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Pelatihan Pengembangan Tari Dan Musik Kreasi Baru pada Sanggar Mustika Minang Duo, Nagari Kampuang Baru, Pariaman Hasnah Sy, Hasnah Sy; Gusti, Adriana; Surherni, Surherni; Rovilendes, Adjuoktoza; Anton, Syahri
Batoboh Vol 8, No 1 (2023): BATOBOH : JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v8i2.3731

Abstract

Program Pengabdian Masyarakat Mandiri ini dilakukan dalam bentuk pelatihan tari dan musik pada Sanggar Mustika Minang Duo. Pelatihan diawali dengan pengenalan teknik-teknik dasar dalam melakukan gerak tari maupun teknik memainkan alat musik. Kegiatan ini dilaksanakan dengan menggunakan metode demonstrasi dan diskusi, diakhiri dengan kolaborasi tari dan musik. Kolaborasi ditujukan untuk mengasah kreativitas tanpa meninggalkan kearifan lokal. Program Pengabdian Masyarakat Mandiri ini juga bertujuan untuk mendorong kerjasama dengan Dinas Pariwisata sebagai wadah apresiasi guna mengenalkan kesenian kepada masyarakat luas. Pengabdian Masyarakat Mandiri ini menghasilkan perbaikan manajemen Sanggar Mustika Minang Duo yang semula masih bersifat tradisional, agar memiliki struktur organisasi formal, guna menjamin keberlanjutan dari pengembangan berbagai nomor tari dan musik kreasi baru di masa yang akan datang.AbstractCommunity Service Program is carried out in the form of dance and music training at the Mustika Minang Duo Studio. The training begins with an introduction to basic techniques in performing dance moves and techniques for playing musical instruments. This activity was carried out using demonstration and discussion methods, ending with dance and music collaboration. Collaboration is aimed at honing creativity without abandoning local wisdom. This Independent Community Service Program also aims to encourage collaboration with the Tourism Office as a forum for appreciation to introduce art to the wider community. Community Service resulted in an improvement in the management of the Mustika Minang Duo Studio, which was originally still traditional in nature, so that it has a formal organizational structure, to ensure the continuity of the development of various dance numbers and new music creations in the future.
TARI PIRING DALAM PERTUNJUKAN RANDAI DI SANGGAR PALITO NYALO KOTO PANJANG KECAMATAN PAUH PADANG SUMATERA BARAT Sapitri, Dwi Ranti; Risnawati, Risnawati; Gusti, Adriana
Laga-Laga : Jurnal Seni Pertunjukan Vol 9, No 2 (2023): Laga-laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v9i2.4013

Abstract

The purpose of this study was to determine the form of the Plate Dance in the Randai Performance at the Palito Nyalo Studio, Koto Panjang District, Pauh District, Padang City, West Sumatra. This study uses a descriptive qualitative method, which is to describe and describe the data that is seen in the real field. How to get data by literature study and field study. Theories and opinions used in studying the Forms of the Plate Dance in the Randai performance consist of form theory by Y. Sumandiyo Hadi. Performance theory by Sal Murgianto. The form of the Piring Dance in the Randai performance at the Palito Nyalo Studio is related to dance elements, namely motion, music, costumes, props, and the venue. Furthermore, the Plate Dance in the Randai show has a unique way of breaking plates using four ways, namely: Forehead, elbows, knees, and soles of the feet which are located at the end of the show. This Piring dance performance prioritizes a form of entertainment which essentially eliminates boredom or changes the atmosphere in a randai show.