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Adeline Tandian, Erina
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Arts Humanities

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PERJALANAN PAHLAWAN PEREMPUAN FILM WONDER WOMAN (2017) DAN MULAN (2020): KRITIK FEMINISME TERHADAP PSIKOANALISIS Adeline Tandian, Erina
IMAJI Vol. 12 No. 1 (2021): Sinema dan Wacana
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v12i1.15

Abstract

Film Wonder Woman (2017) dan Mulan (2020) memiliki kemiripan pola struktur naratif. Namun, beberapa fase perjalanan pahlawan perempuan Maureen Murdock dirasa kurang relevan dalam menjelaskan struktur naratif dua film tersebut. Penelitian ini bertujuan untuk mengkaji alur perjalanan pahlawan perempuan kedua film. Metode penelitian yang digunakan adalah kajian literatur dan pendekatan observasi sinema dengan analisis tekstual dalam visual. Terdapat delapan fase perjalanan pahlawan perempuan di kedua film: dunia biasa, kesadaran untuk pergi, mempersiapkan perjalanan, dunia laki-laki, cobaan, krisis, kebangkitan, dan kehidupan baru. Perjalanan pahlawan perempuan kedua film juga berisi kritik feminisme terhadap pandangan psikoanalisis.
English: Pembingkaian Adegan Romansa dalam Serial Film dengan Rasio Vertikal Adeline Tandian, Erina
IMAJI Vol. 17 No. 1 (2026): Film Artistik dan Film Komersial: Estetika, Industri dan Ideologi Hiburan
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/imaji.v17i1.437

Abstract

Movies first appeared in the late 1800s using a horizontal 4:3 (1.33:1) aspect ratio. Over time, film aspect ratios have undergone various changes to meet needs. In today's digital era, many films and videos have emerged with vertical formats, adapting to the shape of smartphones as one of the streaming media. This article aims to determine how framing is used in several Indonesian vertical screen format film series, also known as microdramas, especially romantic dramas that often highlight intimate scenes between two people. This study uses qualitative research methods, with observation technique or textual analysis on visual scenes from several Indonesian microdramas. The results of the analysis indicate that the vertical aspect ratio in romance series can restrain intimacy between characters. This disruption in framing is also attempted to be overcome by several creative strategies, one of which is rotating the camera position ninety degrees to accommodate medium two shot.
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