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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra
Muhammad Majid al-Dakeel
Jordan – Irbid – Irbid University College (BAU) Alamat Korepondensi: Departement of Basic Sciences – Division of The Arabic Language and Literature Telp. 0795951757, 0776409019. Fax. 02-7254635
Languange, Linguistic, Communication & Media

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QIROAH FII AAFAAQ MUSHTHALAHAY AL-THAB’I WA AL-SHAN’I FII AL-NAQD AL-’ARABY AL-QADIIM al-Dakeel, Muhammad Majid
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 6, No 2 (2011): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (455.925 KB) | DOI: 10.18860/ling.v6i2.1463

Abstract

Seemingly, the classic Arab criticism experienced terminology crisis. Besides the word-meaning balance, our critics seized upon dichotomization in the poetry theory, with many arguments were about the two terms of (tab') temper and (takaluf) pretense with no specific meaning being given to each. Our classic critics have been using multiple terms to suggest such dichotomy. For example, to indicate improved and cultured poetry, they have been using such terms as (takaluf, sana'a, mataskalaf, matakalif, sani'). However, for term temper our classic critics typically used numerous synonymous words which, in fact, indicated the same meaning. Such terms as temper, innate, genius, talent, disposition, wittiness, and intuition are all represent poetical faculty, or poetical energy of a poet. Despite diversified, such dichotomous criticism terms are synonymous; a poet, for instance, should already have the inspiration and poetical faculty in order to compose poetry. Only then and next to temper comes assuming (sana'a) and pretending (takaluf) by a poet in an effort to produce improved and reviewed poetry which reflect development of a community.Keywords: Mushthalahah, Thab’i, Shan’i , Naqd
AL-HAMZAH WA ASHWAT AL-ILLAH BAINA AL-WASHFI AL-NUTHQI WA AL-BINYAH AL-MAQTHAIYYAH Dziyab, Musthafa Bani; al-Dakeel, Muhammad Majid; Syahadaat, Majdi Husain Ahmad
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 11, No 1 (2016): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.663 KB) | DOI: 10.18860/ling.v11i1.3536

Abstract

This study investigates the relation between the hamza and vowel sounds as it offers the phonetics' characteristics for both hamza and vowel sounds in their separatedly contexts and for the effect of phonetics' contexts on their phonetics' characteristics. This study concludes that there is a symmetrical relation between the characteristics of the hamza and vowel sounds specially when the vowel sounds come after (a) at the end of the word. In addition to what had been mentioned, this study elaborates the effect of syllabic structure in Arabic on the phonetics' sequences for the vowel sounds which lead to the convert of (w) and (y) to hamza after (a). This conversion is discussed despite the difficulties of the articulations of the sounds.
QIROAH FII AAFAAQ MUSHTHALAHAY AL-THAB’I WA AL-SHAN’I FII AL-NAQD AL-’ARABY AL-QADIIM al-Dakeel, Muhammad Majid
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 6, No 2 (2011): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v6i2.1463

Abstract

Seemingly, the classic Arab criticism experienced terminology crisis. Besides the word-meaning balance, our critics seized upon dichotomization in the poetry theory, with many arguments were about the two terms of (tab') temper and (takaluf) pretense with no specific meaning being given to each. Our classic critics have been using multiple terms to suggest such dichotomy. For example, to indicate improved and cultured poetry, they have been using such terms as (takaluf, sana'a, mataskalaf, matakalif, sani'). However, for term temper our classic critics typically used numerous synonymous words which, in fact, indicated the same meaning. Such terms as temper, innate, genius, talent, disposition, wittiness, and intuition are all represent poetical faculty, or poetical energy of a poet. Despite diversified, such dichotomous criticism terms are synonymous; a poet, for instance, should already have the inspiration and poetical faculty in order to compose poetry. Only then and next to temper comes assuming (sana'a) and pretending (takaluf) by a poet in an effort to produce improved and reviewed poetry which reflect development of a community.Keywords: Mushthalahah, Thab’i, Shan’i , Naqd
Co-Authors Majdi Husain Ahmad Syahadaat, Majdi Husain Ahmad Musthafa Bani Dziyab, Musthafa Bani