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All Journal Capture : Jurnal Seni Media Rekam Sanggitarupa
Triadiputra, Stephanus Andre
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Arts Humanities

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Eksplorasi Fenomena Waktu Sebagai Objek Penciptaan Seni Video Triadiputra, Stephanus Andre
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5599.479 KB) | DOI: 10.33153/capture.v5i2.697

Abstract

The debate on the speed of time (travel time, the length of the process, working time) has been going on since time immemorial and continues to this day. At this time the meaning of the word quickly in human life not only be the size of an improvement, but it is also considered to be a measure for better circumstances. Around us, the conditions under which it can be said that the central human race by speed. Most of the time of the human life cycle of time spent on a job that runs in a high-tempo pace. Things like that make a man trapped inside a rhythm acceleration. Slow follow the changes are considered outdated. Not fast also believed would make the economic benefits will be slightly reduced. Instead, speed is believed to be able to make financial gains accrue and be used as an indicator of the progress of human life. That is, human life would be considered better if he is able to more quickly than any other human. Through research and phenomenological theory approach the author tries to trace the phenomenon of time. The rhythm of life of modern man feels faster tempo is the main focus. Anxiety that the authors feel the phenomenon push to make it into a work of video art. This video art is a medium of expression that is at once the author tries to explore the phenomenon of modern human life time which more quickly than before. Hopefully, this work could be stand as a contemplation media of the meaning of time for the audience. Keywords: time, fast, phenomenon, phenomenology, and expression
Eksplorasi Fenomena Waktu Sebagai Objek Penciptaan Seni Video Triadiputra, Stephanus Andre
Capture : Jurnal Seni Media Rekam Vol. 5 No. 2 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v5i2.697

Abstract

The debate on the speed of time (travel time, the length of the process, working time) has been going on since time immemorial and continues to this day. At this time the meaning of the word quickly in human life not only be the size of an improvement, but it is also considered to be a measure for better circumstances. Around us, the conditions under which it can be said that the central human race by speed. Most of the time of the human life cycle of time spent on a job that runs in a high-tempo pace. Things like that make a man trapped inside a rhythm acceleration. Slow follow the changes are considered outdated. Not fast also believed would make the economic benefits will be slightly reduced. Instead, speed is believed to be able to make financial gains accrue and be used as an indicator of the progress of human life. That is, human life would be considered better if he is able to more quickly than any other human. Through research and phenomenological theory approach the author tries to trace the phenomenon of time. The rhythm of life of modern man feels faster tempo is the main focus. Anxiety that the authors feel the phenomenon push to make it into a work of video art. This video art is a medium of expression that is at once the author tries to explore the phenomenon of modern human life time which more quickly than before. Hopefully, this work could be stand as a contemplation media of the meaning of time for the audience. Keywords: time, fast, phenomenon, phenomenology, and expression
Strategi Penyutradaraan Berbasis Neorealisme Italia untuk Mewakili Kemarginalan Perkotaan: Studi Penciptaan Film Kita dan Kaki-Kaki yang Terluka Aldis Elwananda; Triadiputra, Stephanus Andre
Sanggitarupa Vol. 5 No. 2 (2025): Sanggitarupa
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini berangkat dari proses kreatif penyutradaraan film Kita, dan Kaki-kaki yang Terluka yang berupaya menangkap denyut kehidupan masyarakat marginal Jakarta melalui kacamata Neorealisme Italia. Dengan menempatkan elemen mise-en-scène—khususnya waktu, ruang kota, dan ketegangan konflik—sebagai pusat eksplorasi, film ini memanfaatkan lokasi nyata dan ritme keseharian untuk menghadirkan potret kemiskinan struktural dan siklus penyakit yang diwariskan lintas generasi. Temuan penelitian menunjukkan bahwa keputusan penyutradaraan yang berorientasi pada setting dapat membuka lapisan-lapisan sosial yang kerap tersembunyi, sekaligus memperkuat pendekatan realisme sosial dalam produksi film fiksi pendek
Co-Authors Aldis Elwananda