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All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Sitio, Anantha Angriany
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MODIFIKASI STRATEGI KREATIF PENGAMEN TUNANETRA DALAM MEMBANGUN INTERAKSI SOSIAL: STUDI KASUS : PENGAMEN TUNANETRA DI JALAN MALIOBORO YOGYAKARTA Sitio, Anantha Angriany
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 1 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i1.7353

Abstract

The purpose of this study is to identify changes in creative tactics created by blind people in performing busking. Changes in the rules in the arrangement of the Malioboro tourist location by the Yogyakarta government require blind buskers to change their busking strategy, which used to be walking along Malioboro Street (busking by moving around) to having to settle at a point that has been determined by the Yogyakarta government. In practice, the regulation makes changes for blind buskers along Malioboro Street. The changes are related to the strategies that must be changed, which were previously nomadic but must change to being settled. The purpose of this study is to examine the modification of creative tactics built by blind buskers to achieve success in their busking performances. Observation and interview are a combination of data collection methods in this study. The selection of informants with the purposive sampling method. The results of this study indicate that the busking strategy with the nomadic method is different from non-nomadic busking. Creative tactics occur in various elements such as speakers, volume, sharing tasks, direction of face, and pauses.
TUBUH YANG BERTAHAN: STRATEGI SINDEN MAHASISWA MENGELOLA KRAM DI ATAS PANGGUNG Sitio, Anantha Angriany; Indah Cahyasari; Rudi Punto Prabowo; Bagas Surya Muhammad
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 2 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this study is to identify the forms of stage adaptation performed by student sinden (female vocalists in Javanese gamelan) when experiencing leg cramps during a live performance. During performances lasting approximately 40 to 50 minutes, the sinden sit in a static kneeling position, which can lead to muscle tension and cramps in the legs. This condition requires each sinden to develop adaptive strategies to maintain the quality of their vocal and expressive performance despite the physical constraints experienced during the performance. This study employs a qualitative method with a case study approach. The approach was chosen because the research focuses on the phenomenon of cramps experienced by student sinden during recital examinations at the Indonesian Institute of the Arts (ISI) Surakarta. Of the ten sinden who performed, four were selected as research subjects based on varying levels of cramp intensity. In-depth exploration was conducted to reveal their experiences and stage adaptation strategies used to maintain vocal performance and artistic presence amid physical limitations during the performance. The results show four forms of stage adaptation performed by student sinden during the performance: (1) motor stimulation of the right leg, (2) calf muscle stimulation, (3) massage of the calf and shin area, and (4) repositioning of the hands resting on the legs. These adaptations were not performed simultaneously but were adjusted according to each sinden’s physical condition and vocal role. These adaptive activities were generally performed during musical sections without vocals, while during vocal sections, the sinden focused their attention on voice control and musical expression.
Co-Authors Bagas Surya Muhammad Indah Cahyasari Rudi Punto Prabowo