Widyastuti, Mamik
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KEAKTORAN NANIK SETYARINI DALAM PERTUNJUKAN WAYANG ORANG SRIWEDARI SURAKARTA Widyastuti, Mamik
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5060.051 KB) | DOI: 10.33153/acy.v1i1.19

Abstract

This article will strives a field of Nanik Setyarini as an dance-actrees on the wayang orang performance of Sri Wedari, Surakarta. Nanik Setyarini’s acting process has been built since her childhood while she get along by watching wayang performance. Her sensitive abilities to the wayang performance had examined her to start her dancing practice and brought her to join the wayang groups of Sri Wedari, from her role as a supporting dancer to her role as a main dance-actrees as a wayang Srikandi, at least she become a director of wayang performance of Sri Wedari. Nanik’s dedication of her dancer-actrees’s entities to the wayang performance of Sri Wedari at Surakarta seems her role as a wayang Srikandi presently. Nanik Setyarini has her gandar excellence, dance movement expression, dialogues, tembang singing, musical sensibility, and her excellence of acting dedication on a wayang’s she taken role entirely.Keyword : acting dedication, Nanik Setyarini, excellence, wayang orang
Bedhaya Bedhah Madiun Dance As A Tourism Asset In Pura Mangkunagaran Kristiyanti, Dewi; Widyastuti, Mamik; Maryani, Dwi; bin Said, Fathurrahman
Gelar: Jurnal Seni Budaya Vol. 20 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4411

Abstract

The research objective of Bedhaya Bedhah Madiun Dance as a Tourism Asset in Pura Mangkunagaran is a tourism asset that can provide foreign revenue for the Mangkunagaran family. This research uses descriptive analysis by using qualitative approach. The data collection technique was done by observing, interviewing and documenting. The results showed that Bedhaya Bedhah Madiun Dance is an artistic attraction that can be packed in a compact and concise manner where its sacred value is removed into an entertaining performance and presented to domestic and foreign tourists, so it has economic value for Pura Mangkunagaran. Bedhaya Bedhah Madiun dance is a tourist asset, performed in several places with different audiences as well as an interesting dance attraction. Bedhaya Bedhah Madiun dance is composed by new dance movements even though they still using few traditional patterns. The dance movements of the new arrangement are following to the ability of the dancers who are concerned to be entertaining and attractive for tourism. Floor patterns, make-up and dress and dance accompaniment are laid out to support the performance.
KEAKTORAN NANIK SETYARINI DALAM PERTUNJUKAN WAYANG ORANG SRIWEDARI SURAKARTA Widyastuti, Mamik
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i1.19

Abstract

This article will strives a field of Nanik Setyarini as an dance-actrees on the wayang orang performance of Sri Wedari, Surakarta. Nanik Setyarini’s acting process has been built since her childhood while she get along by watching wayang performance. Her sensitive abilities to the wayang performance had examined her to start her dancing practice and brought her to join the wayang groups of Sri Wedari, from her role as a supporting dancer to her role as a main dance-actrees as a wayang Srikandi, at least she become a director of wayang performance of Sri Wedari. Nanik’s dedication of her dancer-actrees’s entities to the wayang performance of Sri Wedari at Surakarta seems her role as a wayang Srikandi presently. Nanik Setyarini has her gandar excellence, dance movement expression, dialogues, tembang singing, musical sensibility, and her excellence of acting dedication on a wayang’s she taken role entirely.Keyword : acting dedication, Nanik Setyarini, excellence, wayang orang