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All Journal Rainbow : Journal of Literature, Linguistics and Cultural Studies
Sardari, Alireza
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Languange, Linguistic, Communication & Media

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The River Exists, Therefore I Am: Ecocriticism, Nature and Human Nature in Willa Cather’s 'The Enchanted Bluff' Sardari, Alireza
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol 9 No 2 (2020): Rainbow: Journal of Literature, Linguistics and Culture Studies
Publisher : English Department, Faculty of Languages and Arts, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/rainbow.v9i2.39102

Abstract

Today, environmental degradation and nature preservation are among the most discussed topics in media, academia, and beyond. Adopting Glotfelty’s ecocritical approach, this article investigates the relationship between human culture and the natural world in Willa Cather’s The Enchanted Bluff (2009). The present study determines the different representations of nature along with the ecological issues to (a) heighten the ecological awareness and (b) to provide a fresh perspective to look at the natural world; therefore, this article shifted its focus from the anthropocentric attitude to the biocentric and focuses on nature and its correlation with humanity. This paper challenges the human/nature binary to help us look at the natural world stripped of established stereotypes. The results indicate that nature is an indivisible portion of human identity; furthermore, humankind and the natural world are codependent and interconnected; the results also emphasize that preserving the natural world is, indeed, the prerequisite for the protection of humanity.
The Unstable Nature of Dominant-Subordinate Relation: Postcolonial Study Towards Thomas King’s 'The Colour of Walls' Sardari, Alireza
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol 10 No 1 (2021): Rainbow : Journal of Literature, Linguistics and Culture Studies
Publisher : English Department, Faculty of Languages and Arts, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/rainbow.v10i1.46261

Abstract

Aboriginal/Indigenous peoples, cultures and works of literature (in the broadest sense) play a crucial role in the continuous growth of world literary and cultural studies. Indigenous writers advocate indigenous rights and address their concerns in works of fiction and non-fiction. Focusing on the correlation between the dominant (center) and the subordinate (margin) in Thomas King’s The Colour of Walls (2013), the present paper aims to specifically investigate the dominant-subordinate interplay in the colonial discourse. So as to elucidate this labyrinthine network of relationships, Homi Bhabha’s critical concept of hybridity is employed throughout the analysis process. The results indicate the unstable nature of dominant-subordinate dichotomy in the story, where power-based relationships are subject to constant change. Accordingly, this process of cultural struggle provides a site for the subordinate to change their marginal position and to resist the dominant’s influence; ultimately, this process assists the subordinate to reclaim their own independent identity.
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