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All Journal Historia: Jurnal Pendidik dan Peneliti Sejarah Lembaran Sejarah Handep: Jurnal Sejarah dan Budaya Historia Historiography
Yusuf, Nur Fadilah
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Humanities Education Environmental Science Health Professions Law, Crime, Criminology & Criminal Justice Social Sciences

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Lagu Darah Juang dalam Konteks Demonstrasi 1998 Yusuf, Nur Fadilah
Historia: Jurnal Pendidik dan Peneliti Sejarah Vol 6, No 2 (2023): Pembelajaran Sejarah berbasis Digital
Publisher : Prodi. Pendidikan Sejarah FPIPS UPI dan APPS (Asosiasi peneliti dan Pendidik Sejarah)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/historia.v6i2.56582

Abstract

Research on songs in Indonesian historiography rarely receives attention from historians. It is very important for author to examine songs from the historical aspects and the socio-political realities of their time. Therefore, the aim of writing this article is to discuss songs that are the reality of the demonstrators' struggle (activists, students, community leaders and other national elements) in 1998. Additionally, the author highlights this song (Darah Juang) really describes how the life of the Indonesian people was under the power of the government of the New Order era which exercised hegemony in almost all aspects of life. This research uses historical methods as a form of scientific writing which includes heuristics, source criticism, interpretation, and historiography as well. Furthermore, in this research article, there are results and discussions that the author can convey, including: 1. Relations between Arts and Politics in the New Order era, 2. Art Media in the New Order Era Demonstrations, 3. The historicity of the Songs Darah Juang, and the last one 4. Songs Darah Juang in the 1998 Demonstration. 
PASARSENEN: DARI PASAR MENJADI KAWASAN ELIT Yusuf, Nur Fadilah
Historia Vol 6 No 1 (2023): Budaya dan Ekonomi
Publisher : History Department, Faculty of Humanities, University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jh.v6i1.38909

Abstract

This article discusses the development of Pasarsenen in four different eras, starting from the era of the Vereenigde Oost-Indische Compagnie (VOC) to the New Order government. Pasarsenen shows its role in building a city and area that has an elite nuance but can be reached and lived in by people from various walks of life. This article also discusses several important events such as infrastructure development and supporting facilities in the city, educational facilities, gathering places for artists to the headquarters of political parties. This study uses historical methods according to Louis Gottschalk, namely heuristics, source criticism, interpretation and historiography. In addition, a geographical approach is used in this article because in it the author discusses the relationship between spatial space and economic, social, political and educational activities. The author uses Location Theory according to Robinson Tarigan which is the analytical knife for the writer in reconstructing this research. The purpose of the author in conducting research from this article is to review how the history of the formation of Pasarsenen, the development of Pasarsenen from time to time and the transformation of Pasarsenen into an elite area in Jakarta. Keywords: Pasarsenen, Development of Ages, Elite Areas, Urban Infrastructure and Facilities
Terdegradasinya otoritas Dewan Kesenian Jakarta di Taman Ismail Marzuki, 1968-1998 Yusuf, Nur Fadilah
Historiography: Journal of Indonesian History and Education Vol 4, No 2 (2024)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um081v4i22024p156-169

