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All Journal Journal of Strategic and Global Studies Multikultura
Rahman, Suranta Abdul
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Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Zoulikha Bouabdellah, Visual Art, and Contemporary Calligraphy in Modern Algeria Rahman, Suranta Abdul
Journal of Strategic and Global Studies Vol. 2, No. 1
Publisher : UI Scholars Hub

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This study discusses the development of traditional poles that influence modern visual arts based on Aljazair culture, from conservative cultures under Ottoman influence to become Liberals after the French colonization brought to the Modern era. The majority of previous studies only discussed descriptive art variations in Algerian culture or only included elements of art in Algeria. This study uses qualitative methods, data collected by in-depth interviews with Visual Art experts at the best institutions in Indonesia and literature studies on art and culture in Algeria. This paper does not encourage artists to violate Islamic rules in their work. However, this study shows that there are artists who come out of Islamic rules to achieve certain goals and are not taboo in art. The paper concludes that a religious concept that is applied in a state principle does not make and guarantee that all members of the entire community line are fully conservative and obedient to the conservative rules in the state or legilation that must be obeyed in that country.
PESANTREN TRADISIONAL DAN MASYARAKAT PERKOTAAN: KEBERTAHANAN PESANTREN DAARUL ISHLAH, JAKARTA SELATAN Fairus, Ahmad; Rahman, Suranta Abdul
Multikultura Vol. 3, No. 3
Publisher : UI Scholars Hub

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Pondok Pesantren Daarul Ishlah adalah salah satu lembaga pendidikan Islam yang mengikuti tradisi salafiyah. Pesantren ini berfokus pada pengajaran al-Qur’an dan ilmu-ilmu agama Islam serta mengacu pada sumber-sumber klasik seperti kitab-kitab kuning sebagai pokok materi pembelajarannya. Penelitian ini membahas tentang faktor-faktor apa yang melatarbelakangi kebertahanan Pondok Pesantren Daarul Ishlah di tengah era modernisasi pendidikan Islam saat ini. Dalam penelitian ini, digunakan pendekatan observasi serta wawancara sebagai metode penelitian kualitatif. Teori yang diadopsi melibatkan teori “Tradisi Santri” yang dikembangkan oleh Zamakhsyari Dhofier dalam bukunya yang berjudul “Tradisi Pesantren: Studi Tentang Pandangan Hidup Kyai” yang dapat memberikan pemahaman mendalam tentang kebertahanan dan keberlanjutan pondok pesantren. Hasil penelitian ini menyatakan bahwa terdapat lima belas faktor yang melatarbelakangi Pondok Pesantren Daarul Ishlah dapat tetap bertahan di tengah era modernisasi pendidikan Islam. Pertama, faktor kepemimpinan (kiai). Kedua, pembebasan biaya. Ketiga, klasifikasi kemampuan santri. Keempat, metode pembelajaran. Kelima, sistem nilai yan dianut. Keenam, mengikuti ajaran ulama salaf. Ketujuh, berpakaian sarung dan kopiah. Kedelapan, konsep ruh al-jihad dan keikhlasan. Kesembilan, proses rekruitmen guru atau ustaz. Kesepuluh, rutinnya pemberian nasihat. Kesebelas, nilai keteladanan. Kedua belas, suasana pondok pesantren. Ketiga belas, penyebaran informasi. Keempat belas, mengabadikan nama pondok pesantren. Terakhir, yang kelima belas yaitu masyarakat.
KEBIJAKAN ISRAEL DAN DAMPAKNYA TERHADAP CARA HIDUP SUKU BADUI DI NEGEV Khairunnisa, Irena Arifa; Rahman, Suranta Abdul
Multikultura Vol. 2, No. 2
Publisher : UI Scholars Hub

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Perubahan budaya nomaden Suku Badui Negev dipengaruh oleh beberapa faktor eksternal. Artikel ini bertujuan untuk menganalisis faktor-faktor yang memengaruhi fenomena tersebut, seperti adanya kebijakan Israel terhadap cara hidup Badui di Negev, yang pada awalnya dapat berkelana dengan bebas di padang gurun yang luas, sejak pembangunan Negara Israel pada 1948, semuanya berubah drastis. Transisi ini bahkan dibersamai dengan sengketa kepemilikan lahan yang terjadi antara Badui Negev dan pemerintah Israel. Suku Badui di Negev tidak lagi bisa berpindah-pindah seperti sebelumnya. Mereka mulai mengalami perubahan mulai dari pranata kehidupan, peran kaum laki-laki dan perempuan dalam ruang domestik, serta bentuk tempat tinggal mereka.
KARAKTERISTIK KALIGRAFI ARAB PADA MASJID ASMAUL HUSNA GADING SERPONG Aprilyza, Aura Shifa; Rahman, Suranta Abdul
Multikultura Vol. 4, No. 2
Publisher : UI Scholars Hub

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Asmaul Husna Mosque in Gading Serpong uses the Asmaul Husna calligraphy design that decorates every outer wall of the mosque using Arabic calligraphy. This study aims to analyze the characteristics of the calligraphy used and the aesthetics and symbolic meanings contained in the calligraphy at the Asmaul Husna Mosque in Gading Serpong. This study uses a descriptive qualitative approach from data through printed and digital books, journals, newspapers, video documentation of the Asmaul Husna Mosque in Gading Serpong on certain platforms, as well as interviews with mosque administrators directly or indirectly as sources to maximize the results of research observations. The results of the study show that the Asmaul Husna Mosque in Gading Serpong has a unique design concept, namely the use of calligraphy with the words Asmaul Husna on every outer wall of the mosque. The Asmaul Husna calligraphy used at the Asmaul Husna Mosque in Gading Serpong is a Kufi Musattar calligraphy with stiff and angular characteristics. This design shows how elements of Islamic calligraphy art are integrated into the architecture of the mosque as a form of symbolism, Islamic identity of the place of worship, and cultural arts.
Co-Authors Aprilyza, Aura Shifa Fairus, Ahmad Khairunnisa, Irena Arifa