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All Journal JADECS (Journal of Art, Design, Art Education and Culture Studies) International Journal of Visual and Performing Arts VCode
Wibawa, Mahendra
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PERANCANGAN POSTER INFOGRAFIS SEBAGAI SARANA KAMPANYE BAHAYA MEROKOK DI SEKITAR ANAK Septinandri, Ayunda Rahma; Sarjono, Sarjono; Wibawa, Mahendra
VCoDe : Visual Communication Design Journal Volume 2, Nomor 1, Desember 2022
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vcode.v2i2.3648

Abstract

Kesadaran masyarakat terhadap bahaya merokok di sekitar anak masih sering diabaikan. Selain memberi dampak langsung pada kesehatan, kegiatan merokok akan menumbuhkan bibit perokok aktif pada anak di masa remaja. Poster Infografis sebagai sarana informasi dapat dimanfaatkan sebagai sarana untuk mengampanyekan bahaya merokok di sekitar anak yang ditujukan kepada orang tua, khususnya yang memiliki anak kecil dan merupakan perokok aktif. Poster infografis ini dirancang dengan menggunakan metode perancangan Sadjiman Ebdi Sanyoto berdasarkan data yang didapatkan dari metode wawancara, survei dan kajian pustaka. Data-data tersebut dianalisis dengan menggunakan metode 5W1H, disintesis, dan kemudian diwujudkan menggunakan teknik ilustrasi vektor. Hasil akhir perancangan ini berupa 5 poster berukuran A3, serta 10 feed Instagram. Dilengkapi dengan media pendukung yang terdiri atas website, merchandise dan x-banner.
ANALISIS SEMIOTIKA STRUKTURALISME FERDINAND DE SAUSSURE PADA FILM "BERPAYUNG RINDU" WIBAWA, MAHENDRA; NATALIA, RISSA PRITA
VCoDe : Visual Communication Design Journal Volume 1, Nomor 1, Desember 2021
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vcode.v1i1.2213

Abstract

ABSTRAKPada penelitian ini disajikan sebuah karya film atau web series berjudul “Berpayung Rindu” berdasarkan sistem tanda dalam disiplin ilmu Semiotika Strukturalisme. Penelitian  ini membahas mengenai aspek tanda menggunakan teori Ferdinand de Saussure. Pada tiap scene akan yang disajikan analisa terhadap sebuah karya film atau web series ini berdasarkan sistem tanda Semiotika Strukturalisme. Berdasarkan analisanya, secara bersamaan dikembangkan dengan penginterpretasian terhadap masing-masing aspek dan masing-masing scene yang dianalisa dan diinterpretasi secara keseluruhan. Peneliti menggunakan paradigma konstruktivis dengan pendekatan kualitatif, sehingga dapat menunjukkan gambaran realitas kekerasan yang dikonstruksi.ABSTRACTBased on the sign system in the discipline of Structural Semiotics, a film or web series entitled "Berpayung Rindu" is presented. This study discusses the sign aspect using the theory of Ferdinand de Saussure. In each scene, an analysis of a film or web series will be presented based on the Semiotic Structuralism sign system. Based on the analysis, it is simultaneously developed by interpreting each aspect and each scene, which is analyzed and interpreted as a whole. The researcher uses a constructivist paradigm with a qualitative approach, so that it can show a picture of the reality of violence that is constructed.
PENCIPTAAN INFOGRAFIS TRANSFORMASI VISUAL GARUDA DI MEDIA SOSIAL Wibawa, Mahendra
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 5, No 2 (2020)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v5i22020p60-66

Abstract

One of the characters in Hindu mythology known as Garuda is closely related to the development of Indonesia’s visual culture. Visual transformations have occurred in the character of Garuda since the time of Indonesia’s independence to the present. As a visual cultural asset which rooted in the life of the Indonesian nation, comprehensive information about the transformation that occurs needs to be realized as one of the efforts to archive visual data and media that can be used for educational needs. This research will map the visual transformation of Garuda characters through graphic media contained in social media based on changes in visual elements and their anatomy and packaging them in media infographics. The anatomical analysis method was used in this study and followed by design using an illustrative approach. Key Words: Garuda, Visual Transformation, Anatomy, Infographic, Illustration.
Visual symbolism and the art design nexus in madness: A critical discourse analysis of Penahitam’s subcultural artzine in Indonesia Wibawa, Mahendra; Sunarto, Bambang; Murtono, Taufik
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1806

Abstract

This study examines how hybrid visual practices in subcultural contexts challenge the binary between art and design. It addresses the theoretical division proposed by Tsion Avital, who posits a strict dichotomy between symbolic art and functional design. Using this framework, the visual discourse of the Indonesian collective Penahitam is critically analyzed. The 9th edition of Penahitam's artzine, Madness, is selected as a case study due to its thematic depth and ideological complexity. The research applies Norman Fairclough’s Critical Discourse Analysis (CDA) to integrate textual, visual, and contextual elements, exploring how meaning is constructed through the interplay of image, text, layout, and cultural production. Avital’s symbolic-functional theory serves as a lens to assess how Penahitam negotiates between expressive freedom and visual functionality. Findings indicate that Madness reconfigures the relationship between artistic and design elements into a hybrid visual discourse. The artzine's layout, poetic writing, dark-art illustrations, and socio-political content work cohesively to communicate ideological resistance while remaining accessible. This integration disrupts Avital’s dichotomy, showing how hybridity becomes a strategic tool for expression and subcultural authorship. Furthermore, the production and dissemination of the artzine across 29 Indonesian cities underscore Penahitam’s commitment to collective authorship, independence, and decentralized cultural activism. This study contributes to the discourse on art-design hybridity by offering a concrete analytical model for understanding how independent collectives use visual media to challenge dominant narratives and assert creative autonomy.
Co-Authors Bambang Sunarto Hadida, Yasmin Wita Al NATALIA, RISSA PRITA Sarjono Sarjono, Sarjono Septinandri, Ayunda Rahma Taufik Murtono