Abstract

Abstract In many cases, the struggle for space becomes a contestation that invites academics and the public to see what is happening in it. The Jakarta Arts Council and the local government in Jakarta are a clear example of the struggle for space that took place at Taman Ismail Marzuki. In fact, this arts center was built based on discussions between artists and the governor at that time, but after the change of power, policies also changed so that the adjustment between patron-client experienced adaptations that must be understood in a historical context. This research uses the historical method as a stage to reconstruct historical events in a writing. In the end, through history, we can know what is happening today about the authority of the Jakarta Arts Council at the Jakarta Arts Center Taman Ismail Marzuki is a process of struggle between art and politics in the hegemonic New Order era. Therefore, this article also discusses chronologically the degradation of the authority of the Jakarta Arts Council in Taman Ismail Marzuki caused by several factors such as political policies and governor changes, as well as government bureaucratic intervention in the arts. Abstrak Dalam banyak kasus, perebutan ruang menjadi satu kontestasi yang mengajak kaum akademisi dan masyarakat untuk melihat apa yang terjadi di dalamnya. Dewan Kesenian Jakarta dan pemerintah daerah di Jakarta adalah contoh nyata terkait dengan perebutan ruang yang terjadi di Taman Ismail Marzuki. Padahal, pusat kesenian ini, dibangun atas diskusi antara para seniman dengan gubernur waktu itu, tetapi setelah pergantian kekuasaan, kebijakan juga ikut berganti sehingga penyesuaian antara patron-klien mengalami adaptasi yang harus dipahami dalam konteks sejarah. Penelitian ini menggunakan metode sejarah sebagai tahapan untuk merekonstruksi peristiwa sejarah dalam sebuah tulisan. Pada akhirnya, melalui sejarah, kita dapat mengetahui apa yang terjadi hari ini tentang otoritas Dewan Kesenian Jakarta di Pusat Kesenian Jakarta Taman Ismail Marzuki adalah proses pergulatan antara seni dan politik pada era Orde Baru yang menghegemoni. Maka dari itu, artikel ini juga membahas secara kronologi terkait dengan terdegradasinya otoritas Dewan Kesenian Jakarta di Taman Ismail Marzuki yang disebabkan oleh beberapa faktor seperti politik kebijakan dan pergantian gubernur, serta intervensi birokrasi pemerintahan di pusat kesenian.
PELABUHAN BARU BATAVIA: TRANSFORMASI PELABUHAN TANJUNG PRIOK, 1883-1925 Yusuf, Nur Fadilah
Handep: Jurnal Sejarah dan Budaya Volume 7, No. 1, Desember 2023
Publisher : Balai Pelestarian Nilai Budaya Kalimantan Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33652/handep.v7i1.456

Abstract

The article provides a detailed account of the development of Tanjung Priok Port, from its establishment in 1883 to when it was equipped with a station in 1925. The port was built in response to the opening of the Suez Canal in Egypt, which significantly impacted the maritime development of Europe to the Far East, including the Dutch East Indies. The rapidly growing shipping activities, which relied on sea routes, could no longer be accommodated by the Sunda Kelapa Harbour. Consequently, the government decided to construct Tanjung Priok port. This study uses a historical method that includes heuristics, source criticism, interpretation, and historiography. The author discusses various aspects of Tanjung Priok Port, namely the construction process, the port's condition, development, and supporting elements. Additionally, the article covers the port activities before the formal institutional establishment of Tanjung Priok Port
Wujud Patrimonialisme di Taman Ismail Marzuki, 1968-1998 Yusuf, Nur Fadilah
Lembaran Sejarah Vol 20, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lembaran-sejarah.94095

Abstract

This article discusses the forms of patrimonialism that occurred during the New Order era with a case study of Taman Ismail Marzuki. The state's involvement in hegemony in the field of culture transforms into Javanese power politics present in the post-colonial era so that the state fully controls the activities of artists in one space. As a public space, Taman Ismail Marzuki cannot be separated from political intervention, which has made it an arena for contestation between artists and the state. The New Order's patrimonial practice at Taman Ismail Marzuki lasted from 1968 to 1998, allowing the state to control artists for legitimisation purposes. The questions raised in this article include: why did the state build Taman Ismail Marzuki? How did the state utilise Taman Ismail Marzuki as its political project? Who are the actors in Taman Ismail Marzuki? This article uses the historical method which includes heuristics, source criticism, interpretation and historiography. The research uses the concept of patrimonialism and departs from the concept, there are results and findings that the author describes including: (1) Patrimonialism in the Culture, (2) Negotiation Space of Politics and Culture, (3) The State Takes the Role of Culture and (4) Criticising New Order Politics.
GAGALNYA PEMINDAHAN IBU KOTA NEGARA DI INDONESIA ABAD KE-20 Yusuf, Nur Fadilah
Historia Vol. 8 No. 1 (2025): Kewilayahan dan Kebudayaan
Publisher : History Department, Faculty of Humanities, University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The study of political cannot be separated from the scope of its study which leads to power and policy. On the one hand, study of political can also be seen in the case of planning the construction of the national capital. National capitals, like building a city, can characterize the ideology and mentality of the rulers, and it is not uncommon for cities to serve as political legitimacy and historical memorials. This article uses the critical historical method with the stages of heuristics, source criticism, interpretation and historiography. This research focuses on the forms of failure of the relocation of the national capital shown through historical events. Based on this research, there are findings that become the novelty of the article including: The Relocation of the Capital in the Dutch East Indies Period, the State Capital in the Soekarno and New Order Eras and its Development. The three findings show that there are similarities in the forms of failure that make Jakarta have the magic so that its status remains as the capital of the country. Through the forms of failure to relocate the national capital, the failure can be caused by errors in policy direction and decision-making that have an impact on state losses.
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