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Historizing the City of Pekalongan Allo, Katherina; Piliang, Yasraf Amir
TAWARIKH Vol 7, No 1 (2015)
Publisher : ASPENSI in Bandung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1613.185 KB)

Abstract

ABSTRACT: Historizing a collective life requires moments of time which construct a shared memory, moments in time that have brought a revolutionary change in the collective life, moments of marking that shared life in the progressive time sequencing, and moments of repetitions of what has been lived and experienced in that collectiveness. Without a moment of revolutionary change, the finding of that moment in history would seek into other forms of acknowledgement. Accordingly, the Pekalongan city in Central Java has a significant role in the development of batik production in Indonesia; and so, in 2011, this city was launched as the “world batik city” by the government. This gesture was made to re-activate the dynamics of life in Pekalongan as it has experienced a decline in its industrial productivity. Other local potentials that support the characteristics of Pekalongan as a batik city have also been re-activated and upgraded, such as conserving the local batik kampongs, “Kauman” and “Pesindon”, to be part of the national batik tourist destination areas. This writing will analyze how the life in Pekalongan underwent its historical process and how the external and internal factors interacted and weaved the various texture of life as it became the local color and identity of Pekalongan. Qualitative analysis methods are used in this writing to redefine what is commonly understood as a process of historization, and how this understanding can be used to look at the different contexts of life in Pekalongan. The finding of this research will show other possibilities that can be explored in the process of redefining and historizing the life of this city.KEY WORDS: Historizing, collective life, batik, Pekalongan, world batik city, tourist destination area, local color and identity, and redefining of history.  About the Authors: Katherina Allo is a Doctoral Student at the Faculty of Fine Arts and Design ITB (Bandung Institute of Technology), Jalan Ganesha No.10 Tamansari, Bandung, West Java, Indonesia; and Prof. Dr. Yasraf Amir Piliang is a Lecturer at the Faculty of Fine Arts and Design ITB Bandung, West Java, Indonesia. For academic interests, corresponding author is: ar97ka@indo.net.idHow to cite this article? Allo, Katherina & Yasraf Amir Piliang. (2015). “Historizing the City of Pekalongan” in TAWARIKH: International Journal for Historical Studies, Vol.7(1) October, pp.99-110. Bandung, Indonesia: Minda Masagi Press, ISSN 2085-0980.Chronicle of the article: Accepted (August 29, 2015); Revised (September 27, 2015); and Published (October 28, 2015).
Utopia, Heterotopia, and Mediatopia: Rethinking Foucault and Performativity in Krisna Murti’s Video Artworks Allo, Katherina; Piliang, Yasraf A.
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 26 No. 1 (2010)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.606 KB) | DOI: 10.26593/mel.v26i1.910.53-62

Abstract

As the epoch of space confronts us with its multiplicity of networks, a new architectonics of space has begun to raise its own construction. Foucault’s terminology of utopia and heterotopia has covered the delineation of the other spaces, spaces which invert, mirror, suspend, and neutralize the real spaces of society. With the propagation of moving images into the space of our daily life, every space at any given moment can turn into an image of utopia as well as a construction of heterotopia. As Foucault says, now is the epoch of space, now is the time to re-value and re-define the contemporary space we live in.
Sembilan Matahari’s Vmaps: Retelling Geographical Memories and Narratives in Digital Culture Allo, Katherina
MELINTAS An International Journal of Philosophy and Religion (MIJPR) Vol. 31 No. 3 (2015)
Publisher : Faculty of Philosophy, Parahyangan Catholic University, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1342.895 KB) | DOI: 10.26593/mel.v31i3.1918.262-275

Abstract

Images and representations have long been used to tell the history of a place, to crystalize local memories, myths and beliefs, and to share meaningful values in a collective life. Sembilan Matahari, one of the nationally renown film-makers and video artists in Indonesia, has produced works of video-mapping (vmap) from 2010 to 2014 in public spaces as part of the local events to celebrate and re-activate the life of a people. Through Sembilan Matahari’s works the city of Jakarta, Pekalongan and Bandung have animated their iconic buildings to tell their stories and renew the memories of the place and the people. This article is based on a research examining the spatial construction of the event and the video-mapping, and how these spatial constructions relate to the geographical memories and narratives of the place. By using phenomenological approaches, this writing will explain how the three spatial constructions relate to one another, and how the reading/ interpretation of the video-mapping occur in experiencing Sembilan Matahari’s works.