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All Journal Jurnal Ilmiah Universitas Batanghari Jambi Arty: Jurnal Seni Rupa
Abiyoga, Taufan Amirullah
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Agriculture, Biological Sciences & Forestry Arts Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice

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Art After Syariat: Sebuah Konsep Seni Rupa dalam Perspektif Syariat Agama Islam Abiyoga, Taufan Amirullah
Jurnal Ilmiah Universitas Batanghari Jambi Vol 24, No 2 (2024): Juli
Publisher : Universitas Batanghari Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/jiubj.v24i2.5289

Abstract

The aim of this research is to describe the boundaries of fine art according to Islamic religious law which gives birth to artistic concepts according to Islamic religious guidelines. The methodology used is a descriptive qualitative method with a literature study approach with data sources in the form of books, research journals, the Koran, hadith books and ulama fatwas. The data analysis technique uses interactive model analysis. The results of the study from several literary sources are a new concept in fine arts that is in accordance with the review of Islamic religious law, namely art after sharia, thus triggering the creativity of artists in creating fine arts in accordance with Islamic law.
THE ROLE OF GRAPHIC DESIGN IN STRENGTHENING URBAN ART BRANDING IN THE SOLO IS SOLO ART COMMUNITY Abiyoga, Taufan Amirullah
Arty: Jurnal Seni Rupa Vol. 14 No. 3 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i3.35308

Abstract

  This study examines the role of graphic design in strengthening identity with urban art styles in the Solo Is Solo community in Solo City. In the context of acculturation of modern culture and local traditions, graphic design serves as a visual communication medium that articulates the vision, mission, and unique character of the community through elements such as logos, murals, typography, and digital content. The research method is qualitative descriptive with an in-depth analysis of artworks that reflect the character of urban art. The results show that graphic design not only strengthens the identity of the community internally as a forum for solidarity, but also builds positive recognition and perception in the eyes of the wider public. Graphic design acts as a creative bridge that connects Solo's cultural traditions with modern styles of expression, maintaining cultural relevance through innovation and attractive aesthetics in public spaces. The application of graphic design in urban art also enriches the aesthetic value of the city while opening up opportunities for the development of cultural tourism. This research emphasizes that graphic design is a strategic tool that supports the sustainability and existence of the urban art community in the ever-evolving socio-cultural dynamics. These findings can serve as a reference for other art communities in building a strong and sustainable visual identity.
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