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All Journal Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Edukasi Khatulistiwa : Pembelajaran Bahasa dan Sastra Indonesia SENTRI: Jurnal Riset Ilmiah
Pauji, Dicky Rachmat
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Aerospace Engineering Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice

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KEPRIBADIAN TOKOH ADARA DALAM NOVEL ARIAL DAN ADARA KARYA HELOBAGAS: ANALISIS PSIKOLOGI SASTRA Nurhaliza, Najiah Khairun; Pauji, Dicky Rachmat; Rachmawati, Kurnia
Jurnal Edukasi Khatulistiwa : Pembelajaran Bahasa dan Sastra Indonesia Vol 7, No 2 (2024): Oktober 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ekha.v7i2.76130

Abstract

 This study aims to describe the psychological character of Adara in the novel Arial and Adara by HeloBagas through the Id, Ego, Superego aspects approach, as described in Sigmund Freud's thought. By using descriptive qualitative method with data collection techniques of reading and note-taking, it can produce psychological aspects that appear in internal and external problems, moral decisions, and social considerations of Adara's character. This study can also answer if the novelist consciously and unconsciously incorporates elements of Sigmund Freud's thoughts into the narrative of the story in this novel. The results of this study are expected to contribute and further understanding of the influence of literary psychology theory. Keywords: Novel, literary psychology, Sigmund Freud  AbstrakPenelitian ini bertujuan untuk dapat mendeskripsikan psikologis karakter tokoh yaitu Adara dalam novel Arial dan Adara karya HeloBagas melalui pendekatan aspek Id, Ego, Superego, sebagaimana dijelaskan dalam pemikiran Sigmund Freud. Dengan menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data membaca dan mencatat, dapat menghasilkan aspek-aspek psikologis yang muncul dalam masalah internal maupun eksternal, keputusan moral, dan pertimbangan sosial dari tokoh Adara. Penelitian ini juga dapat menjawab jika penulis novel secara sadar dan tidak sadar memasukan elemen-emelen pemikiran Sigmund Freud kedalam narasi cerita pada novel ini. Hasil penelitian ini diharapkan dapat memberikan kontribusi dan pemahaman lanjut tentang pengaruh teori psikologi sastra.  Kata Kunci: Novel, psikologi sastra, Sigmund Freud  
PENINDASAN TERHADAP PEREMPUAN DALAM NOVEL MELAWAN SISTEM PERBUDAKAN KARYA NAWAL EL SAADAWI Pratama, Andhika; Pauji, Dicky Rachmat; Rachmawati, Kurnia
Jurnal Edukasi Khatulistiwa : Pembelajaran Bahasa dan Sastra Indonesia Vol 7, No 1 (2024): April 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ekha.v7i1.76128

Abstract

This research discusses the issue of oppression of women in the novel Against the Slavery System by Nawal El Saadawi. The aim of this research is to describe the forms of women's oppression that occur in the novel Against the Slavery System, and how the female characters in the novel Against the Slavery System struggle against oppression. This study used descriptive qualitative method. The data source is the novel Against the Slavery System, by Nawal El Saadawi, published in 2022. This novel consists of 230 pages and chapters in e-book form. The research results obtained are in accordance with the data analyzed in the form of quotations consisting of phrases, sentences, paragraphs and conversations from the novel Against the Slavery System.  Keywords: Feminism, Girl, Literary Criticism.  AbstrakPenelitian ini membahas persoalan penindasan terhadap perempuan dalam novel Melawan Sistem Perbudakan karya Nawal El Saadawi. Tujuan dari penelitian ini adalah untuk mendeskripsikan bentuk penindasan perempuan yang terjadi dalam novel Melawan Sistem Perbudakan, dan bagaimana tokoh perempuan dalam novel Melawan Sistem Perbudakan berjuang melawan penindasan. Penelitian ini menggunakan metode deskriptif kualitatif. Sumber data adalah novel Melawan Sistem Perbudakan, oleh Nawal El Saadawi, diterbitkan pada tahun 2022. Novel ini terdiri dari 230 halaman dan bab dalam bentuk e-book. Hasil penelitian yang didapat sesuai data yang dianalisis berupa kutipan yang terdiri atas frasa, kalimat, paragraf, dan percakapan berasal dari novel Melawan Sistem Perbudakan.  Kata Kunci: Feminisme, Perempuan, Kritik Sastra.  
HIERARKI KEBUTUHAN TOKOH UTAMA DALAM NOVEL LUKACITA KARYA VALERIE PATKAR: KAJIAN PSIKOLOGI HUMANISTIK ABRAHAM MASLOW Aulia, Amanda; Pauji, Dicky Rachmat; Rachmawati, Kurnia
Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 13, No 3 (2024)
Publisher : Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/lgrm.v13i3.13030

