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All Journal Panggung Capture : Jurnal Seni Media Rekam
Laras, Ketut Gura Arta
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Arts Humanities Education

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VISUALISASI TEKNIK KOLASE DALAM FOTOGRAFI EKSPRESI GURAT KARAT Laras, Ketut Gura Arta
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4379.537 KB) | DOI: 10.33153/capture.v2i1.527

Abstract

The selection of photography work object was not always in the beautiful shape. The uniqueness of an object could become its own attraction and inspiration in creating the photography work. The expression of the composition and visualization in a work art became the characteristic of the artist himself. Gurat Karat was a concept of photography work art which explored the shape, texture and color of the rust of metal, especially in the rust of iron. We could explore the simple items in our surrounding which were not longer used and already broken. The iron which was rusted had its own uniqueness and attraction to observe. The change of the characteristic and the shape was v ery contrast. Before being rusted, the surface of the iron would be smooth, but after being rusted, the surface would be rough and the color would change. It was a result of rusting process of the iron itself. The phenomenon eventually stimulated the researcher to take the rust theme of the iron as an object in this photography work art creation. In arranging this photography work, the researcher used esthetic theory of Monroe Beardsley which listed three basic esthetic charac teristics as follow: unity, intensity and complexity. The visual work in 3D display created the image of space and dimension in this work. Colase technique was used in creating this work by combining 2D photography work and the object in the original item in the photography work itself, or using the construction which was suitable with the stuck object which was adjusted with the weight of that object. In a display, this work was not only enjoyed by the sense of sight but also the sense of touch since the texture in this work art could be touch.Keywords : Expressie Photography, Rust, and Collage
VISUALISASI TEKNIK KOLASE DALAM FOTOGRAFI EKSPRESI GURAT KARAT Laras, Ketut Gura Arta
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v2i1.527

Abstract

The selection of photography work object was not always in the beautiful shape. The uniqueness of an object could become its own attraction and inspiration in creating the photography work. The expression of the composition and visualization in a work art became the characteristic of the artist himself. Gurat Karat was a concept of photography work art which explored the shape, texture and color of the rust of metal, especially in the rust of iron. We could explore the simple items in our surrounding which were not longer used and already broken. The iron which was rusted had its own uniqueness and attraction to observe. The change of the characteristic and the shape was v ery contrast. Before being rusted, the surface of the iron would be smooth, but after being rusted, the surface would be rough and the color would change. It was a result of rusting process of the iron itself. The phenomenon eventually stimulated the researcher to take the rust theme of the iron as an object in this photography work art creation. In arranging this photography work, the researcher used esthetic theory of Monroe Beardsley which listed three basic esthetic charac teristics as follow: unity, intensity and complexity. The visual work in 3D display created the image of space and dimension in this work. Colase technique was used in creating this work by combining 2D photography work and the object in the original item in the photography work itself, or using the construction which was suitable with the stuck object which was adjusted with the weight of that object. In a display, this work was not only enjoyed by the sense of sight but also the sense of touch since the texture in this work art could be touch.Keywords : Expressie Photography, Rust, and Collage
Limbah Besi dalam Fotografi Kolase: Perspektif Ecoart Laras, Ketut Gura Arta
PANGGUNG Vol 34 No 1 (2024): Artistik dan Estetik pada Rupa, Tari, dan Musik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i1.3258

Abstract

Limbah besi merupakan barang bekas yang sudah tidak ada nilai maupun fungsinya, baik untuk kebutuhan rumah tangga maupun kebutuhan yang lainnya. Limbah besi banyak ditemukan di berbagai tempat, ada yang masih bisa dijual Kembali, tetapi banyak juga yang sudah tidak dapat dijual atau digunakan Kembali. Limbah besi menjadi objek dalam penciptaan karya fotografi, yaitu menciptakan karya seni dengan menggunakan material limbah sehingga dapat menciptakan visual karya fotografi tiga dimensional dengan menggunakan teknik kolase. Dalam penelitian ini menggunakan penelitian berbasis praktik (practice-based research), sebuah kreatifitas dengan melakukan langkah atau tindakan eksplorasi, yaitu melakukan pengamatan langsung keberbagai lokasi dan visualisasi dengan melakukan eksperimentasi dan menggunakan perspektif EcoArt. Penelitian ini menghasilkan karya fotografi dengan menggunakan barang bekas atau rongsokan sebagai fotografi kolase dengan perspektif EcoArt yang mempunyai nilai-nilai estetik. Kata kunci: limbah-besi, fotografi, kolase, dan EcoArt
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