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All Journal ARS: Jurnal Seni Rupa Dan Desain Narada : Jurnal Desain dan Seni Jurnal Bahasa Rupa
Shabiriani, Uzda Nabila
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media

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Representasi Mooi Indie dalam Lukisan Jelekong Shabiriani, Uzda Nabila
Ars: Jurnal Seni Rupa dan Desain Vol 25, No 3 (2022): Desember 2022
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v25i3.5715

Abstract

Penelitian ini menganalisis representasi Mooi Indie dalam lukisan Jelekong yang dihasilkan pada tahun 2019 dan 2020 menggunakan tiga tingkatan dalam teori psikologi kognitif dalam proses pemahaman lukisan, yakni warna, komposisi dan teknik melukis di tingkatan pertama, objek gambar di tingkatan kedua dan interpretasi di tingkatan ketiga. Dari hasil analisis, lukisan Jelekong yang dihasilkan pada tahun 2019 dan 2020 seringkali menggunakan warna-warna alam, komposisi yang sama dengan penempatan sawah dan pohon di sisi kanan dan kiri, gunung dan sungai di tengah, lalu teknik melukis cokrok dan pisau palet yang seringkali digunakan, objek gambar sawah, gunung dan pohon yang merupakan ciri khas lukisan Mooi Indie dan hasil lukisan imajiner. Representasi Mooi Indie dalam lukisan Jelekong dapat terlihat dari objek gambar sawah, gunung dan pohon yang sering dilukiskan, serta lukisan imajiner yang kemungkinan pelukis membayangkan alam di luar Kampung Jelekong atau sering melihat lukisan pemandangan Barat yang kemudian dituangkan dalam lukisan Jelekong.
PENGENALAN CERITA MITOLOGI MAKASSAR: LEGENDA PENJAGA TAHTA KEMBAR MELALUI BUKU DIGITAL ILUSTRASI KYRAN Shabiriani, Uzda Nabila; Retanubun, Immanuel Sean Keane
Narada : Jurnal Desain dan Seni Vol 11, No 1 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024.v11.i1.002

Abstract

Sulawesi Island is rich in myths, one of which is the legendary tale from Makassar City. This research underlines the Legend of the Twin Thrones, a story about Suri Pa'langi, a warrior chosen by the twin spirits of Gowa and Tallo to protect Makassar from the threat of a portal that releases monsters. The story seamlessly interweaves historical fragments of the Gowa-Tallo Kingdom and fantasy in order to construct an interesting plot that reflects Makassar's cultural unity. Further, it is intended that the development of the Digital Illustrated Book "Kyran" will introduce the mythology of Makassarese to the youth of Indonesia. This study applies a descriptive narrative method and exploratory approach in the concept of pipeline art, including character, setting, and illustration with themes of fantasy, adventure, and action. The illustrations are colored with Makassar's characteristic colors and feature dark visuals that add to the mythological atmosphere. The main characters are Isla Neith, Erland Ghafari, Sanna Devana, Tirza Keres, and Suri Pa'langi. A moon-shaped portal that appeared 20 years ago is the main villain, unleashing monsters and wreaking havoc. Kyran is a digital book that shows mythology in an exciting and relatable way for teenagers. The results showed that the story significantly improved the teenagers' knowledge of Nusantara mythology and could be considered as a new media for learning. This book can also popularize Indonesian mythology worldwide.
SEMIOTICS STUDY ON ASEI BARK PAINTING PATTERNS Shabiriani, Uzda Nabila
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.926

Abstract

There are meanings, stories and philosophies of the life of the ancestors of the Asei people which have been depicted on the bark for generations since 1600 and produce images related to the living space of the Asei people. The purpose of this study was to determine the meaning of the symbolic forms that exist in the Asei bark painting motifs related to the life of the Asei people and their social system. This study analyzes the colors that are often used and the dominance of images in Asei bark painting motifs. From the results of the analysis, 4 Asei bark paintings often use red from betel nut, black from charcoal and white from chalk. Then the images that are often displayed in bark paintings are images of fish, coral (hak balu), fouw, and spears and hooks. The meaning of the symbolic forms shown in the dominance of colors and images on the Asei bark painting is that the Asei people want to tell the geographical conditions of the Asei island which is surrounded by water, Asei Island as a protector for the people, the daily livelihood of the Asei people, the existence of family relationships and the strong togetherness of the Asei people, as well as the community's respect for the ancestors who have protected Asei Island as well as possible.
Co-Authors Retanubun, Immanuel Sean Keane