This Author published in this journals
All Journal Puitika Maarif
Claim Missing Document
Check
Articles

Found 3 Documents
Search

Warisan Metafora Ahmad Syafii Maarif Putra, Heru Joni
MAARIF Vol 18 No 2 (2023): Jalan Kebudayaan Ahmad Syafii Maarif: Dakwah Kultural, Puisi Kebangsaan dan Insp
Publisher : MAARIF Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47651/mrf.v18i2.231

Abstract

This article is the earliest exploration of the legacy of metaphors created by Ahmad Syafii Maarif in his writings. As an initial exploration, this article discusses three examples of the many metaphors contained in the two books of his latest collection of writings, namely Indonesia Approaching a Century: Reflections on Community, Nationality and Humanity (Mizan, 2022) and Bullets of Reflections on the Mujahid (Publisher Kompas Books, 2023). The three metaphors chosen are both related to the existence of the state, especially the nation, politics and republic. However, the three of them are different from each other, not only in context but also in the structure of the metaphor itself. Furthermore, as an intellectual product from a seasoned scholar, this article also tries to display the initial potential of these three metaphors as Cultural Memory, so that the legacy of these metaphors in the future will not only be positioned as the result of linguistic skill but can also become a means to ignite awareness. collective.
Warisan Tambang Batu Bara Ombilin-Sawahlunto: Empat Tahun Setelah Penetapan Warisan Dunia dan Ingatan Kolektif Lainnya Sudarmoko, Sudarmoko; Putra, Heru Joni
Puitika Vol. 20 No. 3 (2024): Edisi Khusus Pemetaan dan Pendokumentasian Warisan Tambang Batu Bara Ombilin S
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i3.618

Abstract

The Ombilin coal mine in Sawahlunto, West Sumatra, is one of the sites designated as a UNESCO World Heritage Site in 2019. The designated objects and attributes include not only the coal mining area but also the railway network spanning seven districts and cities, as well as the warehouse at Silo Gunung in Padang City. This article provides an update on the current condition of several designated objects and attributes, particularly regarding managing this World Heritage Site, which was newly designated during the COVID-19 pandemic. Several objects and attributes have received little attention regarding activation and maintenance efforts, compounded by the absence of a management body or integrated management system with the authority to design and implement strategic management programs for WTBOS. Additionally, this article analyzes the impact of high technology introduced by the development of the Ombilin coal mine and its connection to the culture of West Sumatra. Collective memory, as recorded in literary works, travelogues, and biographies, is also explored to illustrate how the community perceives and experiences the presence of WTBOS and its railway network. These collective memories are essential to uncover as a complement to the information and data already presented in the WTBOS nomination dossier for World Heritage status.
Abu di Atas Tunggul: Posisi Kelas Pekerja di Dalam dan Luar Museum Reimena, Randi; Putra, Heru Joni
Puitika Vol. 20 No. 3 (2024): Edisi Khusus Pemetaan dan Pendokumentasian Warisan Tambang Batu Bara Ombilin S
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i3.624

Abstract

This paper serves as a preliminary note on the symptomatic relationship between the representation of the working class in several museums in Sawahlunto and the current condition of the working class in the same city. As an initial exploration, it aims to provide an early reflection on the absence of class consciousness in the narrative of the working class portrayed in these museums. At the same time, the present working-class community in Sawahlunto experiences life inequalities typical of their social class, yet this lived experience also indicates a lack of class consciousness. The parallel absence of this consciousness, both within the museums and in the broader community, warrants serious attention in future research. The inquiry should go beyond merely outlining the causal link between the two phenomena