Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal Pantun: Jurnal Ilmiah Seni Budaya PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Seftiyana, Gelar
Unknown Affiliation
Arts Humanities Education Environmental Science Social Sciences Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Lisunagara: Karya Kolaborasi Rebab dan Musik Digital Seftiyana, Gelar
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1334

Abstract

Kacapi Jeletot sebagai Manifestasi Kreativitas Seniman Karawang Asep Wadi; Seftiyana, Gelar
Paraguna Vol 12 No 1 (2025): MUSIC AS PERFORMING ART
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Sundanese Kacapi is a functional instrument and can be independent, because it can accompany songs, control rhythmically, as well as create a melody in the song. Sundanese Kacapi is divided into three models namely; kacapi kawih, kacapi tembang, and kacapi celempung. However, apart from these three models, there is one model that is quite eccentric because the kacapi instrument used functions as a substitute for Sundanese drums with the Jaipongan genre. The kacapi presentation model is the creativity of an artist from Karawang, Ali Gombel, who is a kacapi celempungan artist. Until now, Ali Gombel's creativity has been able to survive and become a separate color from other kacapi presentation models. But basically kacapi jeletot is a typical art of Karawang Regency, West Java, and has become one of the identities of Karawang Regency in the performing arts sector. This research refers to the existence of kacapi jeletot which is one of the identities in the performing arts sector in Karawang Regency. This research uses the Miles and Huberman qualitative method using Rahayu Supanggah's garap theory and James P Burke's identity theory. The result of this research is that it can record the history of the art of kacapi jeletot from the start of its function, position, and the period of its spread in Karawang Regency as a form of cultural wealth in the performing arts sector. In addition, this research also transfers the creativity or kacapi work produced by Ali Gombel which was passed down to Toin Paser, because it can color the repertoire of kacapi accompaniment models by producing different kacapi accompaniment patterns as usual. This research can be a reference for artists in presenting kacapi instruments, and is expected to be one of the academic foundations for art research, especially Sundanese art.
Co-Authors Asep Wadi