamic Civilization History and Humanities
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (321.637 KB) | DOI: 10.22515/isnad.v2i1.4906

Abstract

This study is a concrete effort to trace the dynamics of Jedoran Tulungagung 1970-1982. Thistemporal term became the starting point for the paradigm shift of the Tulungagung people in interpretingIslamic art. The emergence of the 'Popular' prayer reduced the public's interest in Jedoran as anacculturative (Islamic and Javanese) shalawat art which has contributed to the history of Islamizationin Tulungagung. The study used historical research methodologies, namely: heuristics, source criticism,interpretation, and historiography. The results of this study indicate that there is one major narrativethat masterminds the dim existence of Jedoran from the Tulungagung art scene. This factor was the entryof the “Popular Islam” paradigm, which at that time was rapidly developing through radio, televisionand mobile phones in almost all parts of Indonesia. This has gradually resulted in the decline in people'sappetite for acculturative Islamic arts such as Jedoran. This factor is supported by two other situations,namely the cultural atmosphere in Tulungagung in general after 1965 and the difficulty in studyingJedoran which makes regeneration difficult.