Sepdwiko, Deria
Universitas PGRi Palembang

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Keberadaan Musik Gong Buleuh pada Masyarakat Kota Sungai Penuh Provinsi Jambi Sepdwiko, Deria
Besaung : Jurnal Seni Desain dan Budaya Vol 5, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v5i1.1463

Abstract

This research was conducted to reveal the existence of Gong Buleuh Music in Sungai Penuh City Community, Jambi Province, this type of research is a qualitative research method of interpreting phenomena based on art issues in the Sungai Penuh community. The object of this research is the existence of Gong Buleuh music in the Sungai Penuh community of Jambi Province. Data collected through literature study, observation, interviews, and documentation. Data analysis was carried out based on ethnographic techniques. The findings of this study indicate that the existence of this Gong Buleuh music in the community plays an important role in the Kenduhai Sko ceremony. The uniqueness of an instrumental made of reeds in accordance with the ecological conditions of the Sungai Penuh city. Thus the existence of this Gong Buleuh music does not decline for the younger generation, of course, to explore its existence so that it is preserved by culture, especially Sungai Penuh City. Gong Buleuh music as a traditional art gives meaning to the life of the Kerinci community and its appearance has certain rules that must not be violated. If it is violated, there will be sanctions so that Gong Buleuh's music is a ritual in the Kenduri Sko ceremony. The Kenduri Sko ceremony, which is held once every ten years as a cleanser for heirlooms, is also a gathering place between layers of society. In this event without performing Gong Buleuh music, the ceremony is considered meaningless for the people of Sungai Penuh City. With the music of Gong Buleuh in the Kenduri Sko ceremony, the community can communicate with traditional and community leaders to officiate the opening of the Kenduri Sko.
Penyajian Musik Antar-antaran Pada Acara Pernikahan Di Desa Penanggoan Duren Kecamatan Tulung Selapan Kabupaten Ogan Komering Ilir Sepdwiko, Deria
Besaung : Jurnal Seni Desain dan Budaya Vol 6, No 2 (2021)
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v6i2.1704

Abstract

This study formulates the problem of how the form of music presentation in delivery at weddings in Penanggoan Duren Village, Tulung Selapan District, Ogan Komering Ilir Regency. This study aims to determine how the form of music presentation in, delivery at weddings in the village of Penanggoan Duren. This research is qualitative. Data collection techniques include observation, interviews, and documentation. The results showed that this delivery was only carried out when the bride and groom came from the same village, this was because the distance was far in the process of walking, and this delivery only used kenong and tambourine instruments as media accompaniment. intermediate. The wasp pattern in kenong has 1 pattern that is usually played, then the tambourine has a wasp pattern, namely wasps 1, 2, 3, and 4. The art of inter-delivery music which has become a basic need for the community of Penanggoan Duren village, Tulung Selapan sub-district, Ogan Komering Ilir district as a special media for accompaniment and entertainers who are always used in delivery at weddings. Inter-delivery is a traditional art in the village of Penanggoan Duren, which is a walking process carried out by the groom to the bride's house by bringing an offering to be given to the bride without a unilateral agreement. In the form of foodstuffs such as rice, chicken, spices, areca nut trees, bananas and many more.