Article Per Year (5 Year)
p-Index From 2020 - 2025
0.23
P-Index
This Author published in this journals
All Journal Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pusaka : Journal of Tourism, Hospitality, Travel and Business Event
Damar Tri Afrianto
Unknown Affiliation
Arts Humanities Decision Sciences, Operations Research & Management Environmental Science Languange, Linguistic, Communication & Media Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
SELENDANG LURIK: LAMBANG KEPERKASAAN PEREMPUAN-PEREMPUAN DUSUN NITEN, KELURAHAN POGUNG, KECAMATAN CAWAS, KLATEN (SEBUAH KAJIAN ESTETIKA) Damar Tri Afrianto
Ornamen Vol 11, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1015.925 KB) | DOI: 10.33153/ornamen.v11i2.1063

Abstract

Lurik scarves manifests in a functional artifacts that have values , ideas, and spirit for the Java communityagriculture. In Niten hamlet, village Pogung, sub Cawas, Klaten district, was found five craftsmen who producekinds of lurik scarves. This striped shawl users generally are women and function as equipment of their work,such as carrying herbs, lifting firewood, and bringing lunch to go to the field . Regardless of the functionalproperties, this study aims to find meaning and values contained in striated shawl . Discussion of lurik, thereare three aspects that characterize the embodiment of a lurik: pattern, style and meaning. Pattern, style andmeaning is represented in the composition of coherent lines. Through pattern, vertical lines and horizontallines, read a notion and meaning contained in lurik shawl . This study uses the concept of aesthetic JakobSumardjo use of “ a pattern of three “ to analyze the form of lurik . Study concept of aesthetics of the lineswhich manifests in the form of merging shawl striated vertical and horizontal lines. This shows the meaning ofefforts to balance the heavenly (vertical) and temporal (horizontal). Vertical and horizontal harmony producestranscendent paradox. Harmonization between vertical lines and horizontal in striated shawl implied a desire,purpose, hope, hard work, especially women in the village Pogung Niten to achieve a perfect life.Keywords : scarves, lurik, aesthetics
Strategi Seni Pertunjukan Dengan Segmentasi Pariwisata (Kajian Pertunjukan Tallu Cappa’ Di Wisata Pulau Camba-Cambang Pangkep) Damar Tri Afrianto; Muhajir
Pusaka : Journal of Tourism, Hospitality, Travel and Business Event Vol. 2, No 2 August (2020)
Publisher : Politeknik Pariwisata Makassar, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33649/pusaka.v2i2.64

Abstract

Art and tourism rarely become concerned in a study or research. Though it is allegedly both have the power of mutual influence and profitable. Efforts have been made to make the art as a medium to develop the world of tourism but sometimes have no strategy and formulation appropriately so that the art is just a patch or entertainment when melalkukan travel. Through the study and analysis of Tallu Cappa's performances by Makassar artists Muhajir can be formulated conceptual strategy or some strategic thinking related to performing arts and tourism. Among others, 1) presentation of Multi-disciplinary Art and Innovative Packaging, 2) Collaboration of art with the concept of tourism and 3) Excavation of local Wisdom as an effort to get the aesthetic experience for tourists. Performing works of artists Muhajir perceived successfully menyjiakan concept performances with tourism segmentation. So hopefully this strategy becomes the initial basis for the development of art as an effective, innovative and cultured tourism promotion media.
Co-Authors MUHAJIR