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All Journal Jurnal Pelayanan dan Pengabdian Masyarakat (Pamas) LANGUAGE: Jurnal Inovasi Pendidikan Bahasa dan Sastra MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Calakan: Jurnal Sastra, Bahasa, dan Budaya DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA
Dinanti, Putri Ayienda
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Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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THE DEPICTION OF POWER RELATIONS IN WISH (2023) THROUGH FOUCAULDIAN PERSPECTIVE Utama, Nur Gustiya; Dinanti, Putri Ayienda
LANGUAGE : Jurnal Inovasi Pendidikan Bahasa dan Sastra Vol. 5 No. 3 (2025)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/language.v5i3.6526

Abstract

ABSTRACT This study aims to explore Michel Foucault’s concept of power relations, understood as mechanisms embedded within social interactions, and how this concept is represented in the film Wish (2023). The film portrays a system of behavioral regulation and surveillance exercised by the main character, King Magnifico. Using a qualitative approach, data were collected through observations of selected dialogues and scenes that reflect the dynamics of power in the narrative. The analysis reveals two primary forms of power practices: power-knowledge and disciplinary power. Power-knowledge is manifested through control over information and narratives that shape the citizens’ perceptions of hope and reality. Meanwhile, disciplinary power is reflected in surveillance, punishment, and the formation of obedient subjects. The findings show that power in Wish is not merely repressive, but also operates subtly through processes of normalization, internalization of values, and discourse production, as described by Foucault. Thus, the film can be interpreted as a representation of modern social control, where domination occurs through symbolic structures and systematic surveillance mechanisms. ABSTRAK Penelitian ini bertujuan mengeksplorasi konsep relasi kuasa menurut Michel Foucault yang dipahami sebagai mekanisme yang tertanam dalam hubungan sosial, serta bagaimana konsep tersebut direpresentasikan dalam film Wish (2023). Film ini menampilkan sistem pengaturan perilaku dan pengawasan yang dijalankan oleh tokoh utama, King Magnifico. Dengan pendekatan kualitatif, data dikumpulkan melalui observasi terhadap dialog dan adegan terpilih yang merepresentasikan dinamika kuasa dalam narasi. Hasil analisis menunjukkan bahwa terdapat dua bentuk utama praktik kuasa: kuasa-pengetahuan dan kuasa disipliner. Kuasa-pengetahuan terlihat melalui kontrol atas informasi dan narasi yang membentuk persepsi warga terhadap harapan dan kenyataan. Sementara itu, kuasa disipliner tercermin dalam pengawasan, hukuman, dan pembentukan subjek yang patuh. Temuan ini menunjukkan bahwa bentuk kuasa dalam Wish tidak hanya bersifat represif, tetapi juga bekerja secara halus melalui proses normalisasi, internalisasi nilai, dan produksi wacana, sebagaimana dijelaskan oleh Foucault. Dengan demikian, film ini dapat dibaca sebagai representasi kontrol sosial modern yang bersifat menyeluruh, di mana dominasi berlangsung melalui struktur simbolik dan mekanisme pengawasan yang sistematis.
REPRESENTATION OF CONSUMMATE LOVE THROUGH CHARACTERS OF JOSEE AND TSUNEO IN JOSEE THE TIGER AND THE FISH (2020) BY SEIKO TANABE Febriani, Feeni; Dinanti, Putri Ayienda
LANGUAGE : Jurnal Inovasi Pendidikan Bahasa dan Sastra Vol. 5 No. 3 (2025)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/language.v5i3.6527

