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All Journal Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra JOURNAL OF LANGUAGE
Suhadi, Muhammad Fatih
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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HUMAN EXPLOITATION IN ARAVIND ADIGA’S NOVEL THE WHITE TIGER Seftina, Dera; Suhadi, Muhammad Fatih
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10023

Abstract

Aravind Adiga’s The White Tiger explores the stark social disparities between the wealthy and impoverished in India, illustrating how systemic poverty perpetuates marginalization. The protagonist, Balram Halwai, narrates his journey from a lower-caste background to becoming a self-made, successful individual in India. Balram's story is not just one of personal ambition but also of navigating a rigidly stratified society. This study addresses two primary issues: the exploitation Balram endures due to his socioeconomic status; and his strategic actions are to attain freedom from the oppressive forces in his life. Using a library research method, the study integrates secondary sources, including books and articles, to deepen the analysis of the novel. Employing a psychological approach, this study examines the psychological complexities of Balram’s character, supported by theories on character development, data credibility, theoretical triangulation, and reliability. Balram is depicted as an astute yet morally ambiguous character, exhibiting selfishness, cunning, irresponsibility, dishonesty, and a lack of remorse. The analysis reveals how his behaviors and attitudes—such as detachment from others and deviant tendencies—are shaped by his environment. India’s entrenched caste system underpins various social issues in the novel, including poverty, unemployment, corruption in education, inadequate healthcare, exploitation, discrimination, and the persistence of hierarchical master-servant relationships. These factors collectively influence Balram’s psychological development, and shape him into a figure both reflective and critical of the society he navigates.
EXPLORING THE PROTAGONIST’S SUFFERING IN DENNIS BOCK’S THE ASH GARDEN Ananda, Tristi; Suhadi, Muhammad Fatih
JOURNAL OF LANGUAGE Vol 7, No 1: May 2025
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v7i1.11073

Abstract

This research explores the multidimensional suffering of the protagonist, Emiko Amai, in Dennis Bock’s novel The Ash Garden, using Quilao’s theoretical framework on human suffering. Through a descriptive qualitative approach, the study identifies five types of suffering—physical, psychological, social, existential, and ethical—as reflected in Emiko’s experiences before, during, and after the Hiroshima bombing. The analysis highlights how Emiko, as a war survivor, embodies the traumatic effects of violence, displacement, and physical disfigurement. Her journey reveals not only the pain and isolation endured in the aftermath of war but also the gradual process of resilience and self-redefinition. Emiko’s coping strategies—both physical and psychological—demonstrate how human beings attempt to restore meaning and identity in the face of profound loss. By situating her suffering within a literary and humanistic context, this study contributes to the discourse on trauma narratives and deepens the understanding of war-induced suffering in postmodern literature.
GUILT IN JEFF ZENTNER’S NOVEL GOODBYE DAYS Caniago, Desriani; Suhadi, Muhammad Fatih
JOURNAL OF LANGUAGE Vol 7, No 2: November 2025
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v7i2.12030

Abstract

This study presents a psychological analysis of guilt and the journey toward self-redemption as depicted in Jeff Zentner's novel, Goodbye Days. Employing a qualitative descriptive method, the research meticulously examines the psychological turmoil of the protagonist, Carver Briggs, who is consumed by guilt after a tragic accident claims the lives of his three best friends—an accident he believes he caused by sending a text message. The analysis is framed within Bruce Narramore's theoretical framework on guilt, exploring its objective and subjective categories, including fear of punishment, loss of self-esteem, and feelings of isolation. The findings reveal the profound manifestations of Carver's guilt, which materialize through somatic complaints such as panic attacks, a depressed mood, self-condemnation, and acts of self-punishment. The study concludes that Zentner’s narrative portrays guilt not merely as a destructive force but as a complex and transformative psychological process. Ultimately, the novel illustrates that the path to recovery and self-forgiveness is arduous, requiring the individual to confront their pain and make peace with themselves before achieving redemption.
Existential Feminism in Andrea Hirata’s Novel Padang Bulan and Cinta Di Dalam Gelas Suhadi, Muhammad Fatih; Pardi, Pardi; Manugeren, M; Zein, T Thyrhaya; Pratiwy, Devi
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 7, No 2 (2023): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v7i2.46011

Abstract

Abstract. Gender issues have remained a hot issue owing to various influencing factors, including gender overlap and social inequality. Gender is a social sex reconstructed by society for both men and women. The gender difference stereotypes have given rise to gender injustice detrimental to women. The presence of the concept of existential feminism initiated by Simone De Beauvoir is a bright spot and hope for all women, especially those in patriarchal system communities. The purpose of this research is to uncover the traditional paradigm that women are cultural products and their independence is delimited. This is not in accordance with the concept of human rights which basically states that every human being has the same rights in carrying out life. So it is hoped that this paper can be used as a reference to eliminate the marginalization of women. The research is carried out using a qualitative descriptive design with phenomenological method to explore or photograph social situations thoroughly, broadly and deeply and also supported by the theory of sociology of literature, the description of social reality in literary works. The data collection procedures and the data analysis are done systematically based on the existing theories of qualitative research method. The results of the research show that the protagonist implements the existential feminist concept through the ability to work, being intellectual and responsible.  Throughout the research it is proved that existential feminism still exists to explore the marginalization of woman, summed up with a text that women are independent beings. Keywords: Existential Feminism, Intellect, Profession, Responsibility
Co-Authors Ananda, Tristi Caniago, Desriani Manugeren, M Pardi Pardi, Pardi Pratiwy, Devi Seftina, Dera T. Thyrhaya Zein