Abstract

Penelitian ini dilakukan dengan maksud untuk menganalisis dan mendeskripsikan hierarki kebutuhan yang dialami tokoh utama dalam novel LukaCita karya Valerie Patkar. Penelitian ini bertujuan untuk melihat bagaimana dan apa saja bentuk pemenuhan kebutuhan manusia dalam novel tersebut. Pendekatan yang digunakan adalah deskriptif kualitatif, dengan menganalisis data dari novel LukaCita dan memilih kutipan-kutipan yang relevan untuk dianalasis. Analisis dilakukan dengan menggunakan teori hierarki kebutuhan Abraham Maslow sebagai kerangka pemikiran. Dalam proses pengumpulan data, digunakan metode membaca, mencatat, reduksi data, klasifikasi data, dan pemilihan kutipan yang relevan dari teks sebagai korpus data. Hasil penelitian menunjukkan bahwa tokoh utama dalam novel LukaCita memenuhi kebutuhankebutuhan dalam hierarki Maslow secara bertahap. Kebutuhan-kebutuhan yang ditemukan meliputi kebutuhan fisiologis, kebutuhan rasa aman, kebutuhan sosial (termasuk kebutuhan untuk memiliki dan dicintai), kebutuhan penghargaan, dan kebutuhan aktualisasi diri. Pemenuhan kebutuhan ini terjadi melalui interaksi dengan lingkungan sekitar, hubungan dengan karakter lain, dan proses internal yang dilalui oleh tokoh utama. Melalui analisis ini, dapat dilihat bagaimana perjalanan tokoh utama mencerminkan dinamika pemenuhan manusia menurut teori Maslow dalam konteks sosial dan psikologis yang ada dalam novel tersebut. Teori humanistik dalam psikologi berfokus pada pengembangan potensi manusia dan pencapaian aktualisasi diri. Pendekatan ini menekankan pentingnya kebebasan, pilihan, dan tanggung jawab individu dalam mencapai tujuan hidup yang bermakna.Kata kunci: Hierarki Kebutuhan, tokoh utama, Abraham Maslow, Humanistik.
TINDAKAN SOSIAL TOKOH ANINDIA DALAM NOVEL HOLD ON, IT HURTS KARYA NOVENI ADELIA: PERSPEKTIF MAX WEBER Alifia, Syifa Nur; Pauji, Dicky Rachmat; Siregar, Iskandarsyah
Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 13, No 2 (2024)
Publisher : Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/lgrm.v13i2.12252

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bentuk 1) Tindakan rasionalitas instrumental Anindia; 2) Tindakan rasionalitas berorientasi nilai Anindia; 3) Tindakan tradisional Anindia; dan 4) Tindakan afektif Anindia dalam novel Hold On, It Hurts karya Noveni Adelia menggunakan teori tindakan sosial perspektif Max Weber. Dalam penyajian penelitian kualitatif deskriptif ini menggunakan pendekatan sosiologi sastra dengan teknik baca dan catat untuk pengumpulan data serta analisis domain untuk analisis data. Hasil dari penelitian ini adalah sebagai berikut: 1) Tindakan afektif Anindia lebih ditonjolkan dalam novel; 2) Anindia lebih sering menggunakan ujaran berupa kalimat permintaan, pernyataan, dan pertanyaan sebagai alat untuk mencapai tujuan dalam tindakan rasionalitas instrumental; 3) Nilai moral lebih sering dijadikan titik tumpu Anindia dalam melakukan tindakan rasionalitas berorientasi nilai; 4) Tindakan tradisional yang dilakukan Anindia hanya diperlihatkan satu kali ketika Anindia merasa harus menjalankan kewajiban seorang istri; dan 5) Anindia lebih sering melakukan tindakan afektif yang disebabkan oleh perasaan marah yang memuncak. Kata kunci: Tindakan Sosial, Tokoh, Max Weber
Yovi Birawanto's Creative Process and Social Life in the Creation of Musical Works Ryuko, Putri Nesha; Rachmawati, Kurnia; Pauji, Dicky Rachmat
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 1 (2026): SENTRI : Jurnal Riset Ilmiah, Januari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i1.5609