Abstract

ABSTRACT Love is something that humans constantly seek to understand and express, and it frequently appears in various media narratives. Based on this idea, this study explores how a particular type of love is portrayed in the Japanese animated film Josee, the Tiger and the Fish (2020). This research adopts a qualitative approach and applies Robert Sternberg’s Triangular Theory of Love to examine the relationship between the two main characters. The research process involves several stages: collecting data in the form of images and dialogues from selected scenes, categorizing the data into themes based on Sternberg’s three components of love (intimacy, passion, and commitment), conducting thematic analysis to identify patterns in the representation of love, and drawing conclusions on how the characters’ self-image is shaped through expressions of love in the film. The findings reveal that the relationship between Josee and Tsuneo exemplifies what Sternberg defines as consummate love—a complete form of love that includes emotional closeness, physical affection, and long-term commitment. Their bond is illustrated through honest communication and a supportive relationship, while passion and commitment are portrayed in a balanced way. This film demonstrates that animation can serve as an effective medium for representing deep and meaningful aspects of human relationships, offering a richer understanding of the essence of love. ABSTRAK Cinta adalah sesuatu yang selalu ingin dipahami dan diungkapkan manusia, dan hal tersebut kerap muncul dalam berbagai narasi media. Berdasarkan gagasan tersebut, studi ini mengkaji bagaimana jenis cinta tertentu ditampilkan dalam film animasi Jepang Josee, the Tiger and the Fish (2020). Penelitian ini menggunakan pendekatan kualitatif dengan memanfaatkan teori Segitiga Cinta dari Robert Sternberg untuk mengeksplorasi hubungan antara dua tokoh utama. Penelitian dilakukan melalui beberapa tahapan, yaitu pengumpulan data berupa gambar dan dialog dari adegan terpilih, pengelompokan data ke dalam tema-tema sesuai indikator teori (keintiman, gairah, dan komitmen), analisis tematik untuk mengidentifikasi pola representasi cinta, serta penarikan kesimpulan mengenai bagaimana pencitraan diri tokoh dibentuk melalui ekspresi cinta dalam film. Hasil penelitian menunjukkan bahwa hubungan antara Josee dan Tsuneo mencerminkan bentuk cinta sejati sebagaimana dijelaskan oleh Sternberg—cinta yang mencakup keintiman emosional, gairah fisik, dan komitmen jangka panjang. Kedekatan mereka tergambar melalui percakapan yang jujur dan hubungan yang suportif, sementara gairah dan komitmen hadir secara seimbang dalam interaksi mereka. Film ini menunjukkan bahwa animasi dapat menjadi medium yang efektif untuk merepresentasikan dinamika cinta yang utuh dan bermakna, serta memberikan pemahaman lebih dalam tentang esensi cinta dalam hubungan manusia.
Pelatihan Asistensi Artificial Intelligence (AI) terkait penulisan Bahasa Inggris pada PT. KCI Indonesia Dinanti, Putri Ayienda; Sibuea, Todo
Jurnal Pelayanan dan Pengabdian Masyarakat (Pamas) Vol 9, No 4 (2025): Jurnal Pelayanan dan Pengabdian Masyarakat (PAMAS)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM Universitas Respati Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52643/pamas.v9i4.7069

Abstract

The Artificial Intelligence (AI) Assistance Training for English writing at PT. KCI Indonesia is designed to address the written communication challenges faced by employees. This program aims to enhance English writing skills by utilizing AI technology that provides real-time feedback on grammar, vocabulary, sentence structure, and giving ideas to write. In the era of globalization, strong written communication skills have become essential to ensure professionalism in various business documents. Furthermore, this training is designed to support employees in drafting documents that align with the needs of the business context. The program's implementation methods include socialization, training, mentoring, and performance evaluation. The training results indicate improvements in employees' writing skills, making them more efficient. Employees have become more confident in preparing various types of business documents. The company's employees are now better equipped to enhance English literacy within the business context. With an innovative AI-based approach, this program offers a relevant solution for PT. KCI to face future global challenges
The Anatomy of Capitalist Society and Class Struggle in Emilia Perez (2024) on Marxist Perspective Hainaya, Nur Safitri; Dinanti, Putri Ayienda
Calakan : Jurnal Sastra, Bahasa, dan Budaya Vol. 3 No. 3 (2025): Nopember
Publisher : PT. Alahyan Publisher Sukabumi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61492/calakan.v3i3.421

