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All Journal SUHUF: Jurnal Pengkajian Al-Qur'an dan Budaya Sanggitarupa
Syahrazad, Hanan
Unknown Affiliation
Religion Arts Humanities

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Variasi Perempuan dalam Ilustrasi Serat Ambiya Syahrazad, Hanan; Margana, Sri; Marianto, Martinus Dwi
Sanggitarupa Vol. 3 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v3i2.5383

Abstract

This study examines the relationship between Islam and Javanese in the illustration of the Serat Ambiya manuscript in the collection of the Sonobudoyo Museum with collection number L 12 PB A. 180. This manuscript is a pesantrenan category manuscript made in 1844 AD. This research uses a phenomenological approach. The material object of the research is the illustration of the female figure in the manuscript. The research focus focuses on 12 selected illustrations which are felt to represent illustrations of human figures in the manuscript.The results of the study show that the illustration of the human figure in Serat Ambiya shows elements of Islam and Java. This can be seen from the depiction of figure illustrations adapted from wayang characters. The female characters are depicted in kemben, like Javanese wayang, but some of these figures have green faces. The use of green color on the face in the illustration of the green color script reflects the piety of a character, in contrast to the meaning of the green face in wayang. While the position of the protagonist and antagonist is in accordance with the wayang stage, namely the main protagonist is always on the right side of the audience, while the antagonist is on the left side. This causes the human figures in the illustrations of the Serat Ambiya manuscript to contain Islamic and Javanese visual elements.
Unsur Jawa dalam Iluminasi Al-Qur’an Syahrazad, Hanan
SUHUF Vol 14 No 1 (2021)
Publisher : Lajnah Pentashihan Mushaf Al-Qur'an

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22548/shf.v14i1.633

Abstract

The paper aims at knowing the visual forms and decorations found in the Qur’an manuscripts being copied at Pura Pakualaman, Yogyakarta, which are described by using the visual unit model of craft art. The manuscripts of the Pura Pakualaman collection are stored in the Pura Pakualaman library, including the five Qur'an manuscripts. Two of them have a variety of decorations, namely one mushaf with a decorative wedana renggan, and the other mushaf with an ornamental wedana gapura renggan with a variety of flora decorations. Unlike the Pura Pakualaman manuscripts in general, which have a philosophical connection between the text and its decoration, the ornaments found in this manuscript do not have a meaningful relationship between the text of the Qur’an verse and the decorations that surrounded it. The ornamental variety of wedana renggan and wedana gapura renggan that appear in the Qur'an manuscripts shows the influence of the Javanese script writing tradition in the copying the Qur'an manuscripts in Java, especially at the Pura Pakualaman.
Co-Authors M. Dwi Marianto Sri Margana