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All Journal Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Nugroho, Mukhlis Anton
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Religion Arts Humanities

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BUKAN HANYA KANCA WINGKING PUSPA KARIMA DALAM STIGMA GENDER MENUJU PANGGUNG INTERNASIONAL Nugroho, Mukhlis Anton; Sunarmi; Soewarlan, Santosa
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5732

Abstract

The rapid development of the digital era has changed the view of women's roles that were previously confined to household responsibilities, and now the stigma is starting to erode. In Javanese culture, there is the concept of "kanca wingking" which refers to the role of women at home to perform tasks such as cleaning, cooking, taking care of children, and so on. However, with the advent of the women's emancipation movement, the stigma has begun to fade as many women have careers. The same thing happened in the traditional music scene in West Java. Gender stigma also emerged by prohibiting women to play the Rebab instrument in Sundanese karawitan. This paper discusses how Puspa Karima, whose members are all women, tries to change the gender stigma in Sundanese karawitan performances. The method used is qualitative as a research procedure that produces descriptive data in the form of written or spoken words from people through the interview stage. In addition, data can also be collected through observation of people's behavior in the field on the object of research. The results of this paper show that Puspa Karima not only succeeded in changing the gender stigma that applies to Sundanese karawitan performances, but Puspa Karima actually succeeded in bringing gender issues in the case of karawitan art to the international arena. Keywords: Gender Stigma, Kanca Wingking, Women, Sundanese Karawitan
BUKAN HANYA KANCA WINGKING PUSPA KARIMA DALAM STIGMA GENDER MENUJU PANGGUNG INTERNASIONAL Nugroho, Mukhlis Anton; Sunarmi; Soewarlan, Santosa
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5732

Abstract

The rapid development of the digital era has changed the view of women's roles that were previously confined to household responsibilities, and now the stigma is starting to erode. In Javanese culture, there is the concept of "kanca wingking" which refers to the role of women at home to perform tasks such as cleaning, cooking, taking care of children, and so on. However, with the advent of the women's emancipation movement, the stigma has begun to fade as many women have careers. The same thing happened in the traditional music scene in West Java. Gender stigma also emerged by prohibiting women to play the Rebab instrument in Sundanese karawitan. This paper discusses how Puspa Karima, whose members are all women, tries to change the gender stigma in Sundanese karawitan performances. The method used is qualitative as a research procedure that produces descriptive data in the form of written or spoken words from people through the interview stage. In addition, data can also be collected through observation of people's behavior in the field on the object of research. The results of this paper show that Puspa Karima not only succeeded in changing the gender stigma that applies to Sundanese karawitan performances, but Puspa Karima actually succeeded in bringing gender issues in the case of karawitan art to the international arena. Keywords: Gender Stigma, Kanca Wingking, Women, Sundanese Karawitan
From Da’wah to Spectacle: Negotiating Sacred Space and Ritual Meaning in The Commodification of Sekaten Nugroho, Mukhlis Anton; Sunarto, Bambang; Setiyono, Budi
Wawasan: Jurnal Ilmiah Agama dan Sosial Budaya Vol 10 No 2 (2025)
Publisher : the Faculty of Ushuluddin, UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jw.v10i2.46339

Abstract

Abstract: This study examines how the Sekaten ritual in Surakarta has shifted from an Islamic da’wah-centred ceremony into a commodified cultural festival shaped by mass tourism and urban entertainment. Using a qualitative socio-cultural design grounded in cultural ethnography, the research draws on participatory observation conducted during the 2023–2025 celebrations at the alun-alun (town square), the Grand Mosque, the night market, and Bangsal Pagongan (theatre ward), alongside purposive interviews with abdi dalem (palace retainers), mosque administrators, vendors, and festival attendees. The analysis applies cultural transformation theory (Nasukah & Winarti, 2021), Lefebvre’s theory of the social production of space (Lefebvre, 1991), and ritual commodification theory (D. Picard & Robinson, 2006) to trace how shifts in actors, spatial organisation, and symbolic interpretation reorient the ritual’s meanings. Findings indicate that municipal institutions and market stakeholders are increasingly governing Sekaten through the dominance of the night market, commercial stages, and sponsorships, while traditional custodianship by the Kraton (palace) and Masjid Agung is becoming more marginal. Sacred elements, such as the Gamelan Sekaten (traditional music), Miyos Gangsa (ritual procession), and ritual symbols including nginang (chewing betel nut) and janur (decorated palm leaves), persist; yet, they often operate as aesthetic markers within a spectacle economy rather than as central media of religious pedagogy. This reconfiguration produces spatial secularisation as the alun-alun transitions from a sacred zone into a consumerist arena, and public participation shifts from spiritual aspiration towards leisure-oriented consumption, particularly among younger visitors. This study advances debates on religion, space, and heritage governance by demonstrating that ritual changes in contemporary Java reflect negotiated struggles over symbolic power—rather than mere cultural decline. It advocates for participatory preservation strategies that sustain both ritual meaning and physical form amid tourism-driven urban development.
Co-Authors Bambang Sunarto Budi Setiyono Soewarlan, Santosa Sunarmi