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All Journal Teknik Sipil dan Arsitektur Jurnal Teknik Sipil dan Arsitektur Jurnal Pengabdian kepada Masyarakat
Sherlia, Sherlia
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Agriculture, Biological Sciences & Forestry Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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PEMBERDAYAAN MASYARAKAT DESA WISATA PAMPANG SAMARINDA MENUJU DESA WISATA BERKELANJUTAN Olivia Febrianty Ngabito; Fulkha Tajri M; Sherlia, Sherlia; Arif Fathurrahman; Wahyu Firmansyah
J-ABDI: Jurnal Pengabdian kepada Masyarakat Vol. 4 No. 8: Januari 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/jabdi.v4i8.9328

Abstract

Program Pemberdayaan Masyarakat Desa Wisata Pampang Samarinda Menuju Desa Wisata Berkelanjutan bertujuan untuk meningkatkan kapasitas masyarakat Desa Pampang dalam produksi kerajinan berbasis budaya Dayak, manajemen usaha, dan pemasaran digital, sehingga dapat mendukung pengembangan desa sebagai destinasi wisata berkelanjutan. Kegiatan ini mencakup serangkaian pelatihan dan pendampingan yang melibatkan Kelompok Sadar Wisata (Pokdarwis) serta warga Desa Pampang, dengan dukungan mahasiswa dan tim pengabdian dari Institut Teknologi Kalimantan. Tahapan utama kegiatan ini terdiri dari identifikasi kebutuhan masyarakat, penyusunan strategi pengembangan desa, persiapan pelatihan, pelaksanaan pelatihan produk dan pemasaran digital, serta evaluasi keberlanjutan program. Hasil kegiatan pengabdian kepada masyarakat ini menunjukkan peningkatan keterampilan warga dalam pembuatan merchandise berbahan resin yang khas dengan budaya Dayak, serta penggunaan media sosial sebagai sarana promosi. Program ini diharapkan mampu meningkatkan pendapatan masyarakat lokal, menarik lebih banyak wisatawan, dan mendukung pelestarian budaya Dayak. Dampak positif dari kegiatan ini meliputi penguatan identitas budaya lokal dan kontribusi dalam pengembangan desa Pampang sebagai destinasi wisata budaya yang menarik dan berkelanjutan.
KOMPOSISI FASAD WISMA KILANG SEBAGAI BASIS REKONSTRKSI ARSITEKTUR JENGKI DI BALIKPAPAN Huldiansyah, Denny; Tajri M, Fulkha; Sherlia, Sherlia
Jurnal Teknik Sipil dan Arsitektur Vol 31 No 1 (2026): Jurnal Teknik Sipil dan Arsitektur
Publisher : Fakultas Teknik Universitas Tunas Pembangunan Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36728/jtsa.v31i1.5806

Abstract

Jengki architecture represents a modern architectural style that flourished in Indonesia during the 1950s and 1960s. One of its remaining examples is Wisma Kilang, located at Pantai Kilang Mandiri, Balikpapan. This building serves as a silent witness to the city’s visual transformation over time and once stood out for its distinctive form that shaped the architectural trends of its era. However, modernization has brought significant alterations to the building, primarily driven by contemporary functional demands and owner preferences. The façade, in particular, has undergone substantial changes in its components, materials, and overall composition, posing a potential threat to the continuity of Jengki architectural identity. This study aims to identify façade components and analyze their compositional characteristics to understand the phenomena of consistency and transformation. A qualitative-descriptive method with a rationalistic paradigm was applied in field data collection. Data were analyzed through morphological visual analysis and triangulation. The research examined six Wisma Kilang buildings, focusing on roof structures, fences, columns, and openings. Findings indicate several façades have changed, especially in doors, windows, and canopy roofs, due to renovation and functional adaptation. Nevertheless, two buildings maintain a consistent façade composition, which may serve as a preliminary reference for reconstructive and preservation efforts of historical buildings within the façade context in the future
KOMPOSISI FASAD WISMA KILANG SEBAGAI BASIS REKONSTRKSI ARSITEKTUR JENGKI DI BALIKPAPAN Huldiansyah, Denny; Tajri M, Fulkha; Sherlia, Sherlia
Jurnal Teknik Sipil dan Arsitektur Vol 31 No 1 (2026): Jurnal Teknik Sipil dan Arsitektur
Publisher : Fakultas Teknik Universitas Tunas Pembangunan Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36728/jtsa.v31i1.5806

Abstract

Jengki architecture represents a modern architectural style that flourished in Indonesia during the 1950s and 1960s. One of its remaining examples is Wisma Kilang, located at Pantai Kilang Mandiri, Balikpapan. This building serves as a silent witness to the city’s visual transformation over time and once stood out for its distinctive form that shaped the architectural trends of its era. However, modernization has brought significant alterations to the building, primarily driven by contemporary functional demands and owner preferences. The façade, in particular, has undergone substantial changes in its components, materials, and overall composition, posing a potential threat to the continuity of Jengki architectural identity. This study aims to identify façade components and analyze their compositional characteristics to understand the phenomena of consistency and transformation. A qualitative-descriptive method with a rationalistic paradigm was applied in field data collection. Data were analyzed through morphological visual analysis and triangulation. The research examined six Wisma Kilang buildings, focusing on roof structures, fences, columns, and openings. Findings indicate several façades have changed, especially in doors, windows, and canopy roofs, due to renovation and functional adaptation. Nevertheless, two buildings maintain a consistent façade composition, which may serve as a preliminary reference for reconstructive and preservation efforts of historical buildings within the façade context in the future
Co-Authors Arif Fathurrahman Denny Huldiansyah Fulkha Tajri M Ngabito, Olivia Febrianty Tajri M, Fulkha WAHYU FIRMANSYAH