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HABITUS MASYARAKAT KRAPYAK KIDUL KOTA PEKALONGAN TERKAIT TRADISI LOPIS RAKSASA Syarief, Divani Majidullah; Abiyyi, Ufairoh Shoofii; Amini, Umu Hana; Resmanti, Maiyang; Wirajaya, Asep Yudha
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 8, No 1 (2022): CaLLs, June 2022
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v8i1.6289

Abstract

Penelitian ini dilaksanakan dengan maksud untuk mengetahui habitus-habitus masyarakat Krapyak Kidul terkait tradisi lopis raksasa. Tradisi ini rutin dihelat setiap tahun pada tanggal 8 Syawal atau tujuh hari setelah Idulfitri di Krapyak Kidul, Kota Pekalongan. Penelitian tergolong deskriptif kualitatif yang menggunakan pendekatan strukturalisme genetik Pierre Bourdieu. Pengambilan data dilakukan dengan cara wawancara terhadap narasumber yang direkam dengan gawai untuk nantinya data-data yang dibutuhkan dalam penelitian diambil dengan teknik simak dan catat. Data yang terkumpul akan dibedah berdasarkan konsep habitus dalam strukturalisme genetik Pierre Bourdieu. Hasil yang diperoleh dalam penelitian ini antara lain: (1) Habitus persaudaraan, tradisi lopis raksasa memiliki semangat persaudaraan untuk merekatkan masyarakat; (2) Habitus kompak, tradisi lopis raksasa merupakan media untuk mengompakkan masyarakat yang heterogen; (3) Habitus religius, tradisi lopis raksasa tidak dapat dipisahkan dari nilai keagamaan; (4) Habitus berbagi, tradisi lopis raksasa mengajarkan untuk berbagi pada sesama; (5) Habitus gotong royong, pembuatan lopis raksasa melalui proses yang panjang dan dilakukan bersama-sama; (6) Habitus kerja keras, eksistensi tradisi lopis raksasa tidak lepas dari usaha dan kerja keras masyarakat dalam melestarikan tradisi ini; dan (7) Habitus berdagang, tradisi lopis raksasa mampu menaikkan perekonomian masyarakat dengan adanya kesempatan untuk berdagang.Kata kunci: tradisi, lopis raksasa, syawalan
Intertextuality Analysis in Narada Short Story by Y.B. Mangunwijaya Amini, Umu Hana
Javanologi: International Journal of Javanese Studies Vol 7, No 2 (2024): Javanologi Volume 7 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i2.82019

Abstract

Literary works are born from the thoughts of authors who are influenced by other texts. No text stands alone. So, of course there is a connection between a text which in this case is a literary work with other texts. What is meant by text is not always in the form of writing, but also includes oral texts and ideas that influence the author. A work can be known hypogram and its relation or intertextuality with other texts by intertextual analysis. This study discusses intertextuality in Y. B. Mangunwijaya's short story Narada by using Julia Kristeva's intertextuality theory approach. This research is a qualitative research with data collection techniques with the method of observing and taking notes. The data was obtained from Narada's short story in the form of phrases/sentences containing intertextuality and sourced from Y. B. Mangunwijaya's book entitled Rumah Bambu which was published by KPG (Kepustakaan Populer Gramedia) in 2020, the seventh edition. The hypogram of this short story is a wayang (puppet) text whose title is not specifically mentioned because the link or intertextuality is in the form of similarity of characters. In addition to intertextuality in the form of similarities, this short story also contains a modification of ideas by deconstructing the values in the puppet story, showing that the adaptation of the story is adapted to the conditions of the times.
Forms of Tolerance Among Surakarta City Residents: A Study of The Implementation of The Praise Tradition Amini, Umu Hana
Javanologi: International Journal of Javanese Studies Vol 7, No 1 (2023): Javanologi Volume 7 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i1.84122

Abstract

Puji-pujian (praise) is the chanting of selawat or dhikr which is usually done during the break between the call to prayer and the ikamah in the mosque/prayer room. This tradition can be called oral literature. The implementation of praise is often found in Indonesia, especially Java. One of them is Surakarta. With the diversity that exists, the implementation of praise in Surakarta apparently reflects tolerance between its citizens. The qualitative research using descriptive qualitative methods examines the implementation of the tradition of praise in Surakarta, especially in Kentingan, Jebres Urban Village, where the population is quite diverse. Data in the researcher’s research were obtained from observations, interviews, and literature study. The results of the research show that there is no conflict or coercion regarding the implementation of praise. If there is a conflict, the parties resolve it amicably until they find a middle ground. This can then be a form of tolerance towards the implementation or absence of the praise tradition.