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All Journal Journal of Language and Literature UG Journal REiLA: Journal of Research and Innovation in Language
Kholiq, Muh.
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Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Social Sciences

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AN ANALYSIS OF MORPHOLOGICAL PROCESSES ON THE WORDS CONTAINING DERIVATIONAL AFFIXES IN EDGAR ALLAN POE’S THE BLACK CAT Herlina, Nurul Ika; Kholiq, Muh.
UG Journal Vol 14, No 1 (2020)
Publisher : Universitas Gunadarma

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Abstract

This research aims to analyze Morphological processes on the words containingderivational affixes in Edgar Allan Poe’s The Black Cat. The method of this researchis descriptive qualitative. The researcher found 154 words that attached by derivationalaffixes as the result of this research. They can be categorized based on part of speechinto four types: the first is derivational affixes producing noun. They have percentage45%, with the suffixes-ence, -cy, -ty, -ity, -tion, -ation, -ion,-ment, -ure, -ness, -ent, -ance ,-er, -or, and -ing. The second is derivational affixes producing verb. Theyhavepercentage 1%, with the suffix -en. The third is derivational affixes producingadjective. They have percentage 17%, with the suffixes -al, -able, -ful, -y, -ish, -ent,-less, -ing and -ous. The last is derivational affixes producing adverb. They havepercentage 37%, with the suffix –ly. The researcher also found the prefixes, they areun-,in-,dis- and re-. The derivational affixes producing noun is the most frequentlyappear in Edgar Allan Poe’s The Black Cat with a percentage of 45%.
DIRECTIVE ILLOCUTIONARY AND PERLOCUTIONARY ACTS IN MISSING (2023) MOVIE Aminnudin, Karina Dwianggita; Kholiq, Muh.
Journal of Language and Literature Vol 11, No 2 (2023)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/jll.2023.v11i2.9445

Abstract

Communication in speech acts involves not only words but also action. The directive illocutionary is a form of speech act that attempts to persuade the hearer to do something. It refers to a specific statement that contains particular actions. This research aims to examine the occasions of directive illocutionary by Searl and perlocutionary acts by Austin in the Missing (2023) movie describing how the speaker carries their intention and how the interlocutor responds to the utterances as the action. The researcher used descriptive qualitative method. The data for analysis was obtained from the script dialogue of the Missing (2023) movie. The results of this research showed there are 83 data contained the 6 types of directive illocutionary acts, those are: Asking (41), Commanding (17), Requesting (7), Forbidding (5), Begging (6), and Suggesting (7). There are 40 successful perlocutionary acts and 37 unsuccessful perlocutionary acts that occurred in the movie.
Signs, Symbols, and Identity: A Semiotic Reinterpretation of Javanese Womanhood in “Losmen Bu Broto” Kholiq, Muh.; Ningsih, Sri; Dinda Amelia, Rizki
REiLA : Journal of Research and Innovation in Language Vol. 7 No. 1 (2025): REiLA : Journal of Research and Innovation in Language
Publisher : The Institute of Research and Community Service (LPPM) - Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/reila.v7i1.25959

Abstract

While traditional depictions of Javanese women in media have often reinforced stereotypes of submissiveness, gentleness, and familial devotion, such portrayals are increasingly being redefined in contemporary Indonesian cinema. This study investigates how Javanese women are represented in the film Losmen Bu Broto, a modern adaptation of the classic TVRI series, through a qualitative descriptive method using John Fiske’s semiotic framework of television codes. The analysis examines three key levels of meaning: reality, representation, and ideology, focusing on narrative structure, character behavior, costuming, and cinematographic techniques. The findings reveal a spectrum of female identities within the film, ranging from the traditional and compliant Pur to the modern, expressive Sri, and the authoritative, business-minded Madam Broto. Although the film retains strong cultural symbols such as the kebaya and konde, these are interwoven with contemporary expressions of autonomy, emotional complexity, and leadership. These layered representations challenge the singular image of the Javanese woman as passive and instead present her as multidimensional and evolving. The study contributes to the growing discourse on gender representation in Southeast Asian media, offering a nuanced understanding of how cultural identities are both preserved and contested through film. In a broader context, this research highlights the role of visual media in shaping public consciousness and advancing more inclusive and dynamic narratives of womanhood within Indonesian society.
Co-Authors Aminnudin, Karina Dwianggita Dinda Amelia, Rizki Herlina, Nurul Ika Sri Ningsih