Abstract

This research analyzes the representation of the capitalist structure and the dynamics of class struggle within its system through a study of the film Emilia Perez (2024), utilizing the perspective of Marxism. The method employed is a descriptive qualitative approach based on Marxist critique. Data is collected from the characters dialogue, scenes, and visual representations, which showcase the conflict inherent in the capitalist environment. The analysis focuses on a critique of illicit activities within the capitalist setting and the struggle experienced by the social classes involved. The research verifies that the film strongly reflects that class contradiction within capitalism between the bourgeoisie and the proletariat. Furthermore, the film supports the Marxist analysis that the capitalist system maximizes absolute surplus value by employing economic power to modify legal frameworks. This demonstrates that the interest in capital accumulation becomes the primary objective, surpassing moral and legal boundaries.
DEPICTION OF ANXIETY THROUGH METAPHORICAL SYMBOLS IN BILLIE EILISH’ SELECTED SONGS: A PSYCHOANALYTIC PERSPECTIVE Dinanti, Putri Ayienda; Arti, Indahjuli
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 12 No. 2 (2025): DECEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v12i2.7541

Abstract

Anxiety disorders are psychological illnesses that affect a person's ability to function normally. If not treated properly, anxiety can develop into more serious mental illnesses such as depression. This psychological phenomenon is often explored in contemporary art forms, such as literature and music. One musician named Billie Eilish, who is known for her dark and passionate songs, often explores the theme of anxiety in her work. This research aims to examine the depiction of anxiety in Billie Eilish's Hit Me Hard and Soft album. The metaphorical symbols contained in the lyrical structure are found and analysed. Then, Psychoanalysis Theory by Sigmund Freud is used to show the manifestations of anxiety in the lyrics and how they relate to the themes of anxiety, uncertainty, and internal conflict. The method used in this research is qualitative research. It is used to analyse the lyrics of the selected songs, namely: Chihiro, Wildflower, Blue, and Bittersuite. The result of this research shows that there are indeed depictions of anxieties related to loss of beloved, uncontrolled thoughts, dilemma of desire and fear of living shown in Billie Eilish's music. This research highlights how music serves as a medium to reflect and address the emotions people often experience.
The Impact of the Ecranisation Process of the Novel Good Morning, Midnight (2016) into The Film The Midnight Sky (2020) Shofiyanti, Farida; Dinanti, Putri Ayienda
Mahadaya: Jurnal Bahasa, Sastra, Dan Budaya Vol 5 No 2 (2025): Oktober 2025
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/jx1q6f47

Abstract

This study was conducted to examine the ecranisation process of Lily Brooks-Dalton's novel Good Morning, Midnight into the film The Midnight Sky (2020). The analysis views the narrative changes and their impact on thematic meaning. To be specific, the purpose of this study is to identify the various forms of reduction, addition, and change in the adaptation, as well as to analyze the way these changes affect the representation of characters, redemption, and parenting relationships constructed in both mediums. This study employed qualitative method, and used the Eneste's concept of adaptation. The results have shown that the film adaptation is found to have an impact on the independence of the female characters, partly due to the removal of internal narration and detailed background information. As a result, the theme of redemption becomes less explicit, and the simplification of intergenerational relationships reduces the importance of parental identity in the overall meaning of the story. It can be concluded that the ecranisation process reveals the way adapting a literary work into film can redirect the thematic priorities and reshape the depth through which meaning is conveyed. Keywords:      Ecranisation, Film Adaptation, Novel to Film, Narrative Transformation, The Midnight Sky
Co-Authors Arti, Indahjuli Febriani, Feeni Hainaya, Nur Safitri Shofiyanti, Farida Sibuea, Todo Utama, Nur Gustiya