Abstract

This study examines the creative process and social background of Indonesian independent musician Yovi Birawanto in producing his musical works. Music, particularly song lyrics, is not merely an aesthetic expression but also a medium that reflects the artist’s interaction with social realities. This research aims to describe how Yovi’s social experiences influence his creative process, to explain the stages of creativity involved, and to identify the dominant social themes represented in his songwriting. Employing a qualitative approach, the study utilizes in-depth interviews, lyric analysis, and live performance observation. The findings reveal that Yovi’s creative works emerge from collective and contextual experiences rather than personal sentimentalism. His songwriting is strongly influenced by shared emotional realities, such as human vulnerability, existential anxiety, and the need for emotional space within contemporary social life. These themes are articulated through reflective and metaphorical language that resonates with broader public experiences. Furthermore, the creative process follows four integrated stages: preparation through idea collection based on social observation, incubation within moments of reflective silence, illumination marked by the sudden emergence of musical or lyrical ideas, and verification through collaborative refinement with the band. Performance observation confirms that live performance functions as the final phase of verification, enabling emotional dialogue between the artist and the audience. In conclusion, Yovi Birawanto’s musical works operate as a form of social discourse in which creativity becomes a dialogic interaction between the artist, social environment, and listeners, positioning independent music as a meaningful medium of popular literary expression.
Ketidakadilan Gender dan Bentuk Perlawanan Tokoh Perempuan dalam Novel Malam Seribu Jahanam: Kajian Feminisme Rahmah, Khofifah; Rachmawati, Kurnia; Pauji, Dicky Rachmat
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5632

Abstract

This study examines gender injustice and forms of resistance in Malam Seribu Jahanam by Intan Paramaditha using feminist literary criticism and Mansour Fakih’s framework of gender injustice. The research is motivated by the persistence of gender inequality in Indonesian society as reflected in literary works. It aims to identify forms of gender injustice and analyze how female characters respond to patriarchal domination. Unlike previous studies that primarily focus on women’s oppression, this research highlights the representation of gender minorities beyond the male–female binary, particularly trans women, who are marginalized through moral stigma, social exclusion, and rejection from religious and social spaces. This perspective broadens feminist literary analysis by incorporating a more inclusive understanding of gender injustice. The study employs a qualitative descriptive method through close reading and thematic categorization of data. The findings reveal that gender injustice appears in interconnected forms, including marginalization, subordination, stereotyping, violence, and unequal workloads. However, female characters are portrayed not merely as victims but as agents who negotiate identity, assert autonomy, and resist patriarchal control.
Beban Sosial dan Tekanan Peran Tokoh Kaluna dalam Novel Home Sweet Loan Febrya, Helennisa; Rachmawati, Kurnia; Pauji, Dicky Rachmat
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5847

Abstract

This study examines the social burden and role pressure experienced by the character Kaluna in Almira Bastari's work entitled Home Sweet Loan. The problems that arise are caused by an imbalance in the social roles that Kaluna must perform as a member of the sandwich generation, who has responsibilities not only for her personal needs but also for the demands of her family and social environment. The gap between social reality and cultural expectations reflects the structural pressures that influence the character's actions and decisions. The purpose of this study is to describe the social burdens and gender role pressures experienced by the character, as well as to interpret their social meaning from a literary sociology perspective. The method used in this study is descriptive qualitative with observation and recording techniques to collect data in the form of relevant quotations from the novel text. The findings of this study show that Kaluna faces pressures related to economics, family demands, and gender expectations that require her to perform roles in both the domestic and public spheres simultaneously. Gender role pressure arises through the demand to appear as an ideal woman, while social burdens arise from financial responsibilities and expectations of an unbalanced role. In conclusion, the novel Home Sweet Loan depicts the complexity of the lives of young women from the urban middle class who are trapped in demanding social structures, providing a realistic picture of social burdens and role pressures in modern society.
Co-Authors Alifia, Syifa Nur Aulia, Amanda Febrya, Helennisa Kurnia Rachmawati, Kurnia Nurhaliza, Najiah Khairun Pratama, Andhika Rahmah, Khofifah Ryuko, Putri Nesha Siregar, Iskandarsyah