Wahyudi, Didik Bambang
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Journal : Acintya

CULTURAL ADVANCEMENT STRATEGIES IN INDONESIA: A LITERATURE REVIEW Murtono, Taufik; Wahyudi, Didik Bambang
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6177

Abstract

This study aims to explore writings throughout the last five years (2020-2024) to find out how cultural advancement strategies have been practised in Indonesia. The method used is literature research with stages 1) formulating questions and protocols for inclusion and exclusion of writing data, 2) searching for qualified writings from Google Scholar and Scopus databases, 3) selecting writing data by extracting data and identifying data duplication, 4) analysing data based on the quantity and quality of writing according to theme groups, 5) presenting data in an analysis matrix,  6) interpret the results of the analysis and draw conclusions. The study results concluded that the strategy of promoting culture in Indonesia is carried out through legal policy, social and cultural innovation, and the development of cultural products. The development of cultural products needs to be given more space considering that people now more easily consume the results of cultural innovation through various media platforms
GARAP TARI CAKIL GAYA SURAKARTA Wahyudi, Didik Bambang
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5367

Abstract

This reseach, briefly, Garap Tari Cakil in Surakarta, were understanding and explaining descriptively existence and development of Cakil dance as genres; wireng, fragmen, wireng pethilan and also as a part of traditional dance drama (wayang orang panggung). Descriptive explanation consist of 1) historical background, function and existence of cakil in shadow puppet player (pertunjukan wayang kulit; 2) Cakil development as a dance performance including form and meaning in a discussion about the dance elements become a unity in garap (totality of form and idea) of the performance. This study wanted to explain the existence of cakil dance through the times in garap of the performance. 3) the existence of people who influenced to the change and development of this dance.
CULTURAL ADVANCEMENT STRATEGIES IN INDONESIA: A LITERATURE REVIEW Murtono, Taufik; Wahyudi, Didik Bambang
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6177

Abstract

This study aims to explore writings throughout the last five years (2020-2024) to find out how cultural advancement strategies have been practised in Indonesia. The method used is literature research with stages 1) formulating questions and protocols for inclusion and exclusion of writing data, 2) searching for qualified writings from Google Scholar and Scopus databases, 3) selecting writing data by extracting data and identifying data duplication, 4) analysing data based on the quantity and quality of writing according to theme groups, 5) presenting data in an analysis matrix,  6) interpret the results of the analysis and draw conclusions. The study results concluded that the strategy of promoting culture in Indonesia is carried out through legal policy, social and cultural innovation, and the development of cultural products. The development of cultural products needs to be given more space considering that people now more easily consume the results of cultural innovation through various media platforms
GARAP TARI CAKIL GAYA SURAKARTA Wahyudi, Didik Bambang
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5367

Abstract

This reseach, briefly, Garap Tari Cakil in Surakarta, were understanding and explaining descriptively existence and development of Cakil dance as genres; wireng, fragmen, wireng pethilan and also as a part of traditional dance drama (wayang orang panggung). Descriptive explanation consist of 1) historical background, function and existence of cakil in shadow puppet player (pertunjukan wayang kulit; 2) Cakil development as a dance performance including form and meaning in a discussion about the dance elements become a unity in garap (totality of form and idea) of the performance. This study wanted to explain the existence of cakil dance through the times in garap of the performance. 3) the existence of people who influenced to the change and development of